Gabriella Giannattasio

8-year-old Irene witnesses her father's death in a hit-and-run. Haunted by not being able to remember the face of the driver, she becomes a rebellious and introverted teen, obsessed with bringing him to justice. Eventually, she runs into the very man she's looking for, Michele, but doesn't seem to recognize him. Guilt-ridden, Michele decides to stay and protect her—finding himself hopelessly in love with the girl, who's just starting to open up.

Tell It Like A Woman comprises of seven segments that are directed by female directors from different parts of the world and shot in Italy, India, Japan, and the U.S. Each segment is an inspirational and empowering story about women, by women, for everyone.

The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists

The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists

Massimo Sisti is a reputable professional with a nice house, a happy marriage, and two loving daughters, whose life is turned upside down when one day he finds a little girl tied up in his basement.

A chronicle biopic of the 22-year career of soccer star Roberto Baggio, including depictions of his difficult debut as a player, his deep rifts with some of his coaches, his triumph over injuries and personal discovery of Buddism.

After Mirta dies of a drug overdose with her lover, she resuscitates alone and discovers she's part of a violent world she never knew existed.

In a small suburb on the outskirts of Rome, the cheerful heat of summer camouflages a stifling atmosphere of alienation. From a distance, the families seem normal, but it’s an illusion: in the houses, courtyards and gardens, silence shrouds the subtle sadism of the fathers, the passivity of the mothers and the guilty indifference of adults. But it’s the desperation and repressed rage of the children that will explode and cut through this grotesque façade, with devastating consequences for the entire community.

Sara and Nicola are expecting their second son. Through the late Mattia Torre's sharp look, all the joys and sorrows of being a parent in the modern day Italy are unraveled in an absolutely brilliant and witty way.

When theatre actor Giuliano receives an unexpected visit from his childhood friend Tommasso, the encounter is bittersweet. This reunion is their first meeting in many years, triggered by Giuliano’s failing health and his decision to forgo treatment. Instead he is focussed on putting his affairs in order: distributing possessions, reconciling past disputes, and, most importantly, finding a home for his beloved canine, Pato. Over four days, the two men walk the streets of Rome, visiting bookshops, restaurants, veterinarians and friends, examining their lives and speculating on what the future holds.

A woman and her 10-year-old son face, in their own way, the mourning for the death of the husband and father, which took place in a factory, while the waiting and the recollection for the day of the funeral grow all around.

Mirko and Manolo are best friends and live in the suburbs of Rome. They both live in poor conditions with their single parents, are still in school and struggle with occasional odd jobs to make ends meet. Together they share dreams of women, of sex and money, of a better life to come. Then, after killing a man in a hit-and-run one night, they get involved with the local mafia and their lives change dramatically.

The owner of a dilapidated B&B has an idea: in order to dodge bankruptcy, he has to turn his business into a place of worship—a tax-free activity, where he'll host pilgrims in exchange for a generous donation. He joins forces with an unscrupulous accountant and a failed novelist to come up with his new religion.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

A university researcher is fired because of the cuts to university. To earn a living he decides to produce drugs recruiting his former colleagues, who despite their skills are living at the margins of society.

On July 19–21, 2001, over 200,000 people took to the streets of Genoa to protest against the ongoing G8 summit. Anti-globalization activists clashed with the police, with 23-year-old protester Carlo Giuliani shot dead after confronting a police vehicle. In the aftermath, the police organized a night raid on the Diaz high school, where a hundred unarmed people between protesters—mostly students—and independent reporters who documented the police brutality during the protests had took shelter. What happened next would be called by Amnesty International "the most serious breach of civil liberties in a democratic Western country since World War II."