Takashi Fujiki

人間によるアマゾン殱滅作戦は佳境を迎えていた。この世に生存が確認されているアマゾンは残り2体、「水澤悠／仮面ライダーアマゾンオメガ」と「鷹山仁／仮面ライダーアマゾンアルファ」。この2体を狩れば、すべてが終わる、はずだった。 「アマゾン畜産計画」と謎の養護施設、水澤悠を追うアマゾン駆除組織4C、共生と競生、肉食と草食――。 激しい運命に翻弄された悠と仁に決着の時が迫る…。

「アマゾンプロジェクト」の責任者・水澤令華のもとに2年前から養子として引き取られた一人の青年・水澤悠がいた。彼も自らの変調に気付きつつあった。そしてアマゾンを狩るアマゾン、鷹山仁も独自に行動を開始していた。その男の目的は依然謎のままである…様々な思惑が錯綜する中、悠と仁の出会いによって物語は大きく動き出すのであった。

A man is murdered after stealing documents from the Olympic Department of the Ministry of Education, Culture, Sports, Science and Technology.

A woman has thrown herself away for rescuing a country. A man has picked up a sword to protect a woman. Time in the 17th century, and place in the Iberian Peninsula. The master thief of the era Goemon ISHIKAWA (Arata FURUTA) has been rampaging in the Mediterranean Sea as a protector of a female pirate named Anne the Tornado (Yuki AMAMI)./span> One day, it turns out that Anne is the heir-to-the-throne of a small country. Heard of the corrupt politics in that country after the king's death, her inborn masculine spirit makes-up her mind to become the Queen of the country. The first duty as the Queen is to eradicate the pirates. Against her will, she is forced into a fight against Goemon who protected her former comrades. Godemon, who became suspicious of the series of events, brakes into the castle to steal Anne out. What Goemon saw there was ......!? What would be the fate of Goemon and Anne...!!

In 1974, during the height of the recession, a Japanese Korean family relocates to Tokyo to raise money and seek better treatment for their ill son.

Kyuketsu Onsen e Yokoso (吸血温泉へようこそ kyuuketsu onsen e youkoso, translated as Welcome to the blood-sucking hot spring) alternatively known as Kyuketsu Onsen ni Yokoso (吸血温泉にようこそ kyuuketsu onsen ni youkoso) is a Japanese direct-to-video horror-erotic film released in 1997 by the Japanese studio known as Museum. It is based in an original story by Go Nagai. A little after the release of the film, a manga version was also released in the magazine Comic Bazooka by Tatsumishuppan, from May 1997 to August 1997, and later released in a single tankōbon in 1997-10-25 by Mediax in the line MD Comics. The manga was later published in the compilation tankōbon Kireta Ito: Nagai Go Jisen Sakuhin shu published by Kadokawa Shoten in 2001. The film features famous Japanese celebrity Aya Sugimoto in the role of the landlady of the onsen and the main vampire woman, ex-idol singer Yuka Onishi of Sukeban Deka III fame, and AV idol Ryo Hitomi.

刃傷騒ぎで殺された前任者の代わりに、派手な装束の美青年、奥田右京亮が南町奉行として赴任する。彼は若いながらも老中酒井に引き立てられた野心家だった。一方、同奉行所の同心にして仕事人の主水は、江戸市中を暴れ回る旗本愚連隊の事件を担当していた。長屋で愚連隊に殺された浪人について探りを入れる主水は、子連れの仕事人・文七やなじみの店のおかみ・おふくらの情報から、事件の裏に右京亮が潜んでいることに気付く。

刑務所から脱獄し、街を逃走中の松島ナミは、地下鉄の車内にいるところを刑事の権藤に見つかり、手錠をかけられるが、ドスで相手の腕を切り落とし、血まみれの腕と手錠を自分の手首にぶら下げながら、なおも必死で街を逃げ回る。ナミは、中川ユキという若い女性に助けられ、彼女と親しくなるが、ユキは不幸な身の上の売春婦だった。その一方でナミは、彼女の正体を知る鮫島カツという悪女に捕まり、監禁される事態となる。

Rica wanting a fresh start leaves her friends and past life behind or at least that is what she thinks as trouble always seems to find her. Rica's looks into a ship that exploded and everyone who survived this disaster who comes in contact with her dies. Rica only chance of solving the mystery of the sunken ship is if she can locate a old friend of hers who just happened to be on that ship the night it blew up.

The Kanto Gypsies, a tough girl gang, hide out from the law in the middle of a disputed gang territory, where they end up getting kidnapped by sinister underworld thugs. After breaking free, the girls set their sights on one thing: revenge. Miki Sugimoto stars as girl boss Komasa, the ruthless and sadistic leader of the Kanto Gypsies who possesses more than enough brains to match her killer looks.

When two Girl Bosses fight each other over territory, their enmity is difficult to solve - they are equals in looks, strength, determination, and power of their respective girl gangs. So, the way is open to a mischievous Yakuza Boss who invites them for a peaceful way to decide their feud: a sexual challenge for him to decide who is the better Girl Boss. Trapped, both are subject to the man's lust and sadistic assaults. They escape by joining forces against the yakuza gang, though it costs one of the young women her life - when she was friends already with her former enemy.

