Self
The documentary relates the decisive moments, the turning points and the rollercoaster ride of a brilliant, eventful international career and the extraordinary life of a great Italian artist. From his origins as an illegitimate child with no name to the attainment of great international fame as a film director, art director, painter and stager of theatrical and operatic productions. Through original and archive interviews with some of the most acclaimed stars who have known, admired and loved him and with his closest relatives, friends and collaborators, this gripping account paints a picture of the person and the artist—and not just “the master”—Franco Zeffirelli in all his many and even conflicting facets.
Director
Director
Superstar Anna Netrebko makes her long-awaited Met role debut as Puccini’s icy princess—seen live in cinemas on May 7. Tenor Yonghoon Lee is the bold prince determined to win Turandot’s love, alongside soprano Ermonela Jaho as the devoted servant Liù legendary bass Ferruccio Furlanetto as the blind king Timur. Marco Armiliato conducts Puccini’s stirring score. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.
Director
It's an event that draws many thousands of music lovers to one of the most beautiful cities in the world every summer: the opera season at the ancient Arena di Verona. The 2,000-year-old roman amphiteatre with its gigantic stage dimensions is one of the largest and best preserved Roman construction of its kind, and with over 22,000 seats it is undoubtedly one of the most spectacular open-air venues of the world! The revered master of opera Franco Zeffirelli, who died shortly before the premiere of Il Trovatore, created a legendary scenery with groups of giant sized armoured knights, a fortress turning into a luminous cathedral, an enormous choir, horses, breathtaking fights: “his perhaps best arena production” (Opernglas). It brings Anna Netrebko to the Arena of Verona where she is giving her much-anticipated debut in one of Giuseppe Verdi’s most popular operas.
Lighting Supervisor
At the beginning of 1964, the music world experiences something completely unexpected. Maria Callas returns to the opera stage as the prima donna. Her "Tosca" at the Royal Opera House becomes a sensation. Maria Callas wants to show everyone once again that she deserves the title of "prima donna assoluta." On the condition that star director Franco Zeffirelli take over the direction, the exceptional singer agrees to sing the role of Tosca. The BBC recorded the 2nd act of the opera for television. It is one of the most dramatic acts in opera history: in order to free the painter Cavaradossi from the hands of torturers, Tosca ends up murdering the police chief Scarpia. The film footage is one of the rare opportunities to see Maria Callas in an opera performance and to experience her highly emotional performance art and vocal abilities.
Director
At the beginning of 1964, the music world experiences something completely unexpected. Maria Callas returns to the opera stage as the prima donna. Her "Tosca" at the Royal Opera House becomes a sensation. Maria Callas wants to show everyone once again that she deserves the title of "prima donna assoluta." On the condition that star director Franco Zeffirelli take over the direction, the exceptional singer agrees to sing the role of Tosca. The BBC recorded the 2nd act of the opera for television. It is one of the most dramatic acts in opera history: in order to free the painter Cavaradossi from the hands of torturers, Tosca ends up murdering the police chief Scarpia. The film footage is one of the rare opportunities to see Maria Callas in an opera performance and to experience her highly emotional performance art and vocal abilities.
Production Design
Christine Goerke has wowed audiences as Turandot, the icy princess at the heart of Puccini’s grand final masterpiece. In this performance from the 2019–20 Live in HD season, Goerke stars alongside tenor Yusif Eyvazov (as Calàf) and soprano Eleonora Buratto (as Liù) in Franco Zeffirelli’s classic staging, which dazzles with its opulent visions of mythic China. Met Music Director Yannick Nézet-Séguin is on the podium, drawing a vivid array of musical colors from the incomparable Met Orchestra and Chorus.
Set Designer
Christine Goerke has wowed audiences as Turandot, the icy princess at the heart of Puccini’s grand final masterpiece. In this performance from the 2019–20 Live in HD season, Goerke stars alongside tenor Yusif Eyvazov (as Calàf) and soprano Eleonora Buratto (as Liù) in Franco Zeffirelli’s classic staging, which dazzles with its opulent visions of mythic China. Met Music Director Yannick Nézet-Séguin is on the podium, drawing a vivid array of musical colors from the incomparable Met Orchestra and Chorus.
Director
Arena di Verona Opera Festival 2019 starts with La Traviata in the new stage design signed by Franco Zeffirelli, the last great Master of Italian direction. The new production takes the form of the ultimate synthesis of his aesthetic thoughts on Traviata.
