Qu Youjia

略歴

Qu Youjia, born in Nantong, Jiangsu Province in 1990, is a photographer, film director and the founder of Notation Film Production. He studied at Beijing Film Academy and graduated from Rhode Island School of Design. His debut short film Meijing won The Night Award of the 15th International film festival of Signes de Nuit, Best Fiction Film Award of 4th Chongqing Youth Film Festival, Best Film of Stars Hollywood Festival and was nominated at many others. (c) Rediance

参加作品

She Sat There Like All Ordinary Ones
Screenplay
Zhuang is a late bloomer. When he first meets his classmate Meng, a talented long-distance runner, he rashly and spontaneously takes the blame for her theft of a starting pistol. But before they can get to know each other better, Meng gives him the cold shoulder. Confused, Zhuang decides to join Meng’s track team, even though this leaves him with less time for studying. Academic pressure is added to the puzzles of adolescence. Zhuang plans to surprise everyone with a bold gesture. He is just waiting for the right moment...
She Sat There Like All Ordinary Ones
Writer
Zhuang is a late bloomer. When he first meets his classmate Meng, a talented long-distance runner, he rashly and spontaneously takes the blame for her theft of a starting pistol. But before they can get to know each other better, Meng gives him the cold shoulder. Confused, Zhuang decides to join Meng’s track team, even though this leaves him with less time for studying. Academic pressure is added to the puzzles of adolescence. Zhuang plans to surprise everyone with a bold gesture. He is just waiting for the right moment...
She Sat There Like All Ordinary Ones
Director
Zhuang is a late bloomer. When he first meets his classmate Meng, a talented long-distance runner, he rashly and spontaneously takes the blame for her theft of a starting pistol. But before they can get to know each other better, Meng gives him the cold shoulder. Confused, Zhuang decides to join Meng’s track team, even though this leaves him with less time for studying. Academic pressure is added to the puzzles of adolescence. Zhuang plans to surprise everyone with a bold gesture. He is just waiting for the right moment...
Together Apart
Writer
Chinese funerals require much preparation: a three-day wake and various rituals precede the cremation. In the opening shots of this magical realist film, the widow returns home drained and starts tidying up the house, only to encounter her deceased husband casually sauntering down the stairs. She soon readopts a familiar routine: dressing him warmly, measuring his blood pressure and bickering with him. This absurd premise soon develops when visitors from the afterlife are expected and the daughter starts getting involved. As she seeks to solve the impossible situation, grandson Jiajia seems to be the only one unquestioningly embracing grandad's return. All shot in long, composed takes, replete with understated humour and tender reflections on family, loneliness, memory and the passing of time. (c) IFFR
Together Apart
Producer
Chinese funerals require much preparation: a three-day wake and various rituals precede the cremation. In the opening shots of this magical realist film, the widow returns home drained and starts tidying up the house, only to encounter her deceased husband casually sauntering down the stairs. She soon readopts a familiar routine: dressing him warmly, measuring his blood pressure and bickering with him. This absurd premise soon develops when visitors from the afterlife are expected and the daughter starts getting involved. As she seeks to solve the impossible situation, grandson Jiajia seems to be the only one unquestioningly embracing grandad's return. All shot in long, composed takes, replete with understated humour and tender reflections on family, loneliness, memory and the passing of time. (c) IFFR
Together Apart
Director
Chinese funerals require much preparation: a three-day wake and various rituals precede the cremation. In the opening shots of this magical realist film, the widow returns home drained and starts tidying up the house, only to encounter her deceased husband casually sauntering down the stairs. She soon readopts a familiar routine: dressing him warmly, measuring his blood pressure and bickering with him. This absurd premise soon develops when visitors from the afterlife are expected and the daughter starts getting involved. As she seeks to solve the impossible situation, grandson Jiajia seems to be the only one unquestioningly embracing grandad's return. All shot in long, composed takes, replete with understated humour and tender reflections on family, loneliness, memory and the passing of time. (c) IFFR