Matthias Fuchs

Prüfstand VII is a 2002 German docudrama film directed by Robert Bramkamp, about the V2 rocket and the rocket research in the Peenemünde Army Research Center. The film deals with the history of ideas surrounding the rocket research and the conquest of space, with Bianca as the spirit of the rocket guiding the viewer around different aspects of rocket research. It is partly inspired by Thomas Pynchon's novel Gravity's Rainbow and features dramatization of some selected scenes from the novel.

With 1970s Germany in the background, this film depicts the story of a family from the “R.A.F. Terrorist” group and their search for a normal life and their inner self.

This mock documentary uses archival footage, interviews and reports taken out of context and staged interviews to highlight a possible escalation into a nuclear war. In this feature, tension in East Germany, and an uprising triggered by a visit by Gorbachev sees a successful military coup taking place in the USSR. Western actions against brutal crack-downs on civilians involved increases tension between the sides, finally resulting in nuclear war.

After the corpse of the programmer Klaus Pape was found neatly dismantled in a freezer, Commissioner Beate Stein starts the research that will lead her to both the red-light district and the better society of Hamburg.

Fritz Haarmann, who has killed at least 27 boys, is questioned by a psychology professor in order to find out whether he is sane and can be held responsible for his crimes. During this interrogation Haarmann reveals his motives and his killing methods.

The ambitious young Ina Littmann is an investigative journalist for the TV talk show "Eye in Eye". Her current subject is Henry Kupfer, who wrote a bestseller about a psychopathic killer after he was himself in prison for 8 years for manslaughter. As an entry for the show Ina plans to use a current series of brutal murders among prostitutes. When Ina meets Kupfer, she is despised and fascinated at the same time. Soon she's convinced that Kupfer not only writes about murders, but commits them himself. She smells a smash hit and prepares to prove him guilty on the show.

A comedy directed by Hans-Christoph Blumenberg.

Living and loving in a small village in the south of Germany. People and their conflicts with morality, manners, and society.

A couple of stories revolve around the last days of a stripclub called 'Mau Mau'.

A group of people meet on board an ambulance aircraft. They are all looking for a mysterious young man for different reasons. A "psychological-poetic" film that explores why people are puzzles to one another in the form of a game.

The year is 1997, and World Peace seems to have come, with most classic weapons of mass destruction having been abandoned. However, orbiting the Earth there is the European/American space station FLORIDA ARKLAB, capable of controlling the weather at any location on the planet underneath. A civil project by nature, it might be abused as an offensive weapon, since it could deliver devastation to any potential adversary simply by creating natural disasters such as storms and floods. No wonder the space station soon becomes the central point in rising political tensions between East and West, next stop World War 3 (as indicated by the tagline "The end of our future has already begun"). We follow the main protagonist Billy Hayes, an astronaut aboard the station, as he wades through a plot of secrecy and sabotage trying to tell friend from foe in the process.

F.M. discovers that different sonic frequencies induce different patterns of behaviour in listeners, first in his own studio but later in the local "H-Burger" restaurant where the passive muzak appears to be wiping people's emotions.

Eva, an upper-class housewife, frustratedly leaves her arrogant husband and decides to enter the call girl business. She lets Yvonne, a prostitute, teach her the basics and both set out for prey together, until Eva starts an affair with Chris, who turns out to be a call boy, as well. Consequently, she moves into his penthouse, large enough for both to offer their services separately.

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.

“Death is my Trade” centers on the life of Rudolph Höss, the commandant of Auschwitz II-Birkenau for the majority of its existence. The main character's name in the film is Franz Lang. This name change was deliberate to ensure that the character is not automatically viewed as being some sort of villain or demon. Franz is an average German kid growing up during World War I. The film follows Franz as he grows up and becomes a hard, efficient, organized worker who eventually joins the National Socialist party in Germany. Impressionable young Franz takes orders as one of the utmost points of honor and duty, so when he is eventually asked by Heinrich Himmler to become commandant of the largest extermination camp built during WWII he barely hesitates to consider how heavy such a burden will be.

After a worker kills a superior and commits suicide, each of his family members attempts to forge a path forward in life.

Hebrew leader Lot (Stewart Granger) leads his people to a fertile valley adjacent to the cities of Sodom and Gomorrah, hotbeds of vice and corruption ruled by the merciless Queen Bera (Anouk Aimée). When Lot orders a dam to be busted in order to prevent destruction of the cities by the attacking Helamites, the queen, in gratitude, allows Lot's people to settle in Sodom. Soon, however, the veneer of civilization begins crumbling as Lot and the Hebrews become corrupted by the Sodomites.

1917年、司祭に任ぜられたファーモイルは聖ヨハネ教会の助任司祭として就任した。しかし、リアリストの主任司祭と理想を追うファーモイルは対立し、自分の意見を発表するために本を著した。これがボストン大教区の枢機卿グレノン大司教に知れ、いなかの貧しい教区に転任させられが、ここで病身をおして教区の人たちに心を砕く神父に会い、謙遜の尊さを知る。グレノン大司教はファーモイルの成長を知り、再び自分の下に呼びもどし秘書とした。ボストンの家に帰ったファーモイルは妹モナが異常妊娠で苦しむのを目の当たりにするが聖職につく身では堕胎をすすめられず妹は亡くなる。

Second part of two of the saga of the troubled Buddenbrook family and their business in 19th century Germany.

A comedy directed by Kurt Hoffmann.

The pony hotel has just been opened, but so far no guests have arrived. Dick gets Ralf to design a brochure about the hotel. The girls and Ethelbert then lead the village children on horseback to Lübeck, where they all distribute the brochure - not knowing that Dalli has added some embellishments to the text.

The Immenhof has been closed by officials, awaiting auction. In the meantime, Angela has died, so Jochen is now a widower. Oma Jantzen and Angela's younger sisters Dick and Dalli live with him in the forester's house. In order to save the manor house, Dalli has started a "pony circus" with the village children in the barn, while Dick has given up hope of Ethelbert ever returning.

Granny Jantzen lives with her three granddaughters Dick, Dalli and Angela on the small pony farm Immenhof in Northern Germany. Since the breeding of ponies isn′t profitable anymore, Granny Jantzen is struggling to keep the family property. During the summer break , young Ethelbert is spending his holiday with his cousins at Immenhof. While Angela has fallen in love with the wealthy land owner Jochen von Roth, Dick and Dalli have to put up with bigheaded urbanite Ethelbert.