Yannick Dauby

略歴

Sound artist and field recordist based in Taiwan.

参加作品

After the Snowmelt
Sound Designer
During a trek through the Himalayan mountains, a couple, Chun and Yueh, become trapped in a cave for 47 days. The tragic outcome of this expedition leads Lo Yi-Shan on a personal filmed quest to follow in the footsteps of their missing best friend, Chun, and their unconditional relationship. A poignant tale about bereavement and the slow process of healing.
Far Away Eyes
Sound Designer
A young photographer wanders through the city as Taiwan is preparing for the presidential election. Constantly questioning his talent as an artist, he suffers from the uncertainty facing his future as he is about to turn 30 - a watershed age in one's life according to traditional Taiwanese culture. His accidental encounter with an ex-girlfriend propels him to reconsider his past, present and future in the river of time.
KUDO
Director
Kudo, a Japanese researcher and hiker disappeared in the mountains of Taiwan. Looking after his traces, his images.
Taste of Wild Tomato
Original Music Composer
Taste of Wild Tomato begins with the history of Kaohsiung, which was an important military base for the Japanese army during the Japanese occupation, and tends to the deep scars of the survivors, their descendants, and their descendants’ descendants.
Last Days at Sea
Sound Designer
Reyboy's world is the sparkling ocean, the hidden treasures on the long coast, the taste of honey rice. The filmmaker accompanies the Filipino boy in his fishing village by the sea as his life is about to change forever.
Childhood of an Archipelago
Director
A film about the remote islands of Penghu archipelago, Taiwan, from the point of view of the children in the remaining elementary schools, between 8 and 11 years old. With the participation of the schools in the islands: Jibei, Niaoyu, Hujing, Wangan, Jiangjun, Qimei.
She Heard Nothing in Matsu
Editor
“Have we ever been to Matsu?” Does this question trigger some mental images, such as flashing postcards inside our mind, or memories of shared photographs through social media? How do we build a landscape of an island? By modifying the geography or by spreading its visual representations? Let’s replace the first inquiry with another one: “Have we ever listened to Matsu?”What would we listen to first? Who would we listen to? What do people in Matsu listen to? As islanders, do they listen to the sounds of the sea or to the sounds of the neighboring country? Is there any document we can listen to about Matsu? Just like images and the internet conspired to transform our vision and memory, may recorded sounds could alter our listening, and therefore our perception of these islands?
She Heard Nothing in Matsu
Sound
“Have we ever been to Matsu?” Does this question trigger some mental images, such as flashing postcards inside our mind, or memories of shared photographs through social media? How do we build a landscape of an island? By modifying the geography or by spreading its visual representations? Let’s replace the first inquiry with another one: “Have we ever listened to Matsu?”What would we listen to first? Who would we listen to? What do people in Matsu listen to? As islanders, do they listen to the sounds of the sea or to the sounds of the neighboring country? Is there any document we can listen to about Matsu? Just like images and the internet conspired to transform our vision and memory, may recorded sounds could alter our listening, and therefore our perception of these islands?
She Heard Nothing in Matsu
Director
“Have we ever been to Matsu?” Does this question trigger some mental images, such as flashing postcards inside our mind, or memories of shared photographs through social media? How do we build a landscape of an island? By modifying the geography or by spreading its visual representations? Let’s replace the first inquiry with another one: “Have we ever listened to Matsu?”What would we listen to first? Who would we listen to? What do people in Matsu listen to? As islanders, do they listen to the sounds of the sea or to the sounds of the neighboring country? Is there any document we can listen to about Matsu? Just like images and the internet conspired to transform our vision and memory, may recorded sounds could alter our listening, and therefore our perception of these islands?