Rifkat Ibragimov

出生 : 1950-09-17,

参加作品

Wind Man
Director of Photography
Vocal Parallels
Director of Photography
Vocal Parallels is a surreal, impressionistic concert of classical opera pieces performed by several retired Soviet opera divas: Roza Dzhamanova, Araksiia Davtian, Bibigul’ Tulegenova, and the late Erik Salim-Meriuert (Kurmangaliev), a fantastic countertenor.
Road Under the Skies
Director of Photography
A boy and a girl fall in love. Immersed in the euphoria of their emotions, they forget about customs and traditions. While the boy can walk away from his responsibilities, the girl pays the price of being the subject of malicious gossip and of mothering an unwanted child.
Ompa
Director of Photography
A story about two friends-pilots who despite of having a bit of trouble with luck don't give up on hope & optimism.
Blagoslovennaya Bukhara
Director of Photography
Directed by Bako Sadykov.
Whirlwind
Director of Photography
In this heavyhanded political allegory, set in the plains and mountains of Central Asia, a tribe of people led by the fanatical Mavrut (Vladimir Msrian) wanders about in the most desolate parts of this already desolate region in search of a mythical "Land of Happiness." Their quest is hampered by the fact that they must all live a life which is extremely ascetic. One tribeswoman expresses a desire to have a child, but is rebuked by being reminded that she has vowed never to have worldly ties that would distract her from the quest. When she has a child anyway, she and her lover are made to pay for this crime in a horrific way. Despite that, the child becomes a kind of holy mascot for the group, touted by the leader as a kind of savior. They are distressed when the child goes missing one day, only to appear mysteriously on the opposite side of the rapids of a river, beckoning to them.
The Bride from Vuadil
Cinematography
A romance by Ali Khamraev with musical numbers interspersed
I Remember You
Director of Photography
A dying woman’s wish sends her son on a train journey from the steppes of Uzbekistan to the Russian hinterland in search of his father’s grave. Just as the traveler’s home city of Samarkand is situated on the border between East and West, Khamraev balances his film on the edge of two cultures, evoking the soul of Russia and the crumbling beauty of what was once the Silk Road.