Natalia Luque

略歴

Natalia Luque is a Chilean filmmaker based in New York. Her fiction short films Soy Sola (2019) and La Virgen, La Vieja y el Viaje (2020) have screened at FICValdivia, Havana, Brussels, Torino, LALIFF, and PS Shortfest. Recently Natalia became a BAFTA Newcomer 2022. She is currently developing her first feature Señorita de Buena Presencia, official selection of Ventana Sur, Nuevas Miradas 2020 and Bolivia Lab and finishing her thesis short film Asi Dicen (2022), winner of two production grants.

参加作品

The Virgen, The Old Lady, The Journey
Screenplay
Rocio, a Colombian immigrant living in New York, is forced to work as a cleaner. After a phone call with her family, she learns that her grandmother is severely ill and is about to pass away. While communicating at a distance becomes more difficult, Rocio will use technology to say farewell her grandmother.
The Virgen, The Old Lady, The Journey
Editor
Rocio, a Colombian immigrant living in New York, is forced to work as a cleaner. After a phone call with her family, she learns that her grandmother is severely ill and is about to pass away. While communicating at a distance becomes more difficult, Rocio will use technology to say farewell her grandmother.
The Virgen, The Old Lady, The Journey
Director
Rocio, a Colombian immigrant living in New York, is forced to work as a cleaner. After a phone call with her family, she learns that her grandmother is severely ill and is about to pass away. While communicating at a distance becomes more difficult, Rocio will use technology to say farewell her grandmother.
On My Own
Writer
A lonely beautician suffering from the onset of menopause is encouraged by her young client to pursue a love interest. The two women, youthful and aging, find unexpected insight in the advice of the other
On My Own
Director
A lonely beautician suffering from the onset of menopause is encouraged by her young client to pursue a love interest. The two women, youthful and aging, find unexpected insight in the advice of the other
Decorous Woman
Director
Hairdresser Marta Maria (63) finally has the opportunity to be with Mario, the man she deeply likes. But her insecurities have grown over the years and she undergoes cosmetic treatments to please him, forcing her to neglect her sick mother living in southern Chile. With the support of her clientele, she must choose whether to pursue romantic ideals or reconnect with her family and true self.
So They Say
Screenplay
Rumors spread like wildfire in a small Chilean town as an aborted fetus is found floating on a lake. A single mother and saleswoman’s values and morals are put to test when she discovers the culprit to be one of her young female clients.
So They Say
Director
Rumors spread like wildfire in a small Chilean town as an aborted fetus is found floating on a lake. A single mother and saleswoman’s values and morals are put to test when she discovers the culprit to be one of her young female clients.