Margherita Panizon

Simone is a young boy who likes to hike among the bushes of the Trieste Karst, in his magical childhood world where he hides to feel free. He is a “ghost” to his peers who know him only for what they see: someone different, labelled by simplistic stereotypes. Sayid, on the other end, is a young migrant, one of the many teenagers who, like ghosts, leave traces on those same paths. These two creatures meet in a magical place and help each other make themselves less invisible in their own eyes, through a short journey through the woods towards the real world. On this journey, the two get to know each other and learn about the other’s fears and passions, realising they are not as different as they seem.

Simone is a young boy who likes to hike among the bushes of the Trieste Karst, in his magical childhood world where he hides to feel free. He is a “ghost” to his peers who know him only for what they see: someone different, labelled by simplistic stereotypes. Sayid, on the other end, is a young migrant, one of the many teenagers who, like ghosts, leave traces on those same paths. These two creatures meet in a magical place and help each other make themselves less invisible in their own eyes, through a short journey through the woods towards the real world. On this journey, the two get to know each other and learn about the other’s fears and passions, realising they are not as different as they seem.

Simone is a young boy who likes to hike among the bushes of the Trieste Karst, in his magical childhood world where he hides to feel free. He is a “ghost” to his peers who know him only for what they see: someone different, labelled by simplistic stereotypes. Sayid, on the other end, is a young migrant, one of the many teenagers who, like ghosts, leave traces on those same paths. These two creatures meet in a magical place and help each other make themselves less invisible in their own eyes, through a short journey through the woods towards the real world. On this journey, the two get to know each other and learn about the other’s fears and passions, realising they are not as different as they seem.

It's a documentary that examines the development of a group of teenage kids from the outskirts of Naples and their involvement in a theatre group. Chiara Stella, Domenico and Alessio are all 15 years old and every Monday they go to theatre classes at the Centro Asterix, a recreational space with a small theatre, located in San Giovanni in Teduccio, a district in the eastern suburbs of Naples. The film closely follows the relationships between the children and their teachers; Nicola encourages the children to look into themselves and find ways of facing life with a conscious and above all calm approach. The stories, the needs and personalities of Chiara Stella, Domenico and Alessio emerge through crises, successes and reflection; they open up to each other thanks to the methods and direction of Nicola and through improvisation on the stage. The theatre thus becomes a space for discussion and self-analysis.