Sarah Francis

参加作品

As Above So Below
Editor
This hushed, pared-down essay weaves together different facts and myths surrounding the moon: images, texts, and sounds are spun into a dense, delicate tissue of ideas, with humans both at the centre and infinitely small in this celestial context.
As Above So Below
Producer
This hushed, pared-down essay weaves together different facts and myths surrounding the moon: images, texts, and sounds are spun into a dense, delicate tissue of ideas, with humans both at the centre and infinitely small in this celestial context.
As Above So Below
Screenplay
This hushed, pared-down essay weaves together different facts and myths surrounding the moon: images, texts, and sounds are spun into a dense, delicate tissue of ideas, with humans both at the centre and infinitely small in this celestial context.
As Above So Below
Director
This hushed, pared-down essay weaves together different facts and myths surrounding the moon: images, texts, and sounds are spun into a dense, delicate tissue of ideas, with humans both at the centre and infinitely small in this celestial context.
Birds of September
Director
A glass van roams the streets of Beirut. The van houses a camera that explores the city from behind the glass. Through its journey, it becomes a mobile confessional, capturing moments from peoples' lives, all the while searching for something or someone. The confessions are candid, blunt and intimate.