Zezé Motta

Heir to the throne of the Kingdom of Lucebra, Prince Lu lives carefreely, playing pranks on his family and friends. However, according to legend, when he turns 18, he will confront the mysterious Evil Dragon and save the people of Middle Earth. Despite the prophecy, he doesn't believe in the imminent danger and prefers to "troll" his sister, the Enchanted Princess (Gi Alparone), and everyone working in the palace.

'The Last Party' is a young romantic comedy that follows a group of four friends at their high school graduation party. Each protagonist with their love dilemma to solve throughout the night, all connected by the issues of this generation. It's their last night as teenagers. The last night with friends before being separated by different colleges. The last night before the rest of their lives.

Larissa competed for the Rio Military Police in search of the ideal of “protecting the citizen”.

Valentim (Marcelo Serrado), Kodak (Otavio Muller) and Eddie (Ailton Graça) have known each other since they were little and are shopkeepers at Galeria Futuro, a shopping center in Copacabana that boasted luxury and pomp in its past, and which today, is nothing more than a sad and decaying place. Full of debts and on the verge of bankruptcy, the gallery's management is surprised by a millionaire proposal from a Pastor, who wants to transform the space into an Evangelical Church. The three friends are devastated by the possibility of losing the much-loved Galeria Futuro, but with the help of Paula (Luciana Paes), a newly arrived shopkeeper, they will create a wild and surreal plan to try to save the Gallery and prevent its sale.

Based on the biography of Luiz Gama, one of the most important characters in Brazilian history, a black man who used the laws and courts to free more than 500 slaves. Born of a free womb, Gama was sold into slavery at the age of 10 to pay off his father's gambling debts. Even as a slave, he became literate, studied and earned his own freedom, becoming one of the most respected lawyers of his time. An abolitionist and republican who inspired an entire country.

The women's athletics (4x100m relay) is about to win a gold medal at the 2016 Olympic Games, the Brazilian victory is almost certain and the athletes are one step closer to what would be a milestone. If only one fatal error hadn't put off their dreams: the carelessness of the young Maria Lúcia causes the group to be disqualified. This changes Maria Lúcia and Adriana's lives forever, Adriana does not forgive her teammate after the final. Four years go by. Maria Lúcia is still the great promise in athletics while Adriana makes a living out of MMA fighting. A few months away from the Tokyo Olympics, they are called in to join the new 4x100 team. This time, Maria Lúcia and Adriana need to overcome the mistakes of the past. They count on the help of veterans Rita and Jaciara as well as newcomer Bia, athletes who rediscover their true power as a team, showing that the Brazilian women's athletics is stronger than ever.

A paradise for the eyes, the phrase defines the character's destination place, A Terra Sem Males. After walking through forests and ruins, she realizes that that territory was built on the blood of many peoples. This knowledge could paralyze her, create fear, but they inspire acts of courage.

"Todas as Melodias" is a sensible journey throught the life and works of one of Brazilian music's biggest artists, Luiz Melodia. Featuring archive footage that goes back to the 1970s, the film presents the musician's cronology from his youth in the neighborhood of Estácio, Rio de Janeiro to his estabilished success.

Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.

The death of the matriarch on Christmas eve provokes a crisis that makes the family review attitudes and give a new meaning to the date.

When Maurício becomes a student at a top medical school, he becomes obsessed with a mystery linked to the dead bodies used for dissection.

What does Brazilian cinema tell us? What does Brazilian cinema tell us about black actresses and actors? ‘Pressed, Ripped Apart’ makes use of archival sources to retrieve the trajectory of black actresses and actors who, between absences and delimited presences, between the fallacy of a racial democracy – based on the harmony among Brazil’s diverse identities – and erasure of identity, strain the history of Brazilian audiovisual and above all, our own history.

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

The Devil himself comes to Earth to open his own church and the world becomes a pandemonium of delights and confusions. Based on a short story by Machado de Assis, the most famous realistic Brazilian writer of the XIX century.

All the lives of Cora Coralina in a poetic narrative in the voices, feelings and interpretations of six generations of great Brazilian actresses. A polyphony of the voices that inhabited Cora, revealed in prose, verse and images with its immense literary talent and human content. The film reveals the trajectory of Cora Coralina, from her childhood years to getting married and leaving Goiás, from the long period of 45 years lived in different cities in the state of São Paulo and her return to the City of Goiás, when she revealed herself to Brazil with the strength of his poetry.

This documentary investigates the aesthetic, political and existential trajectory of emblematic Black Brazilian actor Antônio Pitanga. He career spans over five decades, and he has worked with iconic Brazilian filmmakers Glauber Rocha, Cacá Diegues and Walter Lima Jr. He was a prominent figurehead and outspoken activist during the Brazilian dictatorship, a period of unrest in Brazilian cinema. Pitanga deep dives into the world of Antônio and the history of Brazil. The documentary was directed by his daughter Camila Pitanga, one of widely recognised faces in Brazilian television and cinema right now. The film is also a poem, and a tender ode to fatherhood.

