Diego Varela

参加作品

Al Final del Partido
Director of Photography
A story of five voices passionate about the legendary national sport, characters who know a reality that the vast majority of fans are unaware of. Those who live the joys and sorrows in their football clubs on a daily basis. There is something that unifies all of them: the passion for their work and their team.
Una de nosotras
Camera Operator
For more than forty years, Belela Herrera has dedicated her life to saving that of others. The politically persecuted, those displaced by civil wars, and the world's refugees are her concern and vocation. Her story is also that of a woman who defined herself and twisted the destiny reserved for girls of her social class: marrying to a man from high society, having a large family and a comfortable and elegant existence . And it is also the story of a female legacy that is part and consequence of the invisible resistance of thousands of women.
Conversations with Turiansky
Director of Photography
Biographical portrait of the labor movement and left wing movement in Uruguay, "Conversations with Turiansky" combines two stories. The first portrays the son of immigrants, the engineer passionate about the mystery of electricity, the man in love, the movie buff. The other places the protagonist in his time: union struggles, the advance of authoritarianism, prison and the challenges of the present. In both are present the lucidity, commitment, discreet tenderness and humor of Wladimir Turiansky.
El padre de Gardel
Camera Operator
For thirty years, Carlos Escayola was the main politician of the small town of Tacuarembó, Uruguay. This farmer was known both for his political and cultural achievements (including the construction of a theater), and for the reputation of seducer, which earned him one of the greatest family polemics in the history of the region.
El padre de Gardel
Director of Photography
For thirty years, Carlos Escayola was the main politician of the small town of Tacuarembó, Uruguay. This farmer was known both for his political and cultural achievements (including the construction of a theater), and for the reputation of seducer, which earned him one of the greatest family polemics in the history of the region.
The Calendar
Director of Photography
The story of how a Uruguayan political prisoner, Jorge Tiscornia, from 1972 on, secretly kept a meticulous and personal record of his living conditions during the 4646 days (More than twelve years) that he was in prison in Penal de Libertad: the largest political prison in the 1970s' Latin America.
Chico Ferry
Director of Photography
The Circle
Director of Photography
Award-winning documentary about how one Uruguayan leftist survived solitary confinement during the dirty war. The story of former Tupamaro guerilla fighter, Henry Engler, whose prolonged confinement and torture during the Uruguayan dictatorship led to a mental breakdown. Today Dr. Engler is a Swedish citizen and a scientist renowned for his research into Alzheimer’s disease. In this impressive documentary, the scientist visits the places of his painful past, painting an intimate and disturbing portrait of prison life under the dictatorship.
Stories of Activists
Camera Operator
This documentary tells the story of a group of Uruguayan political and social activists who began or intensified their activities in the 1960s. What emerges is how diverse the Uruguayan left was in thought and action in fields like attitudes to armed struggle, the place of women and children, the historical significance of the Frente Amplio Party and the ways in which the old ideals have found expression - or not, as the case may be - under the first left wing national government in the history of the country. The documentary was made for Casa Bertolt Brecht, and is geared to stimulating debate and training new generations of activists.
Stories of Activists
Director of Photography
This documentary tells the story of a group of Uruguayan political and social activists who began or intensified their activities in the 1960s. What emerges is how diverse the Uruguayan left was in thought and action in fields like attitudes to armed struggle, the place of women and children, the historical significance of the Frente Amplio Party and the ways in which the old ideals have found expression - or not, as the case may be - under the first left wing national government in the history of the country. The documentary was made for Casa Bertolt Brecht, and is geared to stimulating debate and training new generations of activists.
Two Hitlers
Camera Operator
One is a former police officer, bodyguard and hairdresser. Currently retired, he takes care of his extravagant and almost hundred-year-old illiterate mother. He writes poems and hopes to see them published one day. The other, a declared womanizer, workaholic, and leftist, was imprisoned during the dictatorship, runs a small grocery shop, and controls the life of his young second wife. Both were born in the Uruguayan hinterland during the Second World War, and share the same name as well as the fact that neither has wished to change it. The film is a tragicomic portrait of a country whose cultural diversity, its peculiar history and the character of its inhabitants allow the existence of exceptional and remarkable persons that depict a live picture of Uruguay, with its plurality and contradictions, its small and large history, without departing a single moment from irony or reflection.
Two Hitlers
Director of Photography
One is a former police officer, bodyguard and hairdresser. Currently retired, he takes care of his extravagant and almost hundred-year-old illiterate mother. He writes poems and hopes to see them published one day. The other, a declared womanizer, workaholic, and leftist, was imprisoned during the dictatorship, runs a small grocery shop, and controls the life of his young second wife. Both were born in the Uruguayan hinterland during the Second World War, and share the same name as well as the fact that neither has wished to change it. The film is a tragicomic portrait of a country whose cultural diversity, its peculiar history and the character of its inhabitants allow the existence of exceptional and remarkable persons that depict a live picture of Uruguay, with its plurality and contradictions, its small and large history, without departing a single moment from irony or reflection.
Near the clouds
Camera Operator
A small community of old people are living in a rural town, deep in the countryside in Uruguay, lost in a vast expanse of green grass. They do not have electricity or running water. They watch the time go by slowly and silently, but they do not complain or make excuses as they wait for the new day. That's just what life is like in Quebracho.
Near the clouds
Director of Photography
A small community of old people are living in a rural town, deep in the countryside in Uruguay, lost in a vast expanse of green grass. They do not have electricity or running water. They watch the time go by slowly and silently, but they do not complain or make excuses as they wait for the new day. That's just what life is like in Quebracho.
Women's Memoirs
Camera Operator
The Punta de Rieles prison was where most female political prisoners were incarcerated during the dictatorship in Uruguay. The way up to the building led through “the meadow” where there were animals grazing, and the prison itself was surrounded with flowers. The place seemed eminently liveable, almost comfortable, and at first sight there was no sign of the silent struggle going on behind those walls. This documentary is an attempt to reconstruct life at the prison through the testimony of some of the hundreds of women who were there and who resisted the military regime's attempts to grind them down and destroy them.
Women's Memoirs
Director of Photography
The Punta de Rieles prison was where most female political prisoners were incarcerated during the dictatorship in Uruguay. The way up to the building led through “the meadow” where there were animals grazing, and the prison itself was surrounded with flowers. The place seemed eminently liveable, almost comfortable, and at first sight there was no sign of the silent struggle going on behind those walls. This documentary is an attempt to reconstruct life at the prison through the testimony of some of the hundreds of women who were there and who resisted the military regime's attempts to grind them down and destroy them.
The Wait
Cinematography
In Montevideo, Sonja cares for her invalid mother, works in a garment factory, and has little going for her. Her neighbor Modesto, an older man who lives alone, types anonymous letters to her. Her mother is difficult -- demanding and miserable, afraid of death. Sonja meets Ernesto, a nurseryman, and finally there may be some possibilities in her life. Does freedom beckon?
Divine Words
A work of Valle-Inclán, the story takes place in Galicia in the early twentieth century. To escape poverty, the wife of a sacristan uses a hydrocephalic child as a sideshow attraction. This causes a confrontation with her sister-in-law.