Set Designer
Puccini’s timeless love story, which includes some of its composer’s most beloved music, has moved generations of opera lovers since its 1896 world premiere. It has also proved incredibly popular with the Met’s global HD audiences and has been featured in three live high-definition transmissions since 2008. The most recent, presented during the 2017–18 season, includes a cast of celebrated young artists. Soprano Sonya Yoncheva is the fragile seamstress Mimì, who instantly falls in love with the passionate poet Rodolfo, sung by tenor Michael Fabiano. Soprano Susanna Phillips and baritone Lucas Meachem trade both spars and kisses as the on-again-off-again lovers Musetta and Marcello, with bass Matthew Rose and baritone Alexey Lavrov rounding out the rambunctious gang of bohemian friends. Maestro Marco Armiliato takes the podium to lead Franco Zeffirelli’s picturesque staging.
Production Design
Puccini’s timeless love story, which includes some of its composer’s most beloved music, has moved generations of opera lovers since its 1896 world premiere. It has also proved incredibly popular with the Met’s global HD audiences and has been featured in three live high-definition transmissions since 2008. The most recent, presented during the 2017–18 season, includes a cast of celebrated young artists. Soprano Sonya Yoncheva is the fragile seamstress Mimì, who instantly falls in love with the passionate poet Rodolfo, sung by tenor Michael Fabiano. Soprano Susanna Phillips and baritone Lucas Meachem trade both spars and kisses as the on-again-off-again lovers Musetta and Marcello, with bass Matthew Rose and baritone Alexey Lavrov rounding out the rambunctious gang of bohemian friends. Maestro Marco Armiliato takes the podium to lead Franco Zeffirelli’s picturesque staging.
Director
Puccini’s timeless love story, which includes some of its composer’s most beloved music, has moved generations of opera lovers since its 1896 world premiere. It has also proved incredibly popular with the Met’s global HD audiences and has been featured in three live high-definition transmissions since 2008. The most recent, presented during the 2017–18 season, includes a cast of celebrated young artists. Soprano Sonya Yoncheva is the fragile seamstress Mimì, who instantly falls in love with the passionate poet Rodolfo, sung by tenor Michael Fabiano. Soprano Susanna Phillips and baritone Lucas Meachem trade both spars and kisses as the on-again-off-again lovers Musetta and Marcello, with bass Matthew Rose and baritone Alexey Lavrov rounding out the rambunctious gang of bohemian friends. Maestro Marco Armiliato takes the podium to lead Franco Zeffirelli’s picturesque staging.
Self
In this documentary, award-winning filmmaker Susan Froemke explores the creation of the Metropolitan Opera’s storied home of the last five decades. Drawing on rarely seen archival footage, stills, and recent interviews, The Opera House looks at an important period of the Met’s history and delves into some of the untold stories of the artists, architects, and politicians who shaped the cultural life of New York City in the ’50s and ’60s. Among the notable figures in the film are famed soprano Leontyne Price, who opened the new Met in 1966 in Samuel Barber’s Antony and Cleopatra; Rudolf Bing, the Met’s imperious General Manager who engineered the move from the old house to the new one; Robert Moses, the unstoppable city planner who bulldozed an entire neighborhood to make room for Lincoln Center; and Wallace Harrison, whose quest for architectural glory was never fully realized.
Writer
A film adaptation of Dante's Inferno that was never realized. Depicts the entry of the Great Poet in the dark forest, the meeting with Virgilio, access to the Inferno and the journey through the circles to the exit with the return to the surface world.
Director
A film adaptation of Dante's Inferno that was never realized. Depicts the entry of the Great Poet in the dark forest, the meeting with Virgilio, access to the Inferno and the journey through the circles to the exit with the return to the surface world.
Self
Cousins Menahem Golan and Yoram Globus relive the creation, rise and fall of their independent film company, Cannon Films. This documentary recounts their many successes and discusses their eventual downfall.
Self - Director
A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.
Director
High Definition recording June 2014, Arena di Verona. This opulent production was directed by Franco Zeffirelli and sung by an international cast of excellent singers: Russian mezzo-soprano Ekaterina Semenchuk, soprano Irina Lungu, tenor Carlo Ventre and Carlos Alvarez. The famous opera is staged as a colourful feast for the eyes, true to its source and convincingly acted by soloists, chorus and ballet alike. Conducted by Henrik Nánási it is a gloriously sung musical experience.
