Jean Marboeuf

Life goes on for Pierre Valois after his wife dies, but his grief, weariness and lack of ability to enjoy life again leads to things building up inside him until he snaps and fires a gun.

Clement, nine, curious about everything, wants to understand life. Camera in hand, he walks the streets of his small provincial town, following and studying "grown-ups".

Clement, nine, curious about everything, wants to understand life. Camera in hand, he walks the streets of his small provincial town, following and studying "grown-ups".

Clement, nine, curious about everything, wants to understand life. Camera in hand, he walks the streets of his small provincial town, following and studying "grown-ups".

Over the course of five seasons, this film chronicles a young woman's rise to power within a tempestuous all-female office. Employing elements of fantasy, realism, drama and satire, much of the story takes place in the confines of an oppressive looking steel and glass skyscraper owned by a powerful insurance company. Though the office is populated only by women, the place seethes with tension due to office politics and the personal turmoil suffered by the employees, something that the beautiful and outwardly ruthless office supervisor Carabosse does her best to ignore. When the ever business-like Carabosse finally gets promoted, she appoints Agate (the story's true protagonist) as her successor. Power corrupts and it does not take long for the compassionate Agate to transform into a copy of Carabosse.

Over the course of five seasons, this film chronicles a young woman's rise to power within a tempestuous all-female office. Employing elements of fantasy, realism, drama and satire, much of the story takes place in the confines of an oppressive looking steel and glass skyscraper owned by a powerful insurance company. Though the office is populated only by women, the place seethes with tension due to office politics and the personal turmoil suffered by the employees, something that the beautiful and outwardly ruthless office supervisor Carabosse does her best to ignore. When the ever business-like Carabosse finally gets promoted, she appoints Agate (the story's true protagonist) as her successor. Power corrupts and it does not take long for the compassionate Agate to transform into a copy of Carabosse.

During second world war,Philippe Pétain gets absolute powers.The war ends with the arrival of allied forces by Petainism has not been put on trial.

During second world war,Philippe Pétain gets absolute powers.The war ends with the arrival of allied forces by Petainism has not been put on trial.

In Paris, on the platform of a subway station, three tramps spend time vituperating.

In the 17th century, the rich butcher Corentin plans to marry the beautiful Clémence, but the wedding was not consummated because of a storm which made Corentin impotent.

Sarah, the wife of a theater director, decides to leave her mutt of a husband because she is tired of his morbid fantasies. It is true that Baptiste has a rather unstable troupe that rehearses horror plays in a dance hall. Sarah comes out of the wings for life, but it turns out to be as incongruous and phantasmagorical as her husband's plays. This is why she returns to him. "The real grand guignol is life. The other is the farce."

Sarah, the wife of a theater director, decides to leave her mutt of a husband because she is tired of his morbid fantasies. It is true that Baptiste has a rather unstable troupe that rehearses horror plays in a dance hall. Sarah comes out of the wings for life, but it turns out to be as incongruous and phantasmagorical as her husband's plays. This is why she returns to him. "The real grand guignol is life. The other is the farce."

Sarah, the wife of a theater director, decides to leave her mutt of a husband because she is tired of his morbid fantasies. It is true that Baptiste has a rather unstable troupe that rehearses horror plays in a dance hall. Sarah comes out of the wings for life, but it turns out to be as incongruous and phantasmagorical as her husband's plays. This is why she returns to him. "The real grand guignol is life. The other is the farce."

The husband, the wife and the lover. The husband is tired of playing the eternal husband. The wife would like to live a last love story. The lover, seducer in the soul, only dreams of slippers. As a bonus, there is the brother-in-law, Santa Claus in a department store who carries jealousy in his sack. So everyone changes roles.

The husband, the wife and the lover. The husband is tired of playing the eternal husband. The wife would like to live a last love story. The lover, seducer in the soul, only dreams of slippers. As a bonus, there is the brother-in-law, Santa Claus in a department store who carries jealousy in his sack. So everyone changes roles.

The husband, the wife and the lover. The husband is tired of playing the eternal husband. The wife would like to live a last love story. The lover, seducer in the soul, only dreams of slippers. As a bonus, there is the brother-in-law, Santa Claus in a department store who carries jealousy in his sack. So everyone changes roles.

A lonely woman, on the road, driving an old bus. Every evening, at the chance of a school, a festival hall, a fairground, she shows the films of her husband-great-grandfather, who committed suicide six years ago. In the course of her travels, she consoles herself with a frustrated teacher, a village fool, a clown without illusions or an immature dancer.

Creuzeville, a small provincial town with its woods, its countryside, its ramparts, its mass and its little Sunday cakes. A stranger arrives. He's a private investigator in Creuzeville, over which an old family of industrialists reigns, a murder has just been committed. The victim is the founding ancestor of this small empire that has outgrown one man. In Creuzeville, we hardly like foreigners, especially if they are vegetarians, perhaps homosexuals, undoubtedly anarchists like, precisely, this detective. However the detective by whom the scandal broke broke the silence of the city by going to the heart of family secrets hitherto well hidden behind purple shutters. The murders follow one another. We strike on the left - a young ecologist - as on the right - a cynical playboy. Continuing to dissect the mobiles and the characters, the detective dropped the masks one by one. And, little by little, fear and violence are settling in the small town.

Creuzeville, a small provincial town with its woods, its countryside, its ramparts, its mass and its little Sunday cakes. A stranger arrives. He's a private investigator in Creuzeville, over which an old family of industrialists reigns, a murder has just been committed. The victim is the founding ancestor of this small empire that has outgrown one man. In Creuzeville, we hardly like foreigners, especially if they are vegetarians, perhaps homosexuals, undoubtedly anarchists like, precisely, this detective. However the detective by whom the scandal broke broke the silence of the city by going to the heart of family secrets hitherto well hidden behind purple shutters. The murders follow one another. We strike on the left - a young ecologist - as on the right - a cynical playboy. Continuing to dissect the mobiles and the characters, the detective dropped the masks one by one. And, little by little, fear and violence are settling in the small town.

“A l’aventure”: the expression is beautiful for this sinister place, grubby, old and outdated that is the cafe of Mr. Jacquot. Yet this is where Pierre, Adolphe, Alain and François meet every day.

Pierre used to be a top level football player but he quit. Now he is both a prestidigitator and a stool pigeon, benefiting from the protection of the chief inspector. In his dreams he is haunted by the horrors he saw (he took part in ?) during the Algerian War. Pierre lives with Marie, a young singer who performs at the same cabaret as him. Lately Marie has decided to start a career in the showbiz and Pierre is worried. Nothing alarming happens though, until a diabolical inspector, jealous of his superior, decides to manipulate Pierre. He also puts pressure on Poussin, Marie's pianist, and on Joseph, the night club's master of ceremony. What he wants is to compromise his superior and take his place. Will Pierre escape this ruthless trap?