Yelena Polevitskaya

AYoung engineer Pavel Kaurov goes to his first destination — to the port city of Sibirsk. He is appointed to lead a group of cranes: gantry and floating. After several troubles Pavel mastered the port work and received a serious assignment. Meanwhile, his fiancee Nina, an architect by profession, is arriving in Siberia. However, besides Pavel, fellow students came to the station to meet her — Petunin's brother and sister, in whose house she is staying. Soon Annushka, who has long loved Pavel, arrives. From that day on, he had trouble after trouble. After a crane accident, which happened through his fault, the hero pulls himself together and does everything to regain the confidence of the brigade...

Wanting a lavish production to mark the 25th anniversary of UFA, the German film studio, Joseph Goebbels, director of the Nazi propaganda machine, commissioned an adaptation of Baron von Münchhausen‘s “autobiographical” stories. Baron von Münchhausen (1720-97) was an eccentric figure in European history, whose tall tales about his adventures rival anything to be found in the legends of Paul Bunyan or classic figures like Odysseus. This film recounts some of the episodes from the Baron’s sensational stories, which are set in the world of the 18th century.

Considering Germany's own treatment of Poland in 1939, it is ironic in the extreme that the 1938 German film Um Freiheit und Liebe (For Freedom and Love) is a celebration of Poland's declaration of independence from Russia. Werner Hinz plays Konrad, an idealistic Polish student who courts disaster for his loved ones through his constant harrangues against Russian impression. When his mother promises the authorities that Konrad will cease his protests, he is honor bound to obey her, no matter what the provocation. Drowning his disappointment in liquor, Konrad falls in love with nightclub singer Anna Sasotska (Viktoria von Ballasko). While he never achieves his political goals, Konrad at least finds happiness romantically. The climax of the film is particularly exciting, even though it is motivated by anti-Russian (and implicitly pro-Nazi) propaganda.

Kornej is a young painter of primitivism. An art agent discover the works of Kornej and buy the whole collection. The art critic Moulin is very excited about Kornejs paintings and style. Kornej marries his childhood sweetheart Rita. They have a child that carries a mystic disease. Allt the money Kornej got from selling his collection is put into the care of the sick child. Rita leaves Kornej.