Production Design
A new generation of rising stars shines in Franco Zeffirelli’s classic production of Puccini’s most popular opera. Vittorio Grigolo is the poor poet Rodolfo who falls head over heels for his neighbor, the seamstress Mimì, sung by the radiant Kristine Opolais. Susanna Phillips is the flirtatious Musetta, Massimo Cavaletti is her sweetheart Marcello, and Patrick Carfizzi as Schaunard and Oren Gradus as Colline complete the ensemble. Stefano Ranzani conducts.
Self
A journey in the footsteps of the most famous initiate of Italian Trecento, the author of the celebrated "Divine Comedy". A poet who has inspired some of the most outstanding minds in History.
Self
Journey into "Hamlet"-the play and the man-through the experiences of some of the major actors and directors who have brought Shakespeare's great tragedy to life. Christopher Plummer, David Tennant, John Nettles, John Simm, Sir Trevor Nunn, Franco Zeffirelli, Philip Saville, and others explore the enduring appeal of the Prince of Denmark more than 400 years after his stage debut.
Stage Director
来日を目前にして急逝してしまったテノール、サルヴァトーレ・リチートラの素晴らしい歌が聴ける『トゥーランドット』が、鮮明映像で登場。2010年夏のアレーナ・ディ・ヴェローナでの上演のライヴ収録です。リチートラはデビューして間もなくムーティによってスカラ座で重用され世界的大成功を収めたのでベテランのような気がしますが、1968年生まれ、まさにこれから全盛期を迎えんとしていたところ。惜しんでも惜しみきれない急死です。そのリチートラが近年得意にしていたのが『トゥーランドット』のカラフ。情熱的で力強く、しかも声に甘さがあって人を惹きつける魅力のあるリチートラのカラフは、理想的と言ってよいでしょう。しばしば「パヴァロッティの再来」と言われるリチートラ、しかし有名なアリア『誰も寝てはならない』は、パヴァロッティの豪快な歌いっぷりとはまた違った繊細さも感じられるもの。大喝采に応えてアンコールするリチートラの心意気には、思わず涙がこみ上げて来そうになります。 トゥーランドット役は、今日この役のスペシャリストとして称讃されているマリア・グレギーナ。相変わらずのド迫力な声でアレーナの大空間を満たしています。リューは、ポーランド国立歌劇場、ミラノ・スカラ座、新国立劇場と三度日本で『オテロ』のデズデーモナを歌って大評判となったグルジアのソプラノ、タマール・イヴェーリ。密度の濃い美声で切々とリューの悲しみを歌い上げています。ティムールはブラジルのバス、ルイス＝オクタヴィオ・ファリア。知名度は低いものの、驚くほど立派な声の持ち主です。 指揮は、ベテランのイタリア・オペラ指揮者として世界中を駆け回っているジュリアーノ・カレッラ。巨大なアレーナでは指揮者の技量が問われますが、野外オペラ公演とは思えないほどしっかりとした音楽にまとめているのはさすが。
Director
Live performance from the Vienna State Opera, 6 May 2010.
Production Design
Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory. In this Live in HD production, Maria Guleghina takes on the title role and Marcello Giordani is Calaf, the unknown prince. Marina Poplavskaya and Samuel Ramey co-star, and Andris Nelsons conducts in his Met debut.
Interviewee
A documentary about film director Luchino Visconti
Director
Puccini’s evergreen paean to young love and the bohemian life has captivated generations of Met-goers through Franco Zeffirelli’s iconic production. Movie theater audiences for the high-definition transmission of this staging got to see it with fresh eyes in a touching performance starring Angela Gheorghiu and Ramón Vargas as the frail seamstress and her poetic lover.
Self (archive footage)
This revealing documentary from director Philippe Kohly examines the storied life of renowned soprano Maria Callas, from her troubled childhood in New York City to her scandal-laden but triumphant international career in opera. Featuring archival interviews with Callas herself and footage of contemporaries such as her lover Aristotle Onassis, this celebration of "La Divina" pays tribute to her enduring legacy some three decades after her death.
