Chung-Shan Wan

参加作品

侠女
明朝末期。書生のグーは、小さな村に母親と暮らしていた。ある日、店に現れたオウヤンという男に、住んでいるチンルー砦のことを聞かれる。近所を調べると、そこには美しい女性ヤンが越してきていた。時が経ち、グーとヤンの距離が縮まる中、二人の目の前に待ち構えていたオウヤンが現れ、剣を抜きヤンと戦い始める。なんとヤンは政府(東廠)に処刑された大臣の娘であり、唯一の生き残りだった。人相書を頼まれたことで事実を知ったグーは、姿を消したヤンを探し出し、彼女とその仲間を助けるために、兵法を使って東廠の追跡隊を罠にかける。
Lost
Caught between two entirely different women, an artist finds himself in conflict between the spiritual and the sensual, and at the same time lost creatively in the cultural clash between East and West. Based on Ho Fan’s 1966 experimental short Assignment, Part One, Lost depicts the artistic and carnal obsession of the modern creative mind. A departure from mainstream Cantonese and Mandarin films with European and Japanese new wave influences, it is shot with the colours of the 1960s and Lishan, Taiwan as backdrop. Sun Po-ling, an artist in her own right, co-directed and invested in the film, acting also as producer and make-up artist. She took the film to premiere in Cannes in 1970 and then screened it in Germany and the United States, while her ambition to release it locally in the foreign films theatre circuits did not materialise. Lost for half a century, this pioneering independent feature in the 1960s resurfaced in a print found in Taiwan by Reel to Reel Institute (Hong Kong).