Guston Sondin-Kung

The Woman, The Orphan, and The Tiger explores ways in which trauma is passed on from previous generations to the present through a sense of being haunted. Following a group of international adoptees and other women of the Korean diaspora in their 20s and 30s, the film uncovers how the return of the repressed confronts and destabilizes narratives that have been constructed to silence histories of pain and violence inflicted onto the bodies and lives of women and children.

The Woman, The Orphan, and The Tiger explores ways in which trauma is passed on from previous generations to the present through a sense of being haunted. Following a group of international adoptees and other women of the Korean diaspora in their 20s and 30s, the film uncovers how the return of the repressed confronts and destabilizes narratives that have been constructed to silence histories of pain and violence inflicted onto the bodies and lives of women and children.

The Woman, The Orphan, and The Tiger explores ways in which trauma is passed on from previous generations to the present through a sense of being haunted. Following a group of international adoptees and other women of the Korean diaspora in their 20s and 30s, the film uncovers how the return of the repressed confronts and destabilizes narratives that have been constructed to silence histories of pain and violence inflicted onto the bodies and lives of women and children.