Werner Schroeter was one of the most significant proponents of New German Cinema. Schroeter was diagnosed with cancer in 2006. In her film, Elfi Mikesch, who photographed a number of Schroeter’s films and who collaborated closely with him to create his vision, provides us with an intimate insight into Schroeter’s artistic output during the remaining four years of his life.
Production Design
Werner Schroeter directed this dark and surreal tale of a man determined to save a lost lover from a grim fate at the hands of a violent mob. The city of Santa Maria is falling into chaos as an armed military faction is poised to take power in a coup d'etat. Ossorio used to call Santa Maria home, and he has returned in its darkest hour to find the woman he loves, hoping to rescue her from the violence that is lurks around the corner. As Ossorio searches for his love, he meets Victoria in a shabby hotel, who in turn introduces him to her father Barcala, who for the right price is willing to take Ossorio and another passenger away on his boat. While Ossorio is willing to pay Barcala what he wants, can he find the mysterious woman before the ship sets sail?
Costume Design
A complex and enigmatic plot that evokes the life of Bachmann. The story develops around an unusual triangular relationship, a threesome between a woman of unknown name, a man named Malina and a Hungarian, Ivan, with whom she falls in love. Ivan will be his last great love, but their need for exclusivity in love is so strong that it can not be understood or matched. Malina is a struggle, a confrontation between two worlds strange and hostile.
Production Design
A complex and enigmatic plot that evokes the life of Bachmann. The story develops around an unusual triangular relationship, a threesome between a woman of unknown name, a man named Malina and a Hungarian, Ivan, with whom she falls in love. Ivan will be his last great love, but their need for exclusivity in love is so strong that it can not be understood or matched. Malina is a struggle, a confrontation between two worlds strange and hostile.
Costume Design
1848, Tuscan countryside. Edo and Lupo are two peasants running away after having robbed their boss. Chased by mercenaries, they'll meet bandits, damsels in distress, eccentric nobles, and revolutionaries along the way.
Costume Designer
Creasy, a traumatized ex-CIA agent, gets a job as a bodyguard for Samantha, the twelve-year-old daughter of a wealthy Italian family living in a swanky villa on the shores of Lake Como.
Costume Design
A woman experiences psychic disintegration and ends up in a psychiatric hospital.
Costume Design
Cahiers du cinéma critic Serge Daney asks whether The Kingdom of Naples is "leftist fiction, kitschy melodrama, photo-roman, a decadent chronicle of a city, opera in a minor key, or simply the first realistic narrative film by Schroeter?" It is all of these and more: an epic chronicle of proletarian family life in Naples from 1943 to 1972 that brilliantly captures the wretched poverty, overwrought passions, and political, religious and economic upheavals of Sicily across two generations. Schroeter assimilates neorealist aesthetics and class sympathies with the tempestuous excesses of popular melodrama, borrowing freely from Rossellini, Pasolini, Visconti, Brecht, and Rossini. (Facets)
Costume Designer
The story is based around "spermulites", the alien inhabitants of a dying planet. The only way they can save their planet is by sucking the men of planet earth dry of sperm, kind of like horny vampires.
