Harry Baer

Speedy, merciless and with plenty of black humor Gasman shows the picture of a man searching for his inner soul.

Martina gets pregnant from her selfish boyfriend. Without knowing exactly what to do, she travels to Berlin to find her own father, the one she never met.

Marie, a teenage vagabond whose lust for life will eventually lead her to the bed of the mysterious Sandra. What begins as a blissful relationship soon takes a violent turn however, as Sandra tries to take full control over the innocent girl's life.

A film portrait of the influential Bavarian actor, director and screenwriter who publicly confessed his homosexuality.

Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s.

The phallometric tests were used in the Czech Republic until recently in order to verify the homosexuality of asylum seekers, who reported homosexuality-based persecution in their home country as grounds for asylum. This short tells the story of a young guy whose sexuality will be tested through this method in a satirically way.

Helen is a nonconformist teenage girl who maintains a conflictual relationship with her parents. Hanging out most of her time with her friend Corinna, with whom she breaks one social taboo after another, she uses sex as a way to rebel and break the conventional bourgeois ethic. After an intimate shaving accident, Helen ends up in the hospital where it doesn’t take long before she makes waves. But there she finds Robin, a male nurse who will sweep her off her feet...

Was it an accident? A love triangle? A drunken brawl or just something completely different?

This absolutely top-notch documentary by Robert Fischer is a fascinating look back at not just the film in question, but Fassbinder's meteoric career which ended all too soon with his untimely death. Archival footage of Fassbinder is utilized (including several fascinating snippets culled from interviews he did at the disastrous Cannes premiere of Despair), as well as many others involved in the film and its release. Even if you're not a particular fan of Despair, or even in fact of Fassbinder, this is stellar documentary film making and is an intriguing look at one of the most enigmatic masters of the New German Cinema.

Teenage girl Lys is discovered inside the reactor of the newly build TERRA Power Plant and finds she is developing special powers that connect her to the energy of all living things.

Anouk, a woman in her late 30s, a copywriter from Stuttgart and who has traveled the world, bumps into Heiner, an architect, who is in his mid-40s, in Berlin. The two meet in spontaneous longing for a different, a new life.

A documentary about the making of the television mini-series by Rainer Werner Fassbinder, including interviewees with the principal actors.

Karen Bender is a plastic surgery expert who will soon be promoted to Senior Physician. Her family life with her husband Christoph and little daughter Kim could hardly be more harmonious. However, when a routine check-up reveals that the seven-year-old is a lethal tumor, Karen is unexpectedly caught up in her past: Professor Victor Novak, an internationally renowned neurosurgeon, is the only one who can save Kim's life. But years ago Karen had an affair with Viktor during a joint engagement in the Balkan war.

A new house in a new town could mean the beginning of a phase of domestic bliss for a small family. Nina, a doctor, has taken a few days off. Her husband Frieder is busy laying tiles, while their daughter Charlotte plays in her new room. But Nina is having her doubts; she stands about in the half-empty rooms, feeling thoroughly alienated. Suddenly, without saying a word, she decides to leave...

Max and Moritz are two young brothers living an adventurous life of petty crime in Hamburg, Germany. After the two boys steal a car and get into an accident, with the adolescent daughter of a Hamburg Senator sitting in the passenger seat, the two scoundrels are packed up and sent to a boot camp. This military-style camp is run by Axel and Henry, two former East German soldiers who still strongly believe in Communism but are secretly gay lovers. Max and Moritz steal another car...a red Ferrari owned by small-town pimp Murder-Hanne. The nationalistic sadist teaches the boys a painful lesson, but Max and Moritz wouldn’t be Max and Moritz if they let this weekend-fascist get them down... and when they acquire the key to their military school’s ordinance depot, things start to change.

Raid is a mysterious drifter and ex-criminal who comes and goes as he pleases. He has been away from the country for an extended period of time but learns on his return that his ex-girlfriend Tarja has presumably died in a fire that he soon discovers was a larceny. He is also contacted by inspector Jansson, who he knows from the past regarding the murder of a protestor. Raid begins his investigation and soon finds that there's more to the cases than meets the eye.. This movie is a sequel to the very popular Raid TV series.

