Executive Producer
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
Production Coordinator
Leftist radical-turned-terrorist Giorgio—who fled to Latin America in the '70s to escape justice—decides to surrender after hearing about the fall of the Berlin Wall. Determined to lead a comfortable, bourgeois life in his native Italy, he cuts a deal with a shady police chief, getting his sentence reduced in exchange for ratting out former comrades. Once released, Giorgio obsessively pursues his dream of becoming a "respectable" citizen, even if the way is paved with larceny, pimping, drug-dealing, rape, heist, and murder...