Exciting fight of a secret police detective over secret of a diamond.

渡哲也の松竹第一回主演映画。極限まで追いつめられた男女の壮烈な愛と掟を感動的に描くアクション映画。共演は范文雀、岩下志麻ら。主題歌「哀歌」も渡哲也が歌い上げている。

The series swansong, Beat '71, sees Kaji framed and sent to prison by her boyfriend's father and with the help of some hippies she strives to be re-united.

Horror story about a girl who is shadowed by an invisible man.

A series of short stories about bizarre crimes committed by females in the Meiji, Taisho, and Showa Eras. Discover 4 famous Japanese murderers: Takahashi Oden, the last woman beheaded in Japan, Sada Abe, a crazy lover, Kunihiko Kodaira, a rapist-killer and finally, the Toyokaku case, a woman who did everything to own a hotel.

A story of yakuza lynching during the Edo, Meiji, and Showa periods.

Suspense drama about an assassin charged with breaking up a gold smuggling ring, and the contract subsequently purchased against him and his employer.

Jun Aisaka seduces one woman after another. His victims were flirtatious married woman Noriko, student Keiko, widow Mitsuko and dancer Rumi. As a result, he ends up in prison, but after escaping with another prisoner, he continues his criminal adventures with a partner. It is clear that this will not end well. Moreover, a couple of detectives are already on the trail of the criminals.

昭和30年前後、ある地方都市。刑務所を出所した速水は世話になった田島組に戻るが、田島組は新興勢力の本間組と対立していた。速水は組長の娘・敏子にひそかに好意を抱くが、田島組のある組員が本間組に射殺されてしまう。速水が単身、本間組に殴り込みをかけると警察に逮捕されて、ふたたび懲役へ。そこで昔なじみの流れ者・黒島と再会するが、黒島は本間組の世話になる身だった。塀の外では田島組と本間組の抗争が激化する。

Japan-Hong Kong co-production.

北海道北端の網走刑務所。殺人傷害8年の刑で服役していた橘真一は、所内で起った脱獄騒ぎには眼もくれず、雑居房の仲間たちの羨望の眼差しに送られて仮出獄となった。さしあたって行くあてもない橘は「社長が俺の保釈金を出してくれる筈だ」という病身の葉山の願いをかなえてやろうと、釧路港の志村運送店へ赴くが、そこは運送店とは名ばかりでオンボロトラックが一台あるきり、とても保釈金を出す余裕などなかった。

Musical actress Noriko feels frustrated by the futility of her affair with a married man. Then she is offered a role in a new production that appears to mirror her own private life... An excellent work that stylishly depicts its gradually evolving heroine.

刑務所を出所した村木は、賭場で少女と出会う。ある夜、彼は屋台でその少女と再会した。彼女の名は冴子。冴子はもっと大きな勝負があるところへ連れて行ってほしいとせがんだ。二人は大きな賭場へ行くが、村木はそこで、葉という男を見つけた。殺しと麻薬だけに生きているという葉は、賭けをしている冴子のことを見つめていた。

Follows the lives of three sisters who have a dance act together.

Assistant Police Inspector Saburo Tatsuno, a former jazz pianist, is assigned to uncover a narcotics ring. But he falls victim to the seductive wiles of Maki, the beautiful night club singer and one of the leaders of the ring. One by one, Maki's discarded lovers vanish and Tatsuno faces a similar fate. Tatsuno confesses to his identity under torture and this leads to the murder of his undercover colleague. He realizes that his career is ruined and this, plus Maki's charm, induces him to join the smugglers. Before submitting his resignation, however, he leads the police on a wild-goose chase while a big narcotics transaction is taking place in another part of town, and this puts him among the leaders of the underworld. When Maki turns her attention to a youthful singer, Tatsuno realizes that he has gambled his whole life and lost. So he stabs the tantalizing beauty, and is in turn shot down in a gangland revenge killing.

Takashi Fujiki stars as a rebel in this drama about life on the Yokohama waterfront by New Wave director Masahiro Shinoda. The rebel works as an errand boy for a shipping company and vents his frustrations by plucking on the guitar. His interpretations of popular trends in music are sometimes right-on, and sometimes not exactly. Bereft of his guitar, the rebel's modes of expression are not as effective in generating interest as the Yokohama docks themselves, a fascinating world in their own right.

A leading postwar Japanese film critic and theorist who co-founded the seminal film magazine Eiga Hihyo (Film Criticism) in 1957, Eizo Yamagiwa made his directorial debut with this independent feature—long thought lost until a negative was recently discovered—about a group of idle bourgeois students known as the “Roppongi Tribe” (Roppongi zoku). Depicting the resignation and nihilism of the postwar generation in the years following the Anpo Treaty conflicts through a coming-of-age narrative, Yamagiwa offers sharp criticism of the prevalent characterizations of Japan's new youth offered by Nikkatsu's taiyozoku (“Sun Tribe”) films and the New Wave at large.