Sophie Letourneur

A French couple burnt out by the routine of their daily family life decides after much hesitation to travel to Sicily for a short holiday. Voyages en Italie depicts the neuroses and eccentricities of Jean-Philippe and Sophie, the gracious dynamics of their relationship and the depth of their affection and intimacy.

A French couple burnt out by the routine of their daily family life decides after much hesitation to travel to Sicily for a short holiday. Voyages en Italie depicts the neuroses and eccentricities of Jean-Philippe and Sophie, the gracious dynamics of their relationship and the depth of their affection and intimacy.

A French couple burnt out by the routine of their daily family life decides after much hesitation to travel to Sicily for a short holiday. Voyages en Italie depicts the neuroses and eccentricities of Jean-Philippe and Sophie, the gracious dynamics of their relationship and the depth of their affection and intimacy.

A French couple burnt out by the routine of their daily family life decides after much hesitation to travel to Sicily for a short holiday. Voyages en Italie depicts the neuroses and eccentricities of Jean-Philippe and Sophie, the gracious dynamics of their relationship and the depth of their affection and intimacy.

It takes him suddenly at 40 years: Frédéric wants a baby, Claire never wanted one and they agreed on that. He commits the unforgivable and makes a child behind her back. Claire turns into a whale and Frédéric becomes a doting father.

It takes him suddenly at 40 years: Frédéric wants a baby, Claire never wanted one and they agreed on that. He commits the unforgivable and makes a child behind her back. Claire turns into a whale and Frédéric becomes a doting father.

Jacques is a writer living in Paris. He hasn't turned 40 but already mistrusts that the best in life is yet to come. Arthur is a student living in Brittany. He reads and smiles a lot and refuses to think that everything in life might not be possible. Jacques and Arthur will like each other. Just like in a lovely dream. Just like in a sad story.

Gaby mustn’t be left alone at night. Yet that’s exactly what her boyfriend Vincent does, to test her love for him. She struggles against her natural instincts and quickly exhausts the patience of the local guys. But Gaby decides to turn to castle warden Nicolas, an expert in loneliness, for help.

Gaby mustn’t be left alone at night. Yet that’s exactly what her boyfriend Vincent does, to test her love for him. She struggles against her natural instincts and quickly exhausts the patience of the local guys. But Gaby decides to turn to castle warden Nicolas, an expert in loneliness, for help.

Is there such a thing as strictly feminine cinema? Is it more difficult for a woman than for a man to direct a film? Is gender parity necessary in the industry? Actress and producer Julie GAYET and actor and director Mathieu BUSSON ask these questions to twenty French woman filmmakers, who face a camera together for the first time. After over an hour of lively, informal, spontaneous and funny interviews, it becomes obvious that these issues are still problematic and definitely worthy of a documentary. As Mia HANSEN-LØVE remarks, “In the eyes of the people, a woman’s film is always a woman’s film, while a man’s movie is simply… a movie”.

Three female friends recall their misadventures (more sexual than cinematical) attending the Locarno Film Festival.

Three female friends recall their misadventures (more sexual than cinematical) attending the Locarno Film Festival.

Three female friends recall their misadventures (more sexual than cinematical) attending the Locarno Film Festival.

In one Paris divided militarily into two like was the former Berlin Est-Ouest, Ines Raymond receives from the right bank people who ask for a visa for the left bank. Each have their reasons and dreams for crossing the Seine, but, Ines must follow the new instructions.

Laetitia and Sophie go to Quimper, town where Laetitia used to live, to pass the weekend. Sophie is having problems with her husband, while Laetitia tells her about one of her youth's boyfriends, the "masked sailor" she used to love while she lived in Quimper.

Laetitia and Sophie go to Quimper, town where Laetitia used to live, to pass the weekend. Sophie is having problems with her husband, while Laetitia tells her about one of her youth's boyfriends, the "masked sailor" she used to love while she lived in Quimper.

Laetitia and Sophie go to Quimper, town where Laetitia used to live, to pass the weekend. Sophie is having problems with her husband, while Laetitia tells her about one of her youth's boyfriends, the "masked sailor" she used to love while she lived in Quimper.

Pam is twenty. She and her girlfriends hang out together on the couch at The Ranch, the apartment she shares with Manon. Sitting around chatting, drinking, smoking, and dancing are part of life at their age, but there comes a time when you need to cut loose from the group and go your own way...

Pam is twenty. She and her girlfriends hang out together on the couch at The Ranch, the apartment she shares with Manon. Sitting around chatting, drinking, smoking, and dancing are part of life at their age, but there comes a time when you need to cut loose from the group and go your own way...

On Christmas Eve, a West suburb of Paris. Stéphane, Joëlle, Xavier and Sonia (25 years old) decide to take a stroll down the big park overhanging the city of their youth, musing on pop music, their work, sex and their disappointed ambitions.

Eleven-year-old Manue and Sophie are best friends. Be it one or the other, their main topic of conversation concerns going out with boys. Manue, her time taken up with a succession of passing fancies, progressively neglects Sophie, who really doesn’t try to grow up. Their shared secrets become shameful and their bond childish. Sophie is betrayed, an incomprehending victim; in some ways, this is her first deception in love.

Eleven-year-old Manue and Sophie are best friends. Be it one or the other, their main topic of conversation concerns going out with boys. Manue, her time taken up with a succession of passing fancies, progressively neglects Sophie, who really doesn’t try to grow up. Their shared secrets become shameful and their bond childish. Sophie is betrayed, an incomprehending victim; in some ways, this is her first deception in love.

Oh, Jesus Christ, what should Guillemette do ? Break up with Grégory, her companion, soon to return from Seville ? Or save her couple ? She really doesn't know ! What on earth to do !!!??? And she talks and she talks - not always very consistently -to her two friends who try to help...desperately !

Oh, Jesus Christ, what should Guillemette do ? Break up with Grégory, her companion, soon to return from Seville ? Or save her couple ? She really doesn't know ! What on earth to do !!!??? And she talks and she talks - not always very consistently -to her two friends who try to help...desperately !

Oh, Jesus Christ, what should Guillemette do ? Break up with Grégory, her companion, soon to return from Seville ? Or save her couple ? She really doesn't know ! What on earth to do !!!??? And she talks and she talks - not always very consistently -to her two friends who try to help...desperately !