Sergio Caballero

A group of friends in their early 40s are shocked by the death of one of them. After the funeral, they must fulfil his last wish: a peculiar game in which each of them must write down on a piece of paper something that they would like to do before they die. Each wish will be the starting point of an intense weekend in which they will live fun, unexpected and, sometimes, extreme situations. But each one will also open other doors, releasing fears, instincts, prejudices and secrets, leading them to more complex situations by confronting them with a concept that they carry as a condemnation: "adulthood".

This film is Álex Montoya's first feature film: an interesting adaptation of the play La gente by Juli Disla and Jaume Pérez, also screenwriters of the film. The emergence of assembly groups after the political movements after 2011 served their authors to cast a comic look at decision-making processes and the capacity for dialogue of the human being.

Miguel is a 14-year-old kid about to go back to a centre for minors. His mother, out of work and with an unstable personal life, is incapable of taking care of him. This is why Miguel lives in a state of constant urgency, doing the housework, selling Kleenex or stealing from supermarkets. All this ends when Social Services come for him again, and his mother makes him seek refuge in the house of Bogdan, a Rumanian ex-lover of hers who lives in a nearby town. At the same time, María, the owner of a bar, sympathizes with the boy and gives him the virtually maternal treatment that he does not get in his own home. However, everything is thrust forward when the mother suddenly disappears

In this Spanish comedy-drama, a man befriends his wife's lover in an attempt to understand what has happened to their marriage and win her back.

A dramatic vision of a near future in Spain, showing the degeneration of sanity department, the politics and a big crisis that is razing with all, converting the daily life of everybody in some sort of living hell.

Spain, 1953. Pedro Zaragoza, mayor of the city of Benidorm, in the province of Alicante, by the Mediterranean Sea, visits the Palacio del Pardo, General Franco's residence in Madrid, to ask him for help, in the hope of solving a very delicate problem.

Miguel makes the journey that his grandfather cannot make because he is locked up by his own family. The mission is very simple, go to a funeral and leave an army jacket on the grave of an old man, a friend of his grandfather. Miguel, accompanied by Lola and Guillermo, leaves that island of cement that is the Nazareth neighborhood. He wanders the outskirts of Valencia, looking for a cemetery and faces a deserted city.

Lucio is an old Soviet general emigrated to Spain after the end of the Soviet period. Natasha is a 12 years old girl, the unknown nephew of Lucio, who is abandoned by his stepfather in the door of the house of his uncle. They don't know each other, they are both lonely people, they don't like each other... but now, the old Soviet general and the strange little girl must live together. This new situation will ask for great sacrifices to the girl and the General, they will have to look inside to find the best of themselves in the worst of their lives.

The story of salesman Salvador Lozano and his ambiguous relationship with young hostess Inés.

Álex and Virginia, a couple planning to get married, buy an apartment located in a building under construction. When there are only a few months left before the apartments are to be delivered, the works are stopped indefinitely. Álex wants a solution and will do anything to get his apartment and have the life he had dreamed of.

After the death of his wife, Miguel decides to take a trip, postponed for many years, Argeles-sur-Mer, a small town in southern France, where thousands of refugees are concentrated for some time.

This is the story of an actor as immature as noble, a group of women who intend to become "her stallion". All harbor the desire to have children before it is too late, he, for his part, sees the opportunity to have a big family that he always dreamed.

Ruiz died. The Human Resources department of the pharmaceutical company Farewell-Gutmann has lost a dedicated director, but Lazarus, Adele and Ferdinand will miss him. Still warm body of the deceased, their subordinates killed begin the race for succession. The arrival of an eccentric from the central executive will forever change the relationship between them.

A middle class family in financial difficulties, looks like after winning a popular game show a large sum of money, the situation worsens and his life becomes complete nonsense.

Spain, the era of dictator Franco. Two female teachers are in love, but in those years and in that regime the love is not only forbidden but also a crime. To avoid their child been in prison, the parents of the one teacher, force her to be confined in a clinic for mental diseases, where she is heavily abused, the main treatment been electroshocks. After Franco's fall, and the change of things, she is free to return to her home, under the surveillance of her mother. Her father, more compassionate, helps her escape and find her lover. But the years of been under electroshocks have damaged her health, and make it impossible to live a normal life.

Son de Mar (English: "Sound of the Sea") is a 2001 Spanish drama / erotic film directed by Juan José Bigas Luna based on the novel of the same title by Manuel Vicent. It revolves around Ulises (Jordi Mollà), who comes to a fishing village to teach literature at a local high school. During his stay he falls in love with Martina (Leonor Watling), the daughter of his landlord. Sierra (Eduard Fernández), a rich businessman, also falls in love with her and fruitlessly tries to win her heart.

Joan Mares obsession for the lovely and luscious Norma Valenti takes epic proportions because he cannot let go of her. After he is injured by some skin heads, he uses his scars to pursue his life as a street musician. He devices a plan to get to Norma and she never catches on to his deceit, except she realizes that as Juan Faneca his performance in bed is exactly what she had experienced with Joan Mares because she concludes they were taught sex by the same prostitute.