Assistant Camera
A western comedy starring the Sicilian comedians Franco and Ciccio who produced dozens of such spoofs in the 1960s. This time, they quote mainly "The Good, the Bad And the Ugly". Ciccio is sergeant in the army and Franco volunteers to join (after too many drinks). Franco has a talking horse telling him where a treasure is buried. They have to get behind enemy lines in the civil war to get hold of it, though. (via IMDB- user unbroken metal)
Camera Operator
Camera Operator
The film begins at night, as parishioners holding lanterns form a series of processions, travelling through the night from Rome, and villages in the Abruzzi and Lazio regions, to make it to the Santuario della Madonna del Divino Amore, 10 miles from the capital, by morning. More than an anthropological study of ecstatic devotion – with its genuflecting disciples, and women who scream desperately at the sky – Divino Amore also speaks to Mangini’s interest in disappearing rituals and communities at risk of extinction. When generations of worshippers pour out of the church at the end of the service, formality dissolves into secular leisure, as families perched on horse carts eat plates of spaghetti and men fall asleep on the grass. The velvet-clad austerity of the church’s interior gives way to a series of pastoral tableaux.
Assistant Camera
On a hot summer day, a group of boys of the Roman suburbs play and laugh in one of the many rivers that surround the city. The camera scrutinizes them, approaches them, reveals the gestures and glances, wraps them in a sort of visual dance, while the words of the commentary (entrusted to the poetic sensibility of Pier Paolo Pasolini) narrate the stories, desires, dreams, the future.
