Hafiz Rancajale

She is a teacher. She is a mother to young artists, a mother to activists of social and cultural movements. Indonesia has a long and unresolved historical wound, starting from the events of 1965, the silence of democracy and human rights activists, and the spread of identity politics. In the midst of it all, DOLO, a female sculptor opens the wounds of history through her sculptures.

Going through a journey of three filmmakers trail tracing Indonesia’s family cinema. From Indonesia to the Netherlands and back, they met Kwee Zwan Liang Cinema and Rusdy Attamimi Cinema, to a whole other level of the journey that brought them to not only culture issues in the public cinema but also on aesthetics and the truth of family cinema from a generation to the ones to come.

A story of the sacrifice of farmers in defending their land from the mining permit given by the local government to a big company in the district of Lambu.

A story of the sacrifice of farmers in defending their land from the mining permit given by the local government to a big company in the district of Lambu.

A story of the sacrifice of farmers in defending their land from the mining permit given by the local government to a big company in the district of Lambu.

This film tries to read the idea of film archiving in the mind of Misbach Yusa Biran. A character who gave his entire life to preserve and reinterpret the discourse of film as a source of Indonesian film history. The archives stored are entirely in Sinematek Indonesia.

This film tries to read the idea of film archiving in the mind of Misbach Yusa Biran. A character who gave his entire life to preserve and reinterpret the discourse of film as a source of Indonesian film history. The archives stored are entirely in Sinematek Indonesia.

This film tries to read the idea of film archiving in the mind of Misbach Yusa Biran. A character who gave his entire life to preserve and reinterpret the discourse of film as a source of Indonesian film history. The archives stored are entirely in Sinematek Indonesia.

A small story from the border of Tangerang Regency and Bogor Regency. It was there that Kang Sui Liong, the temple guard, lived with his wife and children.

A piece of story which has been taken from two young men from Rangkasbitung – it’s a small town which has a distance 120 kilometers from the capital city of Jakarta. Kiwong and Iron have a profession as a tofu sellers. Kiwong sells tofu in the economy train of Rangkasbitung to Jakarta while Iron sells the fresh tofu in the traditional Rangkasbitung market. Those characters are portraits of young generation from post Reformation in 1998 where Indonesia was a country which had been reigned by military regime before, and turn to be a large democratic country in the world.

A piece of story which has been taken from two young men from Rangkasbitung – it’s a small town which has a distance 120 kilometers from the capital city of Jakarta. Kiwong and Iron have a profession as a tofu sellers. Kiwong sells tofu in the economy train of Rangkasbitung to Jakarta while Iron sells the fresh tofu in the traditional Rangkasbitung market. Those characters are portraits of young generation from post Reformation in 1998 where Indonesia was a country which had been reigned by military regime before, and turn to be a large democratic country in the world.

A piece of story which has been taken from two young men from Rangkasbitung – it’s a small town which has a distance 120 kilometers from the capital city of Jakarta. Kiwong and Iron have a profession as a tofu sellers. Kiwong sells tofu in the economy train of Rangkasbitung to Jakarta while Iron sells the fresh tofu in the traditional Rangkasbitung market. Those characters are portraits of young generation from post Reformation in 1998 where Indonesia was a country which had been reigned by military regime before, and turn to be a large democratic country in the world.

In May 1998 something happened in Indonesia that no one had thought possible. After persistent demonstrations, primarily by students, the repressive era of President Suharto came to an end. Many film makers from the present generation were closely involved in this revolution at the time. In this omnibus film, ten film makers look back on events.

"Life has given me time. However, I've never spent that time to really live." Jen is an ordinary guy with big dreams and hopes. But, time has passed him by. A lot has happened. What has Jen been doing for the past ten years? The political changes have not changed Jen's life that much. What happened then for him was just a vivid dream. That memory has turned into a "film" about an occasion that he had witnessed.

Alam has an aspiration to become a soldier. But, he went to Jakarta because of economical difficulties. He wants to relief the burdens of his parent. Alam told stories about life, human dreams who fought for their survival in big city.