Director
Early recordings of Franco Zeffirelli's 2006 production of Verdi's opera which saw Roberto Alagna's high-profile exit during the second performance. Egypt and Ethiopia are at war. Radames is appointed commander of the Egyptian forces by the King, whose daughter, Amneris, loves Radames. It is in fact Amneris' Ethiopian slave Aida whom Radames loves. Ramades wins the war against the Ethiopians, capturing Aida's father Amonasro in the process. On his return to Egypt he faces a choice between marrying Amneris or betraying his country through his love for Aida.
Director
Bruno Bartoletti conducts the orchestra and chorus of the Teatro alla Scala in this production of Puccini's opera from 2003. The performers include Cristina Gallardo-Domas, Hei-Kyung Hong, Marcelo Alvarez and Roberto Servile.
Director
Japan, early twentieth century. U.S. Navy Lieutenant B.F. Pinkerton inspects the house he has leased from a marriage broker. The broker, Goro, has procured him three servants and a geisha wife, Cio-Cio-San, known as Madama Butterfly. He is enchanted with the fragile Cio-Cio-San. Cio-Cio-San is heard in the distance joyously singing of her wedding. In a quiet moment, Cio-Cio-San shows her bridegroom her few earthly treasures and tells him of her intention to embrace his Christian faith. The Imperial Commissioner performs the wedding ceremony, and the guests toast the couple. The celebration is interrupted by Cio-Cio-San's uncle, a Buddhist priest, who bursts in, cursing the girl for having renounced her ancestors' religion. Alone with Cio-Cio-San in the moonlit garden, her husband dries her tears, and she joins him in singing of their love.
Stage Director
This 2003 performance of Georges Bizet's 19th century opera Carmen was produced and directed by filmmaker and stage director Franco Zeffirelli, best known to many for the Academy Award-winning big-screen adaptation of Shakespeare's Romeo and Juliet. Shot at the Arena di Verona, the production features Marina Domashenko in the title role and music by the Orchestra of the Arena di Verona under conductor Alain Lombard.
Original Story
A fictionalized account of the last days of opera singer Maria Callas.
Screenplay
A fictionalized account of the last days of opera singer Maria Callas.
Director
A fictionalized account of the last days of opera singer Maria Callas.
Director
Violetta, a courtesan much wooed by Parisian society, organizes a grand party that is attended, amongst others, by the young Alfredo Germont. He confesses his feelings to Violetta, who is already suffering from consumption. She vacillates between genuine affection and a realistic assessment of her situation as a "fallen woman", which precludes any lasting relationship with a man. The Franco Zeffirelli production of LA TRAVIATA, recorded live at the Teatro Giuseppe Verdi, Februari 2002.
Director
Verdi’s grand opera “Aida” is given an intimate treatment in Busetto, Italy, in 2001, in a staging with young singers, all coached by the legendary tenor Carlo Bergonzi and staged by Franco Zeffirelli. The result is an astonishing musical and dramatic piece of theater, proving that with the right mix of ingredients, an opera can be staged in a small theater and still achieve a thrilling and moving effect.
Director
Live performance at the Metropolitan Opera in 2000.
Self
A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity.
Novel
Semi-autobiographical film directed by Franco Zeffirelli, telling the story of young Italian boy Luca's upbringing by a circle of English and American women, before and during World War II.
Director
Semi-autobiographical film directed by Franco Zeffirelli, telling the story of young Italian boy Luca's upbringing by a circle of English and American women, before and during World War II.
Director
Live performance from the Metropolitan Opera, 25 March 1997.
Screenplay
Jane Eyre is an orphan cast out as a young girl by her aunt, Mrs. Reed, and sent to be raised in a harsh charity school for girls. There she learns to be come a teacher and eventually seeks employment outside the school. Her advertisement is answered by the housekeeper of Thornfield Hall, Mrs. Fairfax.
Director
Jane Eyre is an orphan cast out as a young girl by her aunt, Mrs. Reed, and sent to be raised in a harsh charity school for girls. There she learns to be come a teacher and eventually seeks employment outside the school. Her advertisement is answered by the housekeeper of Thornfield Hall, Mrs. Fairfax.
Self
The artistic evolution of the great composer, whose work left an indelible mark in the history of Italian cinema. In this documentary Nino Rota's extraordinary musical production relives in the words of his friends and colleagues. His collaboration with Visconti and Fellini are truly memorable. His movie score and sequences of his performances in theaters all over the world hand us down a full and evocative outline of this outstanding artist.
