Pepe Viyuela

Two men with the same name endure the funny consequences of getting mixed up during a business trip.

The life and work of the legendary Francisco Ibáñez, brilliant cartoonist, creator of Clever & Smart and many other characters through whom he has portrayed Spanish society for over seven decades, with wild humor, subtle cruelty and much tenderness.

The family, the tenant, the wedding, the businessman, the neighbors, the poor child and the run over. 7 black comedy stories of a dysfunctional society.

How the Uruguayan-Spanish actor, writer, producer and director Narciso 'Chicho' Ibáñez Serrador changed forever the way of producing programs for Spanish television.

The Spanish author Enrique Jardiel Poncela (1901-1952) was one of the best comedy writers of all time, a novelist and newspaper columnist, misunderstood, even censored, both by the Second Republic government and Francoism, an outsider ahead of his time; also a filmmaker and screenwriter in Hollywood, architect of a revolutionary theatrical building and scenographer, cartoonist and illustrator. An implausible genius.

Documentary about new actors in Spain.

Mr and Mrs Gonzalez are told by his son an unexpected new: There are letters. On the toilet paper. Letters

The planet is facing a great threat. During the worst drought ever known, a group of wrongdoers are in the process of finishing all the reserves of water that remain on Earth. The best secret agents in the world meet urgently, but they don't even have a clue. To make things even worse, the evil Botijola plans to sabotage the meeting. His intention is to convert the water into a substitute. In order to do this, he also tries to kidnap mad Professor Bacterio and get him to work for him. However, there are two things Botijola wasn't expecting. On the one hand, Bacterio, before being kidnapped, hid the parts of his invention in different historical moments, using a time machine. On the other hand, there are two international agents who haven't turned up at the sabotaged meeting, two agents who become the world's only hope: Mortadelo and Filemón.

"Escuela de seducción" is an acceptable comedy which deals, for the umpteenth time, with the war of the sexes using misunderstandings and fake personalities as dramatic resources. The premise is by no means original, but this is something most films lack nowadays, and therefore the result could have been more than acceptable.

An unlikely couple fake a relationship to win a TV game show prize. Wannabe actress Estrella dreams of becoming a hostess on a romance reality-TV show presented by Amador Rosales. Meanwhile, movie usher and film buff Victor, who hates such reality shows, is being pressured by his mother to be a contestant.

In the Headquarters of the T.I.A. (Terminal Intelligence Agency), someone has stolen Professor Bacterio's most dangerous invention, the D.O.T. (Demoralizer of Troops), an artifact that ends up in the hands of a very short, wacky dictator who is ready to use it for criminal purposes. The T.I.A Chief, though, is firm in his resolve: if he wants to get the D.O.T. back, he must NOT count on his agents Mortadelo & Filemon. But when the crime fighting duo discover that the T.I.A. has engaged a cocky and slimy detective from outside the agency, they decide to act at their own risk, even if that risk involves all of Humanity.

Wafer factory-owner P. Tinto and his wife Olivia want a child of their own more than anything else in the world. Years of trying, however, have left them with nothing but a pair of extraterrestrial midgets living in the spare bedroom. When they decide to try adoption, a series of misroutings and chance encounters results in an escaped adult mental patient arriving at their door with adoption papers in hand. P. Tinto and Olivia accept this without question and welcome him in as their son. Can this family arrangement work?

Angel, an exterminator recently released from a mental hospital, comes to rid a small Spanish town of tiny grubs in the soil. The local wine-making industry has found these pests responsible for giving their product an "earthy" taste that has divided local opinion. While in town, Angel becomes involved with two beautiful and very different women, and impacts their lives on a grand scale. Can either of these women accept the fact that Angel travels with a "ghost" of himself, or that he routinely speaks with the deseased townspeople?