David Craig

"All of my work has been affected by my life and my being. It's not an abstraction. It's about my reality." True to his word, Canadian artist Max Dean's latest creations take the artist's prostate cancer diagnosis as subject. Striving to visualize the physical and psychological manifestations of his disease, Dean ponders the interrelated themes of time, aging and illness in a number of new works. When his partner, artist Martha Fleury, is diagnosed with an aggressive form of ovarian cancer, he folds her threatening tumour into his installations as well. Creating works of various scales, including defunct animatronic figures from a decommissioned Ontario Place amusement ride, he evokes a sense of wonder and awe. Through the journey of his artistic exploration, Max Dean confirms he is Still Max—always curious and thoughtful, always seeking to know himself. Aisha Jamal

人類滅亡の日である「審判の日」は回避されたが、まだ危機は去っていなかった。メキシコシティで父と弟とごく普通の生活を送っていた21歳の女性ダニーのもとに、未来から最新型ターミネーター「REV-9」が現れ、彼女の命を狙う。一方、同じく未来からやってきたという女性戦士グレースが、ダニーを守るためにREV-9と壮絶な戦いを繰り広げる。何度倒しても立ち上がってくるREV-9にダニーとグレースは追いつめられるが、そこへ、かつて人類を滅亡の未来から救ったサラ・コナーが現れる。