Critical Passion studies the relationship between critics and authors in the history of Italian cinema in relation to the history of the National Union of Italian Film Critics (SNCCI), since its founding act in 1971. It is a non-secondary path in Italian cultural history, traced thanks to the interventions of prestigious witnesses and the editing of archive material, from the 1960s to the advent of the web and social networks and the current explosion of the audiovisual sector, which questions the very definition and boundaries of cinema.
Lucy is a 95-year-old lady. In her apartment, photos turned yellow by the passing time tell the adolescence of a boy who at the time was called Luciano and who was going to live the most terrible period of his life. Lucy is the oldest transsexual woman in Italy. She is among the few survivors of Dachau's concentration camp. Lucy's story tells us the story of the 1900s. The events of her turbulent life become a metaphor for a humanity that does not give up and that treasures the most important gift in history, memory, as a unique and irreplaceable starting point.
A woman and her 10-year-old son face, in their own way, the mourning for the death of the husband and father, which took place in a factory, while the waiting and the recollection for the day of the funeral grow all around.
A story set in the 90s and in the outskirts of Rome to Ostia. A world where money, luxury cars, night clubs, cocaine and synthetic drugs are easy to run. A world in which Vittorio and Cesare, in their early twenties, act in search of their success.
Producer Alfredo Bini's life told through interviews with many of the people who knew him but, mostly, from the point of view of the hotel owner who put him up for the last 10 years of his life, when he was broke and homeless