Biographical film of Sister Dulce, who, in life, was called the “Good Angel of Bahia”, also nominated for the Nobel Peace Prize and canonized by the Catholic Church. Contemplating from the 1940s to the 1980s, the film shows how the Catholic nun faced an incurable respiratory disease, machismo, the indifference of politicians and even the dogmas of the Church to dedicate her life to the care of the miserable, leaving a legacy that continues today.

Luiz Gonzaga decides to change his destiny and leaves his childhood home for the big city to overcome a romance. When he arrives, he meets a woman he falls in love with, the Odaleia (Nanda Costa). After the birth of his son and his wife's health complications, he decides to return to the road to ensure a better future for his son. He has a friend in Rio de Janeiro and with him leaves the little one and heads to Brazil. He didn't imagine that this distance between them would develop into a complicated relationship, enhanced by the strong personalities of both. Based on conversations between father and son, this is the story of Luiz Gonzaga, a singer and accordion player known as Rei do Baião or Gonzagão.

Three childhood friends plan meeting for a day in order to reassert their friendships and fight for their differences. One of them is involved with crime, one is a famous football player and the other struggles to maintain a middle-class lifestyle.

Based on the book O Fantástico Mistério de Feiurinha, the story combines real world and fantasy, dream and determination, with a surprising end, even for a fairy tale. The movie shows the fight of the fairy tale characters, now adults, who come together to recover the fable of the Little Ugly Princess, a beautiful Princess with a strange name, which only makes sense for those who know her story. The problem is that children and adults have forgotten the story of the Little Ugly Princess, which is as wonderful as other major fables for children. Cinderella brings together other fairy tale characters to meet the writer who keeps, lost in a small notebook, the Little Ugly Princess story.

After a violent civil war, D. Miguel, the last Portuguese absolutist king, is defeated by the liberals, led by his brother D. Pedro. In 1834 D. Miguel left for exile. His supporters don't give up on returning him to the throne. Willing to do anything they even try to use the slaves of the colonies. A mysterious emissary is sent to Cape Verde to prepare an uprising. But other reasons were behind his visit to the archipelago ....

Jéssica is a teenager from Brazilian Northeast. After being abused by her stepfather, she runs away to Recife, where starts to work with sexual tourism. Then, she meets Mark, a German tourist, and falls in love with him.

The filmmaker searches for his brother Max, who left his children without explanation. The brothers grew up in the Congo with their white father and Congolese mother. He visits their mother, who still lives in Kinshasa, and their father in Lisbon, as well as the extended family in France and Belgium. His search even takes him to Cambodia where Max was spotted. This fiction film is based on, and uses, the filmmaker's own family.

Free adaptation of Machado de Assis's short story "Pai Contra Mãe", having some of Nireu Cavalcanti's 18th Century chronicles as inspiration, the film traces parallels between life in during the slavery period and in modern Brazil.

Deep in the Amazon rain forest, there is a lost subterranean city. The place was built by Vikings who crossed the Atlantic Ocean and ventured up the Amazon River, and shelters a mysterious treasure. In order to find the secret location, Bárbara and the children Riacho and Manhã will have to face many challenges. Vicious snakes and dangerous pendulum blades are only the beginning of our heroes' adventures.

A light-hearted and high-spirited story, full of spice, sensuality and romance, Viva Zapato tells the tale of Dolores, a beautiful Cuban dancer who decides to leave her failing marriage and open a restaurant by the beach with her aunt from Brazil. When her aunt sends her a pair of shoes instead of the money to start up the restaurant, she angrily sells the useless gift for spare change. Her dream fades away - until she discovers that the money was hidden in the heel. The zany search for the shoes begins, as she follows the footsteps through the lively streets of Havana, running into the quirky, colorful characters that bring Viva Zapato and Dolores' dream.

Cyrus, Tim and Erik were high school buddies and meet again ten years later. They spend the summer together in Brazil. All of them are occupied in dealing with experiences from their past but new developments make them face their inner conflicts and their friendship with each other

Carolina Maria de Jesus. Her favela diary was a success in 1960. Despite her recognition, she died forgotten and poor.

Kira, a botanist who is also the daughter of elves, must fight the evil wicked witch Algaz. In her quest, Kira will be helped by Epifania, agood witch, elf Daphnis and even Queen Dara, the fairy mother.

A documentary film about the taboos, stereotypes, and struggles of black actors in Brazilian television "soaps". Based on his own memories and on a sturdy body of research evidence, the director analyses race relations in Brazilian soap operas, calling attention to their likely influence on Brazilian African-Americans' identity-forming processes.

Filmed over a five-year period, Chronically Unfeasible dissects Brazilian problems, using six people who meet in a restaurant in São Paulo as models to illustrate political, sociological and economic disparities between Brazil's upper and lower classes.

