María Luisa San José

A hilarious and heartfelt comedy! Meet Juan (Juan Luis Galiardo, Goya Ward Winner for Best Lead Actor)... an unbelievably charming middle aged ladies' man who is still taken as handsome even though he has to disguise his belly, his white hair and his "health" problems. A series of amusing situations begin when Juan is torn between his daughter, who unexpectedly and inconveniently arrives into his life, and his latest - and failed - love affair. His failed attempts at trying to patch things up will have you not only laughing out loud but it will also leave you with a wonderful sense of love and family values.

Manu travels to Murcia to spend the summer with their grandparents because their parents are getting divorced. Surrounded by gardens, sea, nature, and lush, warm family, Manu find his first love and the first signs of adulthood.

The women of my life.

Avila, early twentieth century. Pedro, a boy of nine years, accompanied by his tutor, comes to live in the house of Don Mateo, a teacher that from that moment will be responsible for his education. Pedro begins an almost familiar relationship with Doña Gregoria and Martina, wife and daughter of his master. The appearance of Alfredo, and roommate and colleague of studies, complete the circle of his emotional environment. Provincial life, relationships with peers and the special relationship between life and death instilled by Don Mateo, definitely will influence his future life.

A young man, son and grandson of soldiers, refuses to perform military service, causing a commotion in the whole family. Finally, social, environmental and family pressures, will force the young to make a decision that will have unforeseeable consequences.

Carmen leaves her husband Julio to go live with an intellectual who has made a career in the United States. While, Julio goes away to live of rent to house of an aristocrat come to less. After meeting several colorful characters, Julio decides to recover Carmen.

Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.

A young woman wins 200 million pesetas at the 'quiniela' football pool with 14 successfull 'aciertos' and begins to help everybody with the fortune.

Erika and George are two crooks hired by a rich lady to get rid of her philandering husband.

Ana, abandoned by her husband, who confessed her having fallen in love with another woman, tries to restructure her life with another man, Andrés, but thinking of not getting married yet. They decide that they'll experience their relationship with full freedom of feelings, until their love lasts. Andrés is often ignorant but believes he's doing things well, cursed by the old ways he's been educated into. Ana herself is not even ready for anything new in her life, yet discontented with her new situation. The problems between the couple are not just financial, but more subtle, and inevitably disenchantment appears.

Madrid, Roberto Orbea is a member of the Spanish communist party. He is married to Carmen, and he has been elected as Deputy in the first democratic elections in Spain. But his enemies, the fascist, know his double life. Roberto likes boys, and they hire Juanito to seduce the politician. They fall in love...

Miguel is a young Spanish naval engineer in love with an American student of History of Art. When she becomes pregnant, she decides that the easiest solution to her situation is to marry her civilly. However, in Spain in the 1970s, prior to the passage of the Divorce Law, the only way to do so is to apostatize the Catholic Church. For Miguel, a believing devotee, taking this step involves a deep inner conflict.

A useless kidnapper tries to kdnap a rich industrialist.

Madrid, Spain, early thirties. The charming playboy Sergio Hernán is an unscrupulous womanizer who over the years has seduced and abandoned hundreds of women with the complicity of Oshidori, his cynical butler. However, his brief encounter with Elena Fortún, blonde, posh and a bit cheesy, unexpectedly leaves an indelible mark on his soul.

A Spanish insurance company is absorbed by a multinational, so that, in order to modernize, its employees are obliged to carry out some training courses to adapt to the new situation and the new objectives. Given the relevance of what is at stake, the wives of these men will also be involved at work.

A rich emigrant returns to Madrid where he meets the beautiful Amparo . The girl, however, lives a secret affair with a priest

A boxing manager discovers that one of the boxers who have been promoted in love with a protected model and his mistress. Mad with jealousy, organized a match between it and another fighter who are friends with each other. Revenge in this case will be bitter.

In order to access a more important position in the company, Don José, a wealthy bachelor, must get rid of his lover. To try to achieve this, he must get her romantically entangled with his friend Vicente.

Antonio Garisa is Juan Fernández Arriaga, a typicall spanish man fifty years ago. He's married and has five girls, but he is unhappy because all he wanted was a boy (in spanish argot, "ir por la parejita" means trying to have a couple of children, girl and boy). He only has women and they have only girls. During the film he prays, he tries to have a boy to give him his surname "Fernández". Garisa is one of the best actors of Spanish Comedy, maybe too understimate because the kind of cinema made in Spain during Franco's government.

Cayetana, her boyfriend Paco and Venancio, her foster brother, commit small thefts and, from time to time, spend a few days in jail. Until they meet with Federico, a thief who has traveled abroad and convince them that using European methods success is guaranteed. Paco then decides to act scientifically and seizes a hospital surgical equipment. When they want to realize, poor Venancio is forced to give an injection to a dentistry patient and, even worse, Paco has to pull out a tooth. And all that, before entering the operating room

After graduating in Economics, Luis is seeking to burst through in life. His partner Ana sees how his way of being is changing by the standards of his company into a different person. Ana tries to draw his attention in a failed suicide attempt.

Manuel, a young man of eighteen, arrives in Madrid with the illusion of being a bullfighter. On arrival he meets Juan a ruined singer in his fifties who, along with his friend Lola, will help the boy to get a chance to bullfight in a probe at the estate of a famous businessman.

A famous American secret service agent tries to rescue a German 17-year-old prodigy scientist who has been captured by the Russians.