Producer
The Happy Island looks at the work of the London Missionary Society on Gemo (now Hanudamua) Island in Port Moresby harbour, Papua New Guinea, which from 1937-1974 treated people who suffered from infectious diseases, mainly leprosy and tuberculosis. The film offers insight into the attitudes and practices of Christian missionaries of that time. Despite the colonial paternalism that underpins the Missionary Society’s model of care, the film tells the story of a happy, active community, as it follows the lives of the patients, their families and the dedicated staff, all of whom live, work and socialise on the island together.
Director
Progress in South Australia manifests itself around the Flinders Range country in the industries of Whyalla, Port Pirie, Port Augusta, Leigh Creek and Aroona Dam. Wildflowers cover the countryside.
Director
The film illustrates the fact that Australia's Newcastle, like its British counterpart, has developed into a large city but still retains its essential mining atmosphere. The great steel industry which feeds on its black gold is shown in full blast. But the film reaches beyond coal, steel and the activity of a great port into the lives of the people of Newcastle. It covers not only the mines and the mills but moves into the dwelling and working places and the natural beauty of their surroundings where they find their pleasures.