Ingo Hasselbach, whose parents were Communist Party members in East Germany during his childhood, has lived at both ends of the political seesaw. The question of how people reach a change of heart is a profound one; Hasselbach describes the external forces that led to his founding Germany's first neo-Nazi political party and the internal ones that led him away from it five years later.

Time of darkness. Time of fire kindled against cold and fear. During the Holy Night, the seven year old Micha has to escape with his young mother Marianne from the violence of his drunken father... During their one week odyssey through frozen Germany, mother and son meet people to offer them shelter... Crushed by their own poverty, or dominated by their feelings of being lost, these people just hurt them deeper and they can be nothing other than stations of their continuous escape

Germany in the Thirties. A movie teller realizes that his profession is not longer needed. Silent movies are not produced any longer. Telling stories is the only thing the man was ever good in, so he does not know what to do now. As political circumstances are changing dramatically these days in Germany, he gets new hope that things will again be going better for him...

The story is set soon after the reunification of West and East Germany, and is about the disintegrating relationship between Jockel a political activist and Stefan a heroin junkie, and their involvement with a bisexual Micha. A 2nd plot line is concerned with Micha's young son Sascha, and his life in a rundown world of drugs and poverty. His fascination with the creepy, exhibitionist puppeteer Firlefanz, whose grotesque puppets enact a gay fairy tale paralleling the relationship of Stefan and Jockel. Central to the disintegration of these characters is the drug dealer Ingolf, who 'pulls their strings' with heroin, instead of puppet wires.

A documentary about the life and work of director Rainer Werner Fassbinder.

Five women leave their husbands and discover an opportunity for an unusual new beginning. They devise a scheme for the selection of the "ideal male," but the plan is turned upside down when the women jointly hire a housekeeper.

Every year, many Germans are preparing to spend their vacations in the sunny south. And they all have to use the same highways. And every year everything ends in a big traffic jam.

Sabine works in a hairdressing salon in Berlin. In order to keep the job, she has to occasionally grab the boss. She also feeds her boyfriend Frank. Sabine has simple dreams: sleek-cars and holidays on the beach.

Matthieu Carriere, who once starred in German director Volkor Schlondorff's breakthrough film Young Torless, turns director himself for Fool's Mate. Michael Marwitz plays a once-famous concert pianist and chess whiz. He compromises his talents by casting his lot with a group of self-destructive druggies and gamblers. Marwitz' new circle of friends effectively ruins his marriage to Victoria Tennant, an English architect. Fool's Mate makes no effort to cheer up its audience, but this sort of fare apparently is what the European film-festival circuit thrives on.

Since childhood, Raquel and Maria have been close friends. Now all grown-up, Raquel has fulfilled her dream of becoming an actress, while Maria has married a handyman, given birth to three children and runs the family household. In the wake of the Argentine military coup of 1976, Maria's oldest son Carlos is abducted. Desperate, Maria turns to her prominent friend for help. Yet the more Raquel gets involved in the search for Carlos, the more she becomes herself a target of the junta. Finally, she flees from Argentina to Berlin. Meanwhile Maria joins a group of women who investigate the fate of their disappeared relatives. In 1983, after the fall of the dictatorship, the two friends meet again.

The 30-years old Max is MD and engaged to the attractive Coco, who jealously keep watch over him. After he heard the lovely voice of an unknown misdialing woman, he starts a restless search ...

An American filmmaker travels to modern day Berlin to make a film based on a real-life incident from 1942 in which 13 Jewish prisoners from a concentration camp were promised freedom if they appeared in a German propaganda film. Unfortunately, the Germans lied. The psychological process undergone by the modern filmmaker while shooting the story provides the basis of this arty and challenging film.

