Zaka Abdrakhmanova

参加作品

Mandarins
Writer
Mandarins
Director
Sunny Line
Script Supervisor
New year's night. He and she. The guests have dispersed and it's time to find out the relationship - do they love each other or no longer? And in principle - did you love? Are they telling the truth or are they lying? Do they only know how to run over or can they forgive too? Should they stay together or get divorced?
Children of the GULAG
Director of Photography
These women were to be born and live in Moscow. They are the children of Muscovites who were repressed in the 30s and 40s of the last century. There are not many of them, only about 1,500 left for the whole country. All their lives, the “children of the GULAG” have been living in exile, although their parents have been officially rehabilitated, and the law guarantees them the right to return to their former place of residence. In 2019, they won the case in the Constitutional Court, but the State Duma is in no hurry to amend the legislation, and the government proposes to stand in the general queue for housing and wait another 30 years. Meanwhile, every month the number of children in the Gulag is decreasing.
Children of the GULAG
Screenplay
These women were to be born and live in Moscow. They are the children of Muscovites who were repressed in the 30s and 40s of the last century. There are not many of them, only about 1,500 left for the whole country. All their lives, the “children of the GULAG” have been living in exile, although their parents have been officially rehabilitated, and the law guarantees them the right to return to their former place of residence. In 2019, they won the case in the Constitutional Court, but the State Duma is in no hurry to amend the legislation, and the government proposes to stand in the general queue for housing and wait another 30 years. Meanwhile, every month the number of children in the Gulag is decreasing.
Children of the GULAG
Director
These women were to be born and live in Moscow. They are the children of Muscovites who were repressed in the 30s and 40s of the last century. There are not many of them, only about 1,500 left for the whole country. All their lives, the “children of the GULAG” have been living in exile, although their parents have been officially rehabilitated, and the law guarantees them the right to return to their former place of residence. In 2019, they won the case in the Constitutional Court, but the State Duma is in no hurry to amend the legislation, and the government proposes to stand in the general queue for housing and wait another 30 years. Meanwhile, every month the number of children in the Gulag is decreasing.
The Anniversary Year
Screenplay
Film-observation of the actress of the Theater. Mayakovsky by Galina Alexandrovna Anisimova. Galina Aleksandrovna has a difficult character - she is decisive and uncompromising, but sometimes she is too vulnerable and even suspicious. Together with the heroine, the viewer lives the last year of the life of the people's artist.
The Anniversary Year
Director
Film-observation of the actress of the Theater. Mayakovsky by Galina Alexandrovna Anisimova. Galina Aleksandrovna has a difficult character - she is decisive and uncompromising, but sometimes she is too vulnerable and even suspicious. Together with the heroine, the viewer lives the last year of the life of the people's artist.
My Love
Producer
Тrue Kazakh girls don’t marry Russians. This is what grandma Zeinegul believes in. But her beloved granddaughter disobeyed her will. Many years later the girl comes back to Kazakhstan. Her mother drinks, her grandma prays, her father got married again, but she wants to take a picture of her whole family, just like the one they took years ago when she was a child. The picture of the family she loves and hates so much.
My Love
Editor
Тrue Kazakh girls don’t marry Russians. This is what grandma Zeinegul believes in. But her beloved granddaughter disobeyed her will. Many years later the girl comes back to Kazakhstan. Her mother drinks, her grandma prays, her father got married again, but she wants to take a picture of her whole family, just like the one they took years ago when she was a child. The picture of the family she loves and hates so much.
My Love
Director of Photography
Тrue Kazakh girls don’t marry Russians. This is what grandma Zeinegul believes in. But her beloved granddaughter disobeyed her will. Many years later the girl comes back to Kazakhstan. Her mother drinks, her grandma prays, her father got married again, but she wants to take a picture of her whole family, just like the one they took years ago when she was a child. The picture of the family she loves and hates so much.
My Love
herself
Тrue Kazakh girls don’t marry Russians. This is what grandma Zeinegul believes in. But her beloved granddaughter disobeyed her will. Many years later the girl comes back to Kazakhstan. Her mother drinks, her grandma prays, her father got married again, but she wants to take a picture of her whole family, just like the one they took years ago when she was a child. The picture of the family she loves and hates so much.
My Love
Screenplay
Тrue Kazakh girls don’t marry Russians. This is what grandma Zeinegul believes in. But her beloved granddaughter disobeyed her will. Many years later the girl comes back to Kazakhstan. Her mother drinks, her grandma prays, her father got married again, but she wants to take a picture of her whole family, just like the one they took years ago when she was a child. The picture of the family she loves and hates so much.
My Love
Director
Тrue Kazakh girls don’t marry Russians. This is what grandma Zeinegul believes in. But her beloved granddaughter disobeyed her will. Many years later the girl comes back to Kazakhstan. Her mother drinks, her grandma prays, her father got married again, but she wants to take a picture of her whole family, just like the one they took years ago when she was a child. The picture of the family she loves and hates so much.
Dad Died on Saturday
Director
Thirty—year-old Muscovite Aiko's dad died, with whom she had not communicated for many years - he was a real monster, and she does not feel sorry for him. But for some reason she goes to Kazakhstan for a funeral, where she sees her dad's new family for the first time: her stepsister is unbearable, her brother is not of this world, her stepmother is the same age as Aiko herself. And the strangest thing: for them, Dad is not a monster at all.