Shira Tova Billig

参加作品

Never Locked
Director of Photography
Sixteen-year-old Eitan wants to live in Amona where he was born, but that territory is still disputed. The most persevering squatter, he builds a house out of stones there together with his friends, which without any fuss gets destroyed by the police. "Never Locked" - a film with that name eloquently describes Eitan’s dream house - explores the question of whether people can live where they want and are able to live in their own country, of what makes places home, and talks about the feeling of being at home itself.
Never Locked
Producer
Sixteen-year-old Eitan wants to live in Amona where he was born, but that territory is still disputed. The most persevering squatter, he builds a house out of stones there together with his friends, which without any fuss gets destroyed by the police. "Never Locked" - a film with that name eloquently describes Eitan’s dream house - explores the question of whether people can live where they want and are able to live in their own country, of what makes places home, and talks about the feeling of being at home itself.
Never Locked
Screenplay
Sixteen-year-old Eitan wants to live in Amona where he was born, but that territory is still disputed. The most persevering squatter, he builds a house out of stones there together with his friends, which without any fuss gets destroyed by the police. "Never Locked" - a film with that name eloquently describes Eitan’s dream house - explores the question of whether people can live where they want and are able to live in their own country, of what makes places home, and talks about the feeling of being at home itself.
Never Locked
Director
Sixteen-year-old Eitan wants to live in Amona where he was born, but that territory is still disputed. The most persevering squatter, he builds a house out of stones there together with his friends, which without any fuss gets destroyed by the police. "Never Locked" - a film with that name eloquently describes Eitan’s dream house - explores the question of whether people can live where they want and are able to live in their own country, of what makes places home, and talks about the feeling of being at home itself.
Pop 30
Director
Mika's boyfriend Nati puts an end to the relationship when Mika proposes marriage. Mika moves back home and becomes addicted to the ATARI video game still sitting in her childhood room. But going back to the past doesn't heal Mika's heartache. She will have to find another way of moving on.
Give it Back!
Producer
Olivia (12), just moved with her family from New York and arrives for her first day of school. She struggles to find her place within the hierarchy of her new school. Finding herself caught between the popular students and her shy classmate, Alem, Olivia must ultimately make a choice about who she is and how she will navigate her newfound circumstances.