Screenplay
Catania, Sicilia 1854. A serious epidemic of cholera is hitting the region. Maria a 16 years old novice leaves her convent and returns her home to avoid contamination. Here she finds a difficult situation, in fact her stepmother and her half-sisters prevent Maria to live the normal life of a teenager. In their minds Maria is the promised "bride of God" and a regular life for her is inappropriate. Nino, her handsome neighbor, falls in love for Maria who isn't indifferent to him. But when Maria comes back to her convent the way to become nun is compelled. Now Maria can understand Sister Agata, and realizes she became mad cause a lost and impossible love like the one between Maria and Nino.
Director
Catania, Sicilia 1854. A serious epidemic of cholera is hitting the region. Maria a 16 years old novice leaves her convent and returns her home to avoid contamination. Here she finds a difficult situation, in fact her stepmother and her half-sisters prevent Maria to live the normal life of a teenager. In their minds Maria is the promised "bride of God" and a regular life for her is inappropriate. Nino, her handsome neighbor, falls in love for Maria who isn't indifferent to him. But when Maria comes back to her convent the way to become nun is compelled. Now Maria can understand Sister Agata, and realizes she became mad cause a lost and impossible love like the one between Maria and Nino.
Set Designer
It is to composer and librettist Arrigo Boito and his constant pestering of the octogenarian Verdi that there remained within him one last great comedy fighting to get out that we owe this absolute miracle of an opera. Produced in 1893 as Verdi turned 80 there is much in this masterpiece that can be identified as a modernist neoclassical work. The use of short motifs instead of long arioso melodic lines, the spry and reduced orchestral textures and the lack of a single 'stand and deliver' dramatic declamatory aria all serve to make this more of a 20th century work than an example of 19th century late-Romanticism.
Production Design
It is to composer and librettist Arrigo Boito and his constant pestering of the octogenarian Verdi that there remained within him one last great comedy fighting to get out that we owe this absolute miracle of an opera. Produced in 1893 as Verdi turned 80 there is much in this masterpiece that can be identified as a modernist neoclassical work. The use of short motifs instead of long arioso melodic lines, the spry and reduced orchestral textures and the lack of a single 'stand and deliver' dramatic declamatory aria all serve to make this more of a 20th century work than an example of 19th century late-Romanticism.
Director
It is to composer and librettist Arrigo Boito and his constant pestering of the octogenarian Verdi that there remained within him one last great comedy fighting to get out that we owe this absolute miracle of an opera. Produced in 1893 as Verdi turned 80 there is much in this masterpiece that can be identified as a modernist neoclassical work. The use of short motifs instead of long arioso melodic lines, the spry and reduced orchestral textures and the lack of a single 'stand and deliver' dramatic declamatory aria all serve to make this more of a 20th century work than an example of 19th century late-Romanticism.
Director
This opera was filmed live at La Scala in 1992. The all-star cast includes Luciano Pavarotti, Samuel Ramey, aolo Coni, Daniela Dessi, Luciana d'Intio, and Alexander Anismov. Riccardo Muti conducts.
Director
A collection of European T.V. commercials directed by a variety of well-known directors from across Europe and the U.S. Compiled and produced by Jean-Marie Boursicot.
Screenplay
Hamlet, Prince of Denmark, finds out that his uncle Claudius killed his father to obtain the throne, and plans revenge.
Director
Hamlet, Prince of Denmark, finds out that his uncle Claudius killed his father to obtain the throne, and plans revenge.
Production Design
Every woman wants him, every man wants to be him: Mozart’s version of the irresistible rogue who brings excitement with him and leaves destruction it his wake has always attracted top singing actors, as in this performance brilliantly led by James Levine. Samuel Ramey is Don Giovanni, pursued by the incandescent Karita Mattila (Donna Elvira) in her Met debut season and role, and by the white-hot avenging fury of Carol Vaness (Donna Anna.) Ferruccio Furlanetto delivers a masterful comic turn as the Don’s servant, Leporello.
Director
Promotional omnibus film, made for the 1990 FIFA World Cup in Italy, featuring portraits of 12 Italian cities.
Original Story
A fanciful biopic of legendary conductor Arturo Toscanini as a very young man.
Director
A fanciful biopic of legendary conductor Arturo Toscanini as a very young man.
