Director
Consisting of eighteen segments depicting what people need from life and what they add to it, the film puts an emphasis on sound and quiet just as much as it does on light and shadow. Featuring an original soundtrack by Erik Sutch and Lila Tublin, the movie was shot on digital video, film, and videotape over the last ten or so years in Australia, Chile, Egypt, Japan, Mexico, New Zealand, Romania, the US, and Vietnam. It commemorates a decade of having a video camera in your pocket at all times ready to capture whatever is worth taking the camera out of your pocket for.
Producer
Claire is an abortion doctor living in a post-industrial America where football no longer exists, but TRAP laws still do. After restrictive state regulations force Claire to shut down her clinic, she drives a taxi while waiting to reopen. The senator who was instrumental in passing the legislation dies in her backseat, and his wife and daughter come out of the woodwork and into Claire's life.
Writer
Claire is an abortion doctor living in a post-industrial America where football no longer exists, but TRAP laws still do. After restrictive state regulations force Claire to shut down her clinic, she drives a taxi while waiting to reopen. The senator who was instrumental in passing the legislation dies in her backseat, and his wife and daughter come out of the woodwork and into Claire's life.
Director
Claire is an abortion doctor living in a post-industrial America where football no longer exists, but TRAP laws still do. After restrictive state regulations force Claire to shut down her clinic, she drives a taxi while waiting to reopen. The senator who was instrumental in passing the legislation dies in her backseat, and his wife and daughter come out of the woodwork and into Claire's life.
