Feride Çetin

Dog days of summer in a Kurdish city in Turkey, two unruly bright twins from a poor neighborhood are distracted by their daily routine and school duties, having an only goal in life: to dive into a proper swimming pool, one in particular, in the luxury site on their way to school. Between them and their dream, a boundary wall and behind it the stubborn and irreproachable watchmen who​‘​s​ everyday their laughing stock. They will start their little own class warfare.

Ruzgar is a new cool boy in the school.Deniz is the girl who he heard in the cellphone,singing.Then they fall in love with each other. Selin is Deniz's bestie will support them but,their love relationship is gonna be complicated.

The already complex connections of a group of artists living in İstanbul’s Cihangir district are becoming bizarre because of a camcorder entering their lives. A narcissistic director in which all the women are in love, two roommates connected by cable, a theater scene that can turn into a morgue concurrently, a nurse who resurrects the dead people, and a drug dealer who has no arms, sometimes the right, sometimes the left, sometimes both arms; these are protagonists of the experimental narrative that Onur Ünlü plays with time and space.

Ali and Meryem are an ordinary family on the face of it. Meryem has a child from a previous relationship with Ferit. When Ferit reappears years later, Ali puts his wife to a test of trust. While Meryem is caught between her sense of gratitude and the agony of love, Ali's self-esteem begins to crumble. Ferit's murder fans the flames of distrust between them. They are too suspicious of one another to talk. During the police questioning, they cling to one another once again. Complicity becomes the glue of trust between them. Now they are a proper family.

Riza, a garbage man becomes obsessed in her old mother when he finds a woman's corpse in a garbage can. But someday he meets with his new neighbor,a beautiful widow and starts to lose track of reality, stuck between his love and her mother.

In the course of a day in Istanbul, five individuals cross paths and change each others' lives in unexpected ways.

Symbolizing the turning point occurred in the Battle of Sakarya in Turkish-Greek War, tells one of the most moving stories.

5 friends take a road trip to visit the caves within the Gomeda valley. Little do they know that these caves are still haunted by memories of torture that took place in the past. As they get closer, one by one, their dreams turn into nightmares, their nightmares turn into hallucinations, and their hallucinations turn into reality until the line between real and surreal exists no more: The valley begins to resemble the mother's womb, and the caves begin to resemble the umbilical cord between the mother and her unborn child. The memories of torture give way to the ever-haunting presence of guilt and regret that could only be felt by a mother.

Escaping from their dysfunctional families, Behiye and Handan become best friends. Their euphoria will soon be replaced by regrets and eventual betrayal as class differences resurface.