Director
フランコ・ゼッフィレッリ演出のオペラ映画のサウンドトラックとして録音されたものです。19世紀の南イタリアを舞台に繰り広げられる愛憎劇。愛するが故の嫉妬が生んだ結末まで、ドミンゴの迫真の演技と熱唱によるヴェリズモ・オペラの傑作です。
Director
1987年4月 メトロポリタン歌劇場にて行われたジェイムズ・レヴァイン指揮によるプッチーニ作曲の歌劇「トゥーランドット」を収録。
Production Design
1987年4月 メトロポリタン歌劇場にて行われたジェイムズ・レヴァイン指揮によるプッチーニ作曲の歌劇「トゥーランドット」を収録。
Production Design
Based on Shakespeare's play, Verdi's opera depicts the devastating effects of jealousy, "...the green-eyed monster which doth mock the meat it feeds upon". Believing Otello has promoted the fast-rising Cassio over himself, Iago plots to destroy both Cassio and Otello. Iago convinces the jealous Otello that his beautiful wife Desdemona is unfaithful, and that Cassio is her lover. Jealousy is followed by tragedy, then retribution, "Has Heaven no more thunderbolts?"
Adaptation
Based on Shakespeare's play, Verdi's opera depicts the devastating effects of jealousy, "...the green-eyed monster which doth mock the meat it feeds upon". Believing Otello has promoted the fast-rising Cassio over himself, Iago plots to destroy both Cassio and Otello. Iago convinces the jealous Otello that his beautiful wife Desdemona is unfaithful, and that Cassio is her lover. Jealousy is followed by tragedy, then retribution, "Has Heaven no more thunderbolts?"
Director
Based on Shakespeare's play, Verdi's opera depicts the devastating effects of jealousy, "...the green-eyed monster which doth mock the meat it feeds upon". Believing Otello has promoted the fast-rising Cassio over himself, Iago plots to destroy both Cassio and Otello. Iago convinces the jealous Otello that his beautiful wife Desdemona is unfaithful, and that Cassio is her lover. Jealousy is followed by tragedy, then retribution, "Has Heaven no more thunderbolts?"
Director
Live Metropolitan Opera performance March, 1985.
Set Designer
Live Metropolitan Opera performance March, 1985.
Production Design
This “Traviata” became one of the most succesful of all opera films, especially in France, where 800,000 Parisian cinemagoers flocked to it in the first six week. It was nominated for two Oscars (for production and costume design) and won BAFTAs in those two categories, as well as receiving BAFTA and Golden Globe nominations as 1983’s Best Foreign-Language Film.
Adaptation
This “Traviata” became one of the most succesful of all opera films, especially in France, where 800,000 Parisian cinemagoers flocked to it in the first six week. It was nominated for two Oscars (for production and costume design) and won BAFTAs in those two categories, as well as receiving BAFTA and Golden Globe nominations as 1983’s Best Foreign-Language Film.
Director
This “Traviata” became one of the most succesful of all opera films, especially in France, where 800,000 Parisian cinemagoers flocked to it in the first six week. It was nominated for two Oscars (for production and costume design) and won BAFTAs in those two categories, as well as receiving BAFTA and Golden Globe nominations as 1983’s Best Foreign-Language Film.
Director
Set Designer
"La Bohème" is one of Giacomo Puccini's most popular and timeless works and the second-most performed opera at New York's Metropolitan Opera. This production, directed by the legendary Franco Zeffirelli, features José Carreras, Teresa Stratas, Renata Scotto and Richard Stilwell. The opera is replete with extraordinary visual beauty as it presents the tragic story of young bohemians struggling to make it in the world.
Production Design
"La Bohème" is one of Giacomo Puccini's most popular and timeless works and the second-most performed opera at New York's Metropolitan Opera. This production, directed by the legendary Franco Zeffirelli, features José Carreras, Teresa Stratas, Renata Scotto and Richard Stilwell. The opera is replete with extraordinary visual beauty as it presents the tragic story of young bohemians struggling to make it in the world.
Director
"La Bohème" is one of Giacomo Puccini's most popular and timeless works and the second-most performed opera at New York's Metropolitan Opera. This production, directed by the legendary Franco Zeffirelli, features José Carreras, Teresa Stratas, Renata Scotto and Richard Stilwell. The opera is replete with extraordinary visual beauty as it presents the tragic story of young bohemians struggling to make it in the world.
