Yana Osman

参加作品

Swallowtails
Director
In the spring of 2022, security guards in Moscow are tense. Under the guise of a film competition on the architecture of the city, Yana Osman and Anton Khamchishkin are permitted, if nothing else, to film the battlements of the Kremlin wall. But how to speak of the attack when you have to say “special military operation”? How to create pictures of resistance when filming any protest is forbidden? By pondering swallows and mathematical catastrophe theory, for example.
Triptych
Producer
Big Clay #4, a 12-meter sculpture by Swiss artist Urs Fischer, was installed in Moscow in August 2021 and caused a mixed reaction. Gradually, the Russian context supplemented the work with two new parts – thus, from a single work, Big Clay turned into a triptych.
Triptych
Screenplay
Big Clay #4, a 12-meter sculpture by Swiss artist Urs Fischer, was installed in Moscow in August 2021 and caused a mixed reaction. Gradually, the Russian context supplemented the work with two new parts – thus, from a single work, Big Clay turned into a triptych.
Triptych
Director
Big Clay #4, a 12-meter sculpture by Swiss artist Urs Fischer, was installed in Moscow in August 2021 and caused a mixed reaction. Gradually, the Russian context supplemented the work with two new parts – thus, from a single work, Big Clay turned into a triptych.
Dreams in the Area
Screenplay
The first film project of the V – A – C Foundation film almanac “Dreams in the Area” consists of 13 works by various authors and is compiled as a single kaleidoscope of urban life. The main theme of creative comprehension for the workshop participants was personal dreams and collective urban myths. Intertwined with each other, the plots of individual short films are combined into a single narrative field, combining meanings and images in a bizarre manner.
Dreams in the Area
Director
The first film project of the V – A – C Foundation film almanac “Dreams in the Area” consists of 13 works by various authors and is compiled as a single kaleidoscope of urban life. The main theme of creative comprehension for the workshop participants was personal dreams and collective urban myths. Intertwined with each other, the plots of individual short films are combined into a single narrative field, combining meanings and images in a bizarre manner.
Twin Fences
Director