Alex is a Finnish taxi driver in Berlin. One evening pits two men feel comfortable in his taxi with a briefcase full of money, but unfortunately for Alex's money stolen and a group of gangsters are at the nape of the two. Soon it comes to shooting, and when the two men being killed, is good advice costly for the beleaguered driver. "Helsinki Napoli All Night Long" is Mika Kaurismäki's first major European production. The film features a host of famous names in the cast: The legendary film director Samuel Fuller (The Big Red One), actor Eddie Constantine (Alphaville, Europe), cult directors Wim Wenders (Paris, Texas) and Jim Jarmusch (Dead Man).

After 15 years spent working in Germany, forty-something-year-old Nada is getting divorced. Her husband is returning to the home country, opens the mechanic shop and starts a new life with his new young wife. To prevent Nada from returning home, he starts spreading the word about her misconducts. But Nada also knows the ways of the old community, therefore she comes back in a brand new Mercedes, accompanied by a young German.

Felix from West-Berlin falls in love with Thomas in East-Berlin. At first they keep their relationship going by regular visits from Felix, but the curfew forces him to return every evening. When the East-German authorities become suspicious, Thomas decides to try and flee to the West.

Teenage girl idolises television game show host, and gets a chance to be his assistant

A comedy directed by Wolf Gremm.

The hungarian revolution 1956. Judith, an Austrian and her Hungarian friend, Taddek, want to escape to Austria. A friend of theirs, a Viennese photographer, helps organize their escape. Taddek doesn't appear at the arranged meeting place, so Judith and the photographer leave without him. Years pass without a word from Taddek..

Markus, 16, goes to the city where his big brother Mischa will show him the ropes. But Mischa has gambled away his money, leading to theft and deeper troubles. Markus must take revenge.

This film of a glitzy showbiz world by director Peter Keglevic in his first feature-length effort recounts the saga of a married torch singer whose numerous lovers are meant to steady her nerves and a saxophone player who loves her but cannot get his own act together. Singing and cinematography are pluses.

Germany, 1981. State Security Service agent Harald Love is sent on a secret mission from the GDR to the Federal Republic, to verify an informant with the code name "Heinz" who is suspected to be a double agent. A job that may change his life forever...

A handsome Belgian sailor on shore leave in the port of Brest, who is also a drug-smuggler and murderer, embarks upon a voyage of highly charged and violent homosexual self-discovery that will change him forever from the man he once was.

In Munich 1955, German film star Veronika Voss becomes a drug addict at the mercy of corrupt Dr. Marianne Katz, who keeps her supplied with morphine. After meeting sports writer Robert Krohn, Veronika begins to dream of a return to stardom. As the couple's relationship escalates in intensity, Veronika begins seriously planning her return to the screen -- only to realize how debilitated she has become through her drug habit.

In Munich 1955, German film star Veronika Voss becomes a drug addict at the mercy of corrupt Dr. Marianne Katz, who keeps her supplied with morphine. After meeting sports writer Robert Krohn, Veronika begins to dream of a return to stardom. As the couple's relationship escalates in intensity, Veronika begins seriously planning her return to the screen -- only to realize how debilitated she has become through her drug habit.

Film extras take possession of a bogus film production company and acting as ideal world of film to persuade one associates mother-in-law of marriage.

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.

A documentary about the Director Fassbinder but edited as if it was a film of the Master himself, with some sequences of his own movies.

The story of a German singer named Willie who while working in Switzerland falls in love with a Jewish composer named Robert whose family is helping people to flee from the Nazis. Robert’s family is skeptical of Willie, thinking she could be a Nazi as she becomes famous for singing the song “Lili Marleen”.

An impoverished young man from Sicily travels to Wolfsburg, West Germany to find work. He takes a job in the Volkswagen factory after he travels through Northern Italy by train.

A mogul merrily funds terrorists to boost his computer sales, by panicking West German government and industry c. 1980, as the third generation of Western European left-wing activists forms, after crippling of the violent Red Army Faction. International capitalist PJ Lurz's secretary is a gang member, while her police commissioner father-in-law/lover hired Lurz' corporate security force.

