Jean-Marc Prouveur

出生 : 1956-12-17, Saint-Quentin, France

略歴

Jean-Marc Prouveur is a French artist and filmmaker. He attended L'Ecole de Beaux-Arts in Cambrai. For much of the 1980s Prouveur worked independently in the photographic medium, creating artworks characterized by the "outlaw sexuality" of the male nude, punctuated by religious iconography, showing in London, Paris, New York City, Amsterdam and Rome. In the early 1990s Prouveur moved into film, launching his Liquid London studio. His early short films, Dance Macabre and the Georges Bataille-inspired Solar Anus were elegies to AIDS; later in the decade he moved closer to pornography. Prouveur now divides his time between London and Auvergne, France. He continues to experiment in photography and film whilst researching an essay on the history of pornography and its place in art. In February 2009 he announced that he is in negotiations to exhibit new works in Paris.

参加作品

The Manor
The Manor
Director
A happy couple is driving in an idyllic countryside when the car, after picking up an exhibitionist hitchhiker, breaks down They take refuge from the torrential rain in a sinister manor run by the cruel Luc Lemaitre and his slave Darkskin. Unknown to the three of them, this dilapidated residence is a very special farm where it is not the animals that are being milked but hunks in chains for the aphrodisiac quality of their semen. There will be no escape for our unfortunate travellers once the resident ghost has tasted the purity of their souls.
Beast
Beast
Editor
Beast takes us in the realm of enchantment where nothing is quite what it seems. This is a very grown up fairy tale where the sex can be at once brutal and gentle or vicious and corrupting. Cinematography, lighting, costume, sets and the cast of nine combine to make 'BEAST' a film unlike any other in the genre.
Beast
Beast
Camera Operator
Beast takes us in the realm of enchantment where nothing is quite what it seems. This is a very grown up fairy tale where the sex can be at once brutal and gentle or vicious and corrupting. Cinematography, lighting, costume, sets and the cast of nine combine to make 'BEAST' a film unlike any other in the genre.
Beast
Beast
Director
Beast takes us in the realm of enchantment where nothing is quite what it seems. This is a very grown up fairy tale where the sex can be at once brutal and gentle or vicious and corrupting. Cinematography, lighting, costume, sets and the cast of nine combine to make 'BEAST' a film unlike any other in the genre.
Uniforms: Boots 'n' Suits
Uniforms: Boots 'n' Suits
Editor
Suits, combats, decorators outfits... the uniform has always been a fetish for gay men and now this sexual tool of the business man, squaddie, and painter has been given the Liquid London treatment by its renowned director Jean-Marc Prouveur! You don't want to miss this!
Uniforms: Boots 'n' Suits
Uniforms: Boots 'n' Suits
Camera Operator
Suits, combats, decorators outfits... the uniform has always been a fetish for gay men and now this sexual tool of the business man, squaddie, and painter has been given the Liquid London treatment by its renowned director Jean-Marc Prouveur! You don't want to miss this!
Uniforms: Boots 'n' Suits
Uniforms: Boots 'n' Suits
Director
Suits, combats, decorators outfits... the uniform has always been a fetish for gay men and now this sexual tool of the business man, squaddie, and painter has been given the Liquid London treatment by its renowned director Jean-Marc Prouveur! You don't want to miss this!
The Gay Man’s Guide to Safer Sex
The Gay Man’s Guide to Safer Sex
Still Photographer
Instructional documentary produced in association with the Terrence Higgins Trust.
The Dream Machine
The Dream Machine
Self
A 16mm anthology of experimental super 8 films by Derek Jarman, Michael Kostiff, Cerith Wyn Evans and John Maybury, with framing footage by Tim Burke of Brion Gysin using a dream machine. Jarman's contribution is a version of his 1977 Art and the Pose (aka Arty the Pose), refilmed at 3fps, with a musical soundtrack. Jarman planned The Dream Machine as a commemoration of William Burroughs and Gysin's 1982 visit to the UK, and received initial funding from the Arts Council in 1983, then rethought the project as a portmanteau film featuring Gysin alone. The production remained in limbo until 1986, when James Mackay obtained completion funding from the British Film Institute. (Since this film was released on VHS accompanied by Jarman's Broken English: Three Songs by Marianne Faithfull, T.G.: Psychic Rally in Heaven and Pirate Tape under the umbrella title The Dream Machine, synopses of this film have often muddled up its details with those of the earlier films. )