Director
Two young kids fall in love with each other. But the passion is too consuming for the parents of Jade. The parents try to stop them from seeing each other. But when this doesn't work, David burns down the house and is sent away. This doesn't stop him from seeing her. When he gets out he goes to look for her. But the passion for his first love is too strong and she has to leave.
Self
Traces the life of Anna Magnani, her creations, her successes, her triumphs, her boycotted career, her nonconformism, her anxieties, her generosity ... Punctuated with photos that tell her career in theater and cinema, Extracts of films, this documentary portrait also gives the floor to his friends and relatives, from Roberto Rossellini to Marcello Mastroianni, through Federico Fellini.
Director
Billy used to be a great boxer, but he's settled into a hardscrabble life that revolves around drinking, training horses, and the one bright spot in his existence — his young son, T.J. Although Billy has had custody of T.J. since his wife, Annie, left the family years ago, her return prompts a new struggle for the former fighter. Determined to hold on to his son, Billy gets back into the ring to try and recapture his past success.
Director
CARMEN is the classic tale of forbidden passion between a young man and a spoken-for woman, Carmen. From ORF and TDK Music, this release features a live performance of Georges Bizet's 19th century operatic masterwork Carmen. Directed by Academy Award-nominated filmmaker Franco Zeffirelli, the production was shot on December 9, 1978, at the Wiener Straatsoper. Starring Elena Obraztsova in the titular role, the orchestra is conducted by Carlos Kleiber.
Narrator
Narrated by cinema legend Franco Zeffirelli, this intimate made-for-television documentary traces the life and times of the mercurial Maria Callas, one of the most renowned and respected operatic divas of the mid-20th century. Rare authentic footage, candid interviews and breathtaking performances help paint a portrait of an artist remembered as much for her quick and explosive temper as she is for her immeasurable talent.
Director
Plácido Domingo accomplishes the rare feat of singing both leads on the same night at the Met in 1978 on opera's most popular double-bill.
Screenplay
In his delirium from his return from war, Francesco Bernardone goes back in his memories to the days when he lived for parties and carnal pleasures. He slowly recovers, but after the illness he is no longer the Francesco that everybody knew. Instead of spending hours in taverns, he meditates on the beauty of God's creatures, soon renouncing his riches and his family with plans to rebuild an abandoned church and his life.
Director
In his delirium from his return from war, Francesco Bernardone goes back in his memories to the days when he lived for parties and carnal pleasures. He slowly recovers, but after the illness he is no longer the Francesco that everybody knew. Instead of spending hours in taverns, he meditates on the beauty of God's creatures, soon renouncing his riches and his family with plans to rebuild an abandoned church and his life.
Screenplay
美しいキャプレット家の世継ぎジュリエットは、舞踏会でロミオに出会い夢中になる。だが、ロミオはキャプレット家の宿敵、モンタギュー家の息子だった。
二人は密かに永遠の 愛を誓い結婚式を挙げるが、ロミオは逃亡生活を、ジュリエットは両親にパリスとの結婚を強いられる。ロミオと一緒に暮らすため、危険を承知でジュリエットは神父の計画に命を懸けた……。
Director
美しいキャプレット家の世継ぎジュリエットは、舞踏会でロミオに出会い夢中になる。だが、ロミオはキャプレット家の宿敵、モンタギュー家の息子だった。
二人は密かに永遠の 愛を誓い結婚式を挙げるが、ロミオは逃亡生活を、ジュリエットは両親にパリスとの結婚を強いられる。ロミオと一緒に暮らすため、危険を承知でジュリエットは神父の計画に命を懸けた……。
Self
Various international presentions are featured through satellite uplink.
