Axel Corti

出生 : 1933-05-07, Paris, France

死亡 : 1993-12-29

参加作品

The King's Whore
Screenplay
Set in the 17th-century, an Italian nobleman weds an impoverished countess, who is wooed by the King of Piedmont and faces pressure from his entire court to succumb to his wishes.
The King's Whore
Director
Set in the 17th-century, an Italian nobleman weds an impoverished countess, who is wooed by the King of Piedmont and faces pressure from his entire court to succumb to his wishes.
Hugo und der liebe Gott
voice of God
After his first day at school 6 year old Hugo doesn't want to continue to go to this "institution". He appeals to God to become a grown up, who fulfills his wish and lets him experience life as an adult in the body of his father, a police physician. When Hugo falls under suspicion of having failed in his profession he again turns to God.
Santa Fe
Director
Picking up where "God Does Not Believe In Us Anymore" leaves off, Freddy struggles to find work after arriving in New York in 1940. His world of refugee acquaintances includes the depressed daughter of a poet/delicatessen owner, an aging surgeon who cannot find work, and a lovable charlatan photographer. Corti's trilogy continues with "Welcome in Vienna"
Welcome in Vienna
Writer
In the conclusion of Axel Corti's trilogy (following God Does Not Believe In Us Anymore and Santa Fe) Freddy, a Viennese Jew who emigrated to New York after Hitler's invasion, and Adler, a left-wing intellectual originally from Berlin, return to Austria in 1944 as soldiers in the U.S. Army. Freddy falls in love with the daughter of a Nazi, and Adler attempts to go over to the Communist Zone. But with the advent of the Cold War and continuing anti-semitism, the idealism of both characters is shattered as they find themselves surrounded by cynicism, opportunism, and universal self-deception. This acclaimed, brilliant work is one of the great films of all time.
Welcome in Vienna
Director
In the conclusion of Axel Corti's trilogy (following God Does Not Believe In Us Anymore and Santa Fe) Freddy, a Viennese Jew who emigrated to New York after Hitler's invasion, and Adler, a left-wing intellectual originally from Berlin, return to Austria in 1944 as soldiers in the U.S. Army. Freddy falls in love with the daughter of a Nazi, and Adler attempts to go over to the Communist Zone. But with the advent of the Cold War and continuing anti-semitism, the idealism of both characters is shattered as they find themselves surrounded by cynicism, opportunism, and universal self-deception. This acclaimed, brilliant work is one of the great films of all time.
Eine blassblaue Frauenschrift
In October 1936, a high official in the Austrian government receives a letter from a German Jewish woman with whom he had an affair in 1925 asking him to help place an 11-year-old, half Jewish boy in a good Austrian school. Is the child his? Should he help? And above all should he help now, at a time when Nazis are becoming powerful in Austria?
Eine blassblaue Frauenschrift
Writer
In October 1936, a high official in the Austrian government receives a letter from a German Jewish woman with whom he had an affair in 1925 asking him to help place an 11-year-old, half Jewish boy in a good Austrian school. Is the child his? Should he help? And above all should he help now, at a time when Nazis are becoming powerful in Austria?
Eine blassblaue Frauenschrift
Director
In October 1936, a high official in the Austrian government receives a letter from a German Jewish woman with whom he had an affair in 1925 asking him to help place an 11-year-old, half Jewish boy in a good Austrian school. Is the child his? Should he help? And above all should he help now, at a time when Nazis are becoming powerful in Austria?
Donauwalzer
Georg
The hungarian revolution 1956. Judith, an Austrian and her Hungarian friend, Taddek, want to escape to Austria. A friend of theirs, a Viennese photographer, helps organize their escape. Taddek doesn't appear at the arranged meeting place, so Judith and the photographer leave without him. Years pass without a word from Taddek..
Herrenjahre
Director
God Does Not Believe in Us Anymore
Screenplay
After his father is murdered by the Nazis in 1938, a young Viennese Jew named Ferry Tobler flees to Prague, where he joins forces with another expatriate and a sympathetic Czech relief worker. Together with other Jewish refugees, the three make their way to Paris, and, after spending time in a French prison camp, eventually escape to Marseille, from where they hope to sail to a safe port
God Does Not Believe in Us Anymore
Director
After his father is murdered by the Nazis in 1938, a young Viennese Jew named Ferry Tobler flees to Prague, where he joins forces with another expatriate and a sympathetic Czech relief worker. Together with other Jewish refugees, the three make their way to Paris, and, after spending time in a French prison camp, eventually escape to Marseille, from where they hope to sail to a safe port
Wie der Mond über Feuer und Blut
Director
Der Lebemann
Director
A man tries to make money to impress his girlfriend.
Die beiden Freundinnen
Director
Der Bauer und der Millionär
Director
Young Dr. Freud
Director
A portrait of Sigmund Freud as a young man.
Jakob der Letzte
Director
Totstellen
Director
Ein junger Mann aus dem Innviertel
Director
The Refusal
Director
The story of the last days of Austrian farmer Franz Jägerstätter (1907-43), who was executed by the Nazi regime because of his refusal to compromise with a perverse system.
Wie ein Dieb in der Nacht
Director
Ein Dorf ohne Männer
Director
Kaiser Joseph und die Bahnwärterstochter
Director
Der Marquis von Keith
Director
Munich in the summer of 1899. In his insatiable greed for money, influence and enjoyment of life, the Marquis von Keith defies any moral law. Two women are obedient to him.
Die Jakobsleiter
Die singenden Engel von Tirol