A mogul merrily funds terrorists to boost his computer sales, by panicking West German government and industry c. 1980, as the third generation of Western European left-wing activists forms, after crippling of the violent Red Army Faction. International capitalist PJ Lurz's secretary is a gang member, while her police commissioner father-in-law/lover hired Lurz' corporate security force.

A mogul merrily funds terrorists to boost his computer sales, by panicking West German government and industry c. 1980, as the third generation of Western European left-wing activists forms, after crippling of the violent Red Army Faction. International capitalist PJ Lurz's secretary is a gang member, while her police commissioner father-in-law/lover hired Lurz' corporate security force.

Maria marries a young soldier in the last days of World War II, only for him to go missing in the war. She must rely on her beauty and ambition to navigate the difficult post-war years alone.

A large international cast takes part in this comedy in which the stories of numerous individuals whose cars are stalled in a massive Roman traffic jam are told.

Berlin, 1930, during the rise of Nazism. Hermann Hermann, a Russian emigrant and chocolate manufacturer, married to the capricious Lydia, loses his temper more and more every day when dealing with his workers and other businessmen; until he meets Felix, a vagrant, who seems to be physically identical to him; a disconcerting fact that leads Hermann Hermann to plot a particular way out of a fake world he actually hates.

Berlin, 1930, during the rise of Nazism. Hermann Hermann, a Russian emigrant and chocolate manufacturer, married to the capricious Lydia, loses his temper more and more every day when dealing with his workers and other businessmen; until he meets Felix, a vagrant, who seems to be physically identical to him; a disconcerting fact that leads Hermann Hermann to plot a particular way out of a fake world he actually hates.

Not porno, not underground film, not a good entertainment film, not documentary, not social criticism nor Hollywood boulevard film or horror show: rather a journey into the midst of night, a hell ride to paradise lost, into our inner self. The mystery play of a historical dance of death in the black studio of our phantasy, the ascetic “Trauerarbeit” (toils of mourning) on the end of an epoch, millions of dead. In old times one would have called it an epos, a poem, requiem, oratorio; an attempt to find a new German identity through film. And also about the heritage of Hitler in our present world, something about the infernal victory of quantitative democracy; about the calmness of melancholy and the thesis that Hitler can only be defeated with Richard Wagner.

When Hitler watches Marlene Dietrich in a movie, he falls in love with her. He persuades her to come back to Germany to be with him, but upon her arrival she constantly insults and provokes him until he eventually, on her command, bites the carpet to bits.

Tony, a mob loan collector, is dissatisfied with his station in life. Though he dreams of one day being rich, he is stuck with the dead-end job of beating up borrowers who fall behind in their payments. After meeting up with Napoli, another mob enforcer who's just been fired from his job, the two hatch a plan. Together, they will con mob boss Manzari out of a fortune, after which they can retire and live in luxury. Manzari, however, is not about to let them go so easily.

Beautiful, detached, laconic, consumptive Lily Brest is a streetwalker with few clients. She loves her idle boyfriend Raoul who gambles away what little she earns. The town's power broker, called the rich Jew, discovers she is a good listener, so she's soon busy. Raoul imagines grotesque sex scenes between Lily and the Jew; he leaves her for a man. Her parents, a bitter Fascist who is a cabaret singer in drag and her wheelchair-bound mother, offer no refuge. Even though all have a philosophical bent, the other whores reject Lily because she tolerates everyone, including men. She tires of her lonely life and looks for a way out. Even that act serves the local corrupt powers.

Fox, a former circus performer, wins the lottery of DM 500,000 and can now have the life and things that he has always wanted. While he wants to climb up the social ladder, it isn't without turmoil, and being torn between his old working class roots, and the shiny new facade of middle class consciousness.

German comedy/western from 1975

A young filmmaker becomes involved with a gangster in Berlin. Based on the Ulf Miehe novel Ich hab' noch einen Toten in Berlin.

Satire on 19th-century class relations and thinly veiled commentary on the failure of the 1968 political revolution.