Director
カタリーナは、イタリアの片田舎パデュアに住む、はねっかえりのおてんば娘。彼女の妹ビアンカに恋をした男たちは、荒くれ者のペトルーキオに、カタリーナをめとらせようと試みる。彼らの思惑どうり２人は結婚式を挙げたが、果たしてペトルーキオはカタリーナを“よき妻”に仕立てられるのか？！
Producer
カタリーナは、イタリアの片田舎パデュアに住む、はねっかえりのおてんば娘。彼女の妹ビアンカに恋をした男たちは、荒くれ者のペトルーキオに、カタリーナをめとらせようと試みる。彼らの思惑どうり２人は結婚式を挙げたが、果たしてペトルーキオはカタリーナを“よき妻”に仕立てられるのか？！
Screenplay
カタリーナは、イタリアの片田舎パデュアに住む、はねっかえりのおてんば娘。彼女の妹ビアンカに恋をした男たちは、荒くれ者のペトルーキオに、カタリーナをめとらせようと試みる。彼らの思惑どうり２人は結婚式を挙げたが、果たしてペトルーキオはカタリーナを“よき妻”に仕立てられるのか？！
Director
A dramatic, solemn and refined work, "Per Firenze" spread throughout the world the cry for help that was rising in those hours from the city of Dante and Brunelleschi, giving rise to one of the greatest phenomena of solidarity that has gone down in history under the name of the "mud angels."
Production Design
In the early 1960s two artistic giants, conductor Herbert von Karajan and director Franco Zeffirelli, joined forces to create this milestone production of Puccini’s masterpiece at Milan’s Teatro alla Scala. Filmed in that legendary opera house in 1965, with Zeffireli himself directing for the cameras, this “Bohème” has been acclaimed universally for its unique theatrical impact and visual splendour. Starring the young Mirella Freni in her carreer-making performance. – For the first time the full dimension of opera on film.
Director
In the early 1960s two artistic giants, conductor Herbert von Karajan and director Franco Zeffirelli, joined forces to create this milestone production of Puccini’s masterpiece at Milan’s Teatro alla Scala. Filmed in that legendary opera house in 1965, with Zeffireli himself directing for the cameras, this “Bohème” has been acclaimed universally for its unique theatrical impact and visual splendour. Starring the young Mirella Freni in her carreer-making performance. – For the first time the full dimension of opera on film.
Director
Maria Callas’ legendary live performances from the Royal Opera House, Covent Garden, from 1962 and 1964 celebrate her triumphant return to the Covent Garden stage. Repertoire from these performances include Verdi: Tu che le vanità (Don Carlo), Bizet: Habanera & Séguedille (Carmen) and Puccini: Tosca (Act II complete). Her vivid portrayals of the tragic Elisabeth de Valois, the tantalising Carmen, and her vulnerable Tosca (directed by Franco Zeffirelli) captured the hearts of the London audiences. This is Maria Callas as the world remembers her. Renato Cioni, Tito Gobbi, Robert Bowman, Dennis Wicks Orchestra & Chorus of the Royal Opera House, Covent Garden- Conducted by Georges Prêtre & Carlo Felice Cillario.
Screenplay
Two young lovers, Tao and Valeria, decide to go and enjoy a beautiful holiday in privacy, away from the daily routine and their parents. After a journey full of adventures, aboard a sidecar, they find themselves in a campsite populated by Germans.
Director
Two young lovers, Tao and Valeria, decide to go and enjoy a beautiful holiday in privacy, away from the daily routine and their parents. After a journey full of adventures, aboard a sidecar, they find themselves in a campsite populated by Germans.
First Assistant Director
Paolo Anselmi is a happily single man. He lives in a flat with a friend but is forced to leave when the friend gets married. He then goes to a boarding house where he flirts with a girl but ditches her when she proposes marriage. When he goes and visits his mother he finds out that she is also trying to find the right girl for him. Is he going to surrender this time?
First Assistant Director
A troubled and neurotic Italian Countess betrays her entire country for a self-destructive love affair with an Austrian Lieutenant.
First Assistant Director
A young and shy girl Celestina arrives from her small home village to Rome to become a housemaid. Her inexperience and naivety causes her to change her employers quite frequently. As she is moving from one family to another she makes friends with other Roman maids and falls desperately in love with a handsome plumber Fernando. But Fernando isn't telling Celestina that he is already engaged to another woman.
First Assistant Director
Bellissima is a satire of the film industry, and centers on a mother and daughter after the latter attends an audition.
First Assistant Director
In rural Sicily, the fishermen live at the mercy of the greedy wholesalers. One family risks everything to buy their own boat and operate independently.
Filippo Garrone
A rowdy woman is so forceful that she outdoes her husband in a loud cry against speculators who refuse poor people entrance to a block of new apartments, built after WW2. Without noticing it, she starts a people's movement, and leads a march to the capital. She returns to her village a winner, an honourable MP. Yet, she is still the same simple, fiery woman, able to get in a hair-pulling brawl with the local barmaid for the affection of her man.
