Étienne Becker

Marie has had a tough childhood ever since her mother Elisa committed suicide. She has spent most of her life in an orphanage and now makes a living as a small time criminal in Paris. Now she wants to unravel her past and find her father whom she blames for her mother's death.

A story about a father who kidnaps his daughter and which the director describes as a love story that ended badly.

Vincent is the victim of an assassination attempt carried out by a young woman who wants to avenge her sister. Albert, the childhood friend of Vincent, wants to help and begins to investigate the woman, but he realizes that Vincent is perhaps not the person he seems to be.

In spring 1976, a 19-year-old beauty, her German-born mother, and her crippled father move to the town of a firefighter nicknamed Pin-Pon. Everyone notices the provocative Eliane. She singles out Pin-Pon and soon is crying on his shoulder (she's myopic and hates her reputation as a dunce and as easy); she moves in with him, knits baby clothes, and plans their wedding. Is this love or some kind of plot? She asks Pin-Pon's mother and aunt about the piano in the barn: who delivered it on a November night in 1955? Why does she want to know, and what does it have to do with her mother's sorrows, her father's injury, this quick marriage, and the last name on her birth certificate?

The cynical boss of a big insurance agency invites his top-salary employees to spend a week-end in his country house. A modest clerical worker, also invited, discovers the hidden reason for this party - and decides to take advantage of it.

A young Parisian advertising executive becomes so captivated by the unsettling charm of his mysterious new employer that he eventually abandons his family and friends, viewing it a privilege to let the ubiquitous employer take over his home, his life, his desire. Only his wife remains suspicious, recognizing both the pathos and the evil in the man’s soul-stealing power.

Alice invites all four men she has loved in her life for the dinner of New Year's Eve at the same time and unites them all in her house. In sentimental flashbacks they recall the former times. At 35, Alice is a career woman who doesn't think she has time for a lasting relationship. Thus, her love life has been, and probably always will be, a series of trysts and one-night stands.

Julienne Lebas is a financial assistant at a real estate developer but she has published a novel and hopes to become an actress someday.

After several inhabitants of a new city were bitten by dogs, a young doctor tries to stop to the climb of violence.

After getting painfully separated from the woman he loves, Julien leaves his apartment. He goes in search of his old friends but no one is to be found and the city is silent.

Tired of being a housewife, Annie wants to work. Between her professional life and her responsibilities as a parent, she can no longer cope. She decides to leave and starts writing a memoir of her life...

Pauline intends to end her days and meticulously prepares her suicide, but she meets Peppo, an Italian immigrant, who will change her mind.

When Francois, a journalist, tours a big store for an article, he is chosen by the son of the newspaper's owner, Rambal-Cochet, as his new toy. Needing money and unwilling to quit his job, Francois agrees to this ridiculous assignment. Gradually befriending the spoiled boy, he induces him to play at making a newspaper, unveiling publicly the tyrannical way of life of the father. The powerful emotional climax we experience with the child astonishes both men.

Documentary about the military coup in Chile.

Police Python 357は、1976年のフランスの犯罪スリラー映画で、Alain Corneauが監督しました。これは、ケネスフィアリングの1946年の小説「ビッグクロック」のストーリーラインを改作したものです。

1944年、第二次大戦下のフランスで外科医として黙々と働く男。戦火の拡大にともない愛する妻と娘を娘の田舎へと疎開させるが、パルチザン狩りのドイツ軍小隊に娘は射殺、妻は焼き殺されてしまう。溢れそうになる血の涙と嗚咽をかみ殺しながら、怒りに震える男は単身で反撃、ドイツ軍を一人づつ処刑していく…。

A stranger enters into and forever alters the life of a couple. He claims to be pursued by certain authorities who intend to prevent him from disclosing a secret that only he holds, whence the title. Is he lying, or insane - or is he telling the truth? Who, if anyone, is after him? And what *is* - the secret?

Louis Malle presents his entertaining snapshot of the comings and goings on one street corner in Paris.

In his documentary "Humain, Trop Humain," Louis Malle presents his meditative investigation of the inner workings of a French automotive plant.

Jacques and Jean-Claude, unemployed actors, start experimenting with various creative petty scams to get by. More and more daring, with the help of Anne, a charming young girl, they blackmail the rich and influential in a different way.

A highly stylized surreal farce about the events leading up to Custer's Last Stand anachronistically reenacted in an urban renewal area in modern Paris.

