Gheorghe Fischer

参加作品

We Were Sixteen
Cinematography
Romanian army reaches Budapest near the end of WW II. A small group of soldiers block some Nazi units on their way to Tatra mountains.
The Great Solitary
Cinematography
Nicolae (George Motoi), the intelectual descendant of Moromete family, former communist apparatchik in the 50s, becomes a horticultor due to a political error, and refuses to have any social life, even if he is unhappy with his inactivity. The death of his partner makes him respond to the overtures of his old comrades. Based on the eponymous novel by Marin Preda.
Operation 'The Monster'
Cinematography
A group of five work colleagues leave for an expedition in the Danube Delta, without letting their wives know anything about it. Going fishing and hunting, the characters end up in the funniest and ridiculous situations.
We Do Not Film Just for Fun
Cinematography
This is a comedic meta-movie about making a movie on the Romanian seaside. The movie made is about some low level black market traffickers.
Fleeting Loves
Cinematography
A Romanian architect who married abroad reunites with his birthplace, with those he met, with the women he loved, with the echoes of what happened once, with the great transformations that are taking place in the Capitol, on construction sites and in Romanian villages. Condemned by an incurable disease, but also overwhelmed by these realities and by the irrepressible longing for his homeland, the hero decides to return home for good.
Felix and Otilia
Cinematography
In this monumental Romanian film, a large family and its many generations vie for advantage, seeking to win the inheritance sure to be left behind by a wealthy older man of the clan. This movie is based on a popular novel by George Calinescu, and is similar in some ways to England's BBC television series, The Forsythe Saga, based on Galsworthy's books. Along the way, stories of friendship, love and rivalry emerge. In one story, a poor young man is disappointed in love as his girl chooses lucre over love in selecting a mate.
Chess to the King
Cinematography
When he tries to arrest a suspect, a police captain find him dead. Investigation will uncover a counterfeiting ring.
Comoara din Vadul Vechi
Cinematography
In a poverty stricken village in 1947 Moldavia, the obsession for getting rich of Prisac turns the community against him. Based on "La Răzeși" (Yeomans) novel by Valeriu Emil Galan.
Streets Have Memories
Cinematography
During the Second World War, a writer meets two young people, a girl and a boy, who are doing actions to undermine the fascist regime in power.