Melanie Manchot

参加作品

Liquid Skin
Director
Between dusk and dawn, ‘in the shadows of time’, a series of women, who all perform night-time labour, take us on a tour of sites linked by history, economics and events shaping the post-industrial landscape of the Ruhr region in Germany. Known for its coal mining history, the region has long been dominated by stories of male achievements. Hence the work aims to celebrate the everyday contributions of a group of cross-generational local women, amongst them a tram-driver, a factory-worker, a baker, a pole dancer, a nurse and a wold-champion wrestler.
Stephen
Director
A docu-fiction hybrid following Stephen Giddings, a man from an addiction-afflicted family, who auditions for and takes on a film role, while transforming his life in the real world, blurring the lines between fact and fiction to examine addiction and recovery. Commissioned by Liverpool Biennial, the film was created with a mixed cast of professional actors and local people from the recovery community. Stephen is based on the real-life story of Thomas Goudie, a clerk at the Bank of Liverpool, caught embezzling money to support his obsessive gambling. Goudie’s arrest became the world’s first crime-reconstruction and first film made in Liverpool in 1901 by filmmakers Mitchell and Kenyon.
Kiss
Director
'Kiss' (2009), which concentrates on one of the gestures most intrinsic to cinematic language: the kiss. The work is filmed as an uncut ten-minute observation of a seemingly endless kiss on the top deck of a London double-decker bus. Disengaged from their immediate environment, a young couple begins an intimate game of desire. Over the course of the film their exchange of embraces gathers intensity, growing increasingly passionate and demanding. The camera follows waves of desire, at times verging on pain and aggression then again full of joy and lightness.