Hairstylist
Italy, from the '80s to the present day, told through the dreams, loves, successes and failures of four friends.
Hairstylist
アイアンマンことトニー・スタークが完成させた人工知能“ウルトロン”の暴走に端を発する、ヒーローたちによる愛する者たちを救うための戦いをダイナミックに描く。人類の危機的状況を何度も打破してきたアイアンマンことトニー・スタークは、平和維持システムとしての人工知能“ウルトロン”を誕生させる。人類を脅威から守るために完成させたウルトロンであったが、平和を脅かす唯一の存在は人類だと結論付け、抹消しようとする。監督は、前作でもメガホンを取ったジョス・ウェドン。
Hairstylist
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
Hair Designer
Salvo, a ruthless Sicilian Mafia hit man, changes his priorities after being involved in a bloody ambush.
