Delphine Rich

The life of a Middle-East family of immigrants in Europe. The father carries the heavy burden of banishment. To rescue his culture, his traditions, is mandatory, so he remains faithful to his past, his origins, to himself. His daughter is now a grown-up. He worries and wishes she would get married soon. The young woman leaves the family home every morning, but changes her clothes in a bar before she goes to work, her hair down. She puzzles the young boss of the company that employs her. He fell in love and is ready to do anything to marry her. But the young woman keeps her freedom of choice, just like her mother had done with her father. She won’t have time to introduce the only man for her to her parents. A friend of her father’s catches them. In a cafe.

Jenny, a young American woman, moves to Paris and gets involved with Jack, who is seemingly the man of her dreams. However, he has a lot to hide and Jenny quickly gets entangled his dangerous lifestyle.

Antoine Moreau, mayor of Saint-Julien, is proud that the village school opens its doors again after three years of closure. However, three students are not enough to meet the conditions for reopening.

Caroline, a teen, decides to come back to live with her mother where she meets Ben, her mother's very young lover. As Caroline begins to fantasize about Ben, she realizes that he's in love with her mother. Now, daughter and mom are at war.

A woman in her forties takes stock of her past years. She has led a full life, with lots of outings with her friends. She has certainly not had time to be bored and has built the life that suits her. Professionally, she has an interesting job and her friends find her beautiful and funny. The only shadow in this almost idyllic picture is the absence of a child. Unfortunately, she has not yet found the rare pearl who would be a perfect father for her descendants. Determined to remedy the situation, she sets out to find the ideal man. Several male representatives are on the starting line.

A married professor has an affair with a young colleague during a trip with his students to Venice.

After returning from a long African exile, a sixty-year-old woman leaves her unfaithful husband and starts anew with her five-year-old granddaughter.

Raymond and Robert Bidochon lead a dismal life in a suburban HLM. The change, so hoped for by Raymonde, could come from a reality show, Grand Bonheur, in which they participate.

The turbulent relationship between a filmmaker and a volatile actor.

The Guidon de Repeygnac, a family of aristocrats ruined by the Stock Exchange, leave their mansion in Neuilly for two F4s in the red suburbs.

It is only a few years into the future, but the face of France has changed drastically, due to its takeover by a moralistic, hypocritical and totalitarian regime. Women with children who want to divorce their husbands are not allowed to do so, all political parties have been outlawed, smoking is illegal and everyone must work. After a spat with her boyfriend, Carole (Laure Marsac) hails a taxi, not realizing that she has done so without any of the money or identification papers she needs. Her driver (Bruno Cremer) attempts to help her, but a variety of mishaps bring her to the attention of the police, who proceed to arrest her on made-up charges and a phoney HIV-positive result on tests given at the time of arrest.

Jacques is of French descent, and Madiou is his West African friend. The two boys are just eleven years old and they have been friends all their lives as they grew up in Conakry, the capital of Guinea. Like their elders, they are completely unprepared for the vicious and violent reign of terror which is soon to sweep this newly independent country, terror which comes at the instigation of the country's unbalanced new leader.

French writer recalls her start as the country wife of a Paris publisher who called her erotic work his own.

With his job in the balance, Gérard bets his boss that he can transform bad-tempered street person Lola into television star material. With the inducement of stardom as his lure, he takes Lola in hand and becomes her instructor, sending her to ballet and acting classes, where she misbehaves. Most of her petulance is reserved for Gérard, however, but in the tradition of Pretty Woman and My Fair Lady, in the end he gets the girl and a new star -- in the same package.

Micky leaves his provincial and bourgeois background and leaves to live in Paris, where he performs as a transvestite singer in a cabaret.