Based on Franz Xaver Kroetz's play, which is in turn based on a true story, this film by Rainer Werner Fassbinder tells the story of a very young girl who, after persuading a local boy to become her lover, induces the anger of her father, whose incestuous sexual attentions to her have grown unbearable.

Petra von Kant is a successful fashion designer -- arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who wants to be a model. Petra falls in love with Karin and invites her to move in.

The true story of Adele Spitzeder, who started her own private bank in 1870s Bavaria by promising everyone that gave her money high interest rates. Initially dubbed the "Angel of the poor", she was arrested for fraud after the whole scheme collapsed.

Reflected in an artificial and bombastically staged illusory world with Wagnerian compositions, glossy and satirical time references, 19th century German figures and traditions are stripped of their mythology and interpreted by the Germany of 1972.

Hans is a street fruit peddler and born-loser. His choice of career upsets his bourgeois family, causing him to turn to drinking and violence. After recovering from a debilitating heart attack, his business finally begins to take off. However the more he becomes a credit to his family, the more depressed he becomes.

Tensions between members of a film crew build while they wait for the arrival of the director and star to arrive on location.

"Whity" is the mulatto butler of the dysfunctional Nicholson family in the American southwest in 1878. The father, Ben Nicholson, has an attractive young wife Katherine, and two sons by a previous marriage; the homosexual Frank, and the retarded Davy. Whity tries to carry out all their orders, however demeaning, until various of the family members ask him to kill some of the others.

"Whity" is the mulatto butler of the dysfunctional Nicholson family in the American southwest in 1878. The father, Ben Nicholson, has an attractive young wife Katherine, and two sons by a previous marriage; the homosexual Frank, and the retarded Davy. Whity tries to carry out all their orders, however demeaning, until various of the family members ask him to kill some of the others.

German filmmaker Rainer Werner Fassbinder directs the made-for-TV melodrama Pioneers in Ingolstadt, based on the play by Marieluise Fleisser. The film opens as a parade of soldiers are marching through a town square singing patriotic songs. Alma (Irm Hermann) and Berta (Hanna Schygulla) are watching them and musing about their ideas on men and relationships. The soldiers (often referred to as pioneers) have been given the task of building a bridge in the town. Alma seems to understand that the soldiers only want her for short sexual encounters, so she's prepared to live her life accordingly. Meanwhile, romantic Berta falls in love with self-centered soldier Karl (Harry Baer), who all but tells her to get lost. The soldiers get drunk and beat up a random passerby. The women grow to hate Alma for her acceptance of life as a sex object. Naïve Berta is ultimately humiliated.

Michel and Guenther, working in dead-end jobs, are obsessed with going to Peru to find buried treasure, using a map of the Rio das Mortes. Michel's girlfriend, Hanna, humors their plan, but really just wants to get married.

Can a small group of people start a proletarian revolution, asks the "Black Monk" in a leather jacket. The medieval shepherd, Hans Boehm, claims to have been called by the Virgin Mary to create a revolt against the church and the landowners. The "Black Monk" suggests that he would have more success if he dressed up Johanna and had her appear as the Virgin Mary.

A man is released from prison and finds the society on the outside less than appealing. With several women as well as the police on his tail, he sets out to find an old friend.

Herr Raab is a technical draftsman. His wife pushes him to seek a promotion, which may be a long shot after he gives a dull and tipsy toast at an office dinner. But why would Herr Raab run amok?

Herr Raab is a technical draftsman. His wife pushes him to seek a promotion, which may be a long shot after he gives a dull and tipsy toast at an office dinner. But why would Herr Raab run amok?

Avant-garde adaptation of a Carlo Goldoni play. Well-to-do Venetians congregate in a coffee house and discuss their problems.

Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’

A group of young slackers spend most of their time hanging out in front of a Munich apartment building. When a Greek immigrant named Jorgos moves in, however, their aimless lives are shaken up. Soon new tensions arise both within the group and with Jorgos.

An Italian expat in Berlin turns amateur sleuth when a series of murders rock the German capital.