Professor Marcilly is a famed brain specialist who, following in-depth and extended research work, is now able to perform brain transplant surgery. One day, he finds himself in the presence of a young car accident victim for whom the only hope of survival would be a brain transplant. Marcilly, who has a heart condition and is terminally ill, decides to become the "donor". The operation is a success. But who is actually the patient discharged from the hospital: a young fellow with the brain of a young man or an old man in the body of a young one?

Despite their social differences, poor David and the rich Olivier are the best friends. David took the young Eleanor in Olivier's Paris apartment. When Olivier meets her there, he takes her to the country, where the three build a boat on the meadow. Eleanore divided the friends.

Former professor of natural history, Louis Compiegne lives in retirement in a big house, with Pascal, his faithful servant. The arrival of a young American student comes to disorder the quiet life of the pensioner.

Marceau Léonetti, a competent and energetic officer stops by chance the son of an influential lawyer driving under the influence of alcohol. A few months later, the lawyer falsely accuses Léonetti as being violent and incompetent. As a result Marceau is transferred to a small police station, where he meets young and beautiful Jeanne. Soon they are faced with a tough investigation.

OSS 177 goes on holiday to Brazil, but is called into action when he finds himself being stalked by a double.

Two college friends, traveling in Europe, find themselves rivals for the attentions of a mysterious woman.

Universally accepted as a true icon of the 20th century, Muhammad Ali’s phenomenal achievements spanned sport, politics and religion. One man – photographer William Klein had comprehensive access to the events that shaped Ali’s legend. In 1964, the young gregarious Cassius Clay successfully defeated the seemingly invincible Heavyweight Champion of the World Sonny Liston – the manner of Clay’s victory and his amazing persona made him an instant superstar. Through this incredible period, and Clay’s subsequent rematches with Liston, William Klein enjoyed unrivalled access top Clay’s camp – witnessing at first hand Cassius Clay becoming Muhammad Ali and angering the American people with his allegiance to Islam. Forward to Zaire 1974, and the return of Muhammad Ali to the world stage to face another invincible champion George Foreman. As Ali reclaimed the crown for a second time, Klein was ever present, capturing the full story at close quarter.

When he was cutting "Phantom India," Louis Malle found that the footage shot in Calcutta was so diverse, intense, and unforgettable that it deserved its own film. The result, released theatrically, is at times shocking—a chaotic portrait of a city engulfed in social and political turmoil.

Follows the dissolution of the marriage between Claire, an actress and Sebastien, her director.

Follows the dissolution of the marriage between Claire, an actress and Sebastien, her director.

François, a journalist, is approached on the train home by pretty a blonde. She leaves at the same station as him and follows him until he ends up inviting her to his house.

A young woman decided to make a show of her death she is going to look at during the whole film. We will see the progressive and long descent of a murderous machine which may pierce her throat.

Semi-autobiographical story of Conrad Rooks, who travels to France to undergo a drug-withdrawal cure. Flashbacks to the beginings of psychedelia in San Fran. Though initially confusing, as Rooks blends drug-illusion with reality, and cuts color with black-and-white and monochrome tinted shots, "Chappaqua" is conventionally constructed with a beginning, middle, and end.

Instructional film about the (former) biggest harbour in the world, with a hybrid format. Well known Ivens themes are revisited, like The Flying Dutchman in the fiction part of the film, who returns to the modern day Rotterdam, that has recovered very well after the devastating bombardments in the second world war.

A family's life is transformed into an object of art.

Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rohmer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.

In a busy, noisy neighborhood, a frustrated young wife in a failing marriage is offered her freedom by her indifferent husband, but has second thoughts after meeting an intriguing stranger.

アルコール中毒によって入院し、その間に死につりつかれた男・アラン。命を絶つ日を7月23日と決めた彼は、旧友たちのもとを訪ねて歩く。平穏な、あるいは退廃的な生活を送る彼らと出会い、会話を重ねても、アランの心には何も変化が起こらなかった。

Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.

「ベトナムから遠く離れて」など、主に記録映画を活動の場としヌーヴェル・ヴァーグの中でも特異な位置を占める作家C・マルケルが全編スチール・カットで撮った中編SF映画の佳作。人類が絶滅した未来からその原因となった出来事を探るため過去にタイムトラベルした男は一人の女性と知り合う。何故か見覚えのあるその女性と行動を共にするうち、彼は幼いころ飛行場で彼女を見たことを思い出す。二人はやがて全ての出来事の根源となる飛行場へとたどり着くのだが……。

The choreographer Merce Cunningham working with the musician John Cage and the painter Robert Rauschenberg.

The choreographer Merce Cunningham working with the musician John Cage and the painter Robert Rauschenberg.