カリオカの丘の天才ミュージシャン、オルフェ。彼は丘にやってきた美女と出会い恋に落ち、彼女のために権力者ルシーニョと対決する。ラテンの熱いサウンドとともにおくる情熱的なラブ・ストーリー。

A film on the feud between samba songwriters Noel Rosa and Wilson Batista.

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

Nopumoceno, the most successful businessman in the Cabo Verde archipelogo, is an ambitious, clever opportunist, known during his lifetime as "eternity single". However, he is then discovered by his illegitimate daughter to have gotten his fortune and his women in unorthodox and incredible ways

Just when her family starts believing that she is dead, and that they can expect a rich heritage, Tieta returns from São Paulo to her native village in Bahia, which she had been forced to leave long ago because of some involvement with a goat herd. Believed to be fabulously rich - and nobody knows how - she brings to the great disappointment of her family a young step-daughter and heir. With the arrival of Tieta turmoil enters into the life of her family and their fellow villagers. Most particularly into the life of her nephew - promised to the Church - and the young aspiring mayor.

A Cat from outer-space comes to earth and befriends a Miller's Son and together they set out to defeat an evil wizard.

Earning her living by dubbing American TV Series, a woman dreams of becoming an international Hollywood star.

Interviews and performances with black women on film, theater and television who narrate their lives, careers, discrimination and struggles in the Brazilian artistic world. Starring actresses Zezé Motta, Ruth de Souza, Léa Garcia, Zenaide Zen and Adele Fátima, as well as activist Lélia Gonzáles.

Biography of one of the legendary names in the Samba genre of Brazilian music. Although he could hardly dance or play an instrument, he became one of the main composers of Portela, an important Samba "school" in Rio de Janeiro.

The story of the great train robber Ronald Biggs.

Jubiabá is a French-Brazilian film based on the homonymous novel by Jorge Amado. The film tells the story of the interracial love between the daughter of a rich Commander and Antonio Balduíno, a rascal, fighter and famous lover from Salvador.

Many exotic characters meet in São Paulo night, looking for love and adventure: Malu, a model; Mauro, the drag queen; Teddy, the hustler; Guto, the gay reporter; and Marta, an actress.

Quilombo dos Palmares was a real-life democratic society, created in Brazil in the 17th century. This incredibly elaborate (and surprisingly little-known) film traces the origins of Quilombo, which began as a community of freed slaves. The colony becomes a safe harbor for other outcasts of the world, including Indians and Jews. Ganga Zumba (Toni Tornado) becomes president of Quilombo, the first freely elected leader in the Western Hemisphere. Naturally, the ruling Portuguese want to subjugate Zumba and his followers, but the Quilombians are ready for their would-be oppressors. The end of this Brave New World is not pleasant, but the followers of Zumba and his ideals take to the hills, where they honor his memory to this day. Writer/director Carlos Diegues takes every available opportunity to compare the rise and fall of Quilombo with the state of affairs in modern-day Brazil.

Poor people who live in the slums in Rio de Janeiro decide to occupy an empty apartment building in the rich part of the city. Meanwhile, a rich girl falls in love with a poor composer. Based on the musical play "Pobre Menina Rica", by Vinícius de Moraes and Carlos Lyra.

A senator having contacts with illegal betting activities is killed by the man who is his right arm, who wanted to get his position. But the power structure resents this disturbance and can fall apart, specially since there's a witness.

The son of a millionaire who owns gold mines in Transopia, Africa, Antoine Leblanc, who lives in a mansion in Rio, one day receives a letter from his father asking him for help against the gold smugglers from Transopia to Brazil.

Middle-class family reform their apartment, and the noise, the contact with the workers and strange occurrences turn what was supposed to be a trivial matter into a trip to hell.

Tonho Tiê really likes living free, playing capoeira and drinking. During Carnival he meets Zulmira, a beautiful woman. On Ash Wednesday, the day of Iansã and Xangô, they pledge love and projects for many children. But time passes and Tonho returns to being the womanizer he had always been. Zulmira, daughter of Iansã, cannot stand Tonho's brazenness, and asks her saint-mother to wash her honor with blood. An Exu is invoked, who in the form of a woman, must make Tonho suffer and pay for his sins. Iaba is her name. Tonho's life starts to get complicated. To meet Iaba's needs, Tonho buys dresses, perfumes and jewelry. But the pomba-gira is not content. She wants to make a worker out of Tonho. No longer supporting Iaba's demands, Tonho decides to look for a terreiro to unload. He receives strength from his orixá, Xangô, and starts a quest to get rid of Iaba's clutches.

The romanced story of Xica da Silva, a slave that used her "feminine atributes" in order to get power.

Rio's criminal underworld is run by an unexpected boss: a femme Queen with a taste for power and violence. But heavy lies the crown: what Queen can trust her subjects, however fabulous? When she sets up a stoolie to take the fall for her boy, a plot against Her Majesty arises!

Having come out recently from jail, a tramp, willing to make quick money, decides to organize a pool match between two famous retired players.