Josefina Pérez-García

After the sudden death of his father and finding out he is going to lose the house where him and his family have vacationed at for over 25 years, Nancho and his family will seek for a way to sabotage the sale and will fight for the house that belongs to them, where they have grown up and formed many memories. But the attachment and disobedience of Nancho will lead to the family taking drastic decisions.

Chile, 1976. Carmen heads off to her beach house to supervise its renovation. Her husband, children and grandchildren come back and forth during the winter vacation. When the family priest asks her to take care of a young man he is sheltering in secret, Carmen steps onto unexplored territories, away from the quiet life she is used to.

It traces the work of Vicente Ruiz and his creative process, the emotional impulses behind his work and the constant search for change. With archival footage and testimonies, the documentary explores the social role of art through one of the leading figures of Chilean counterculture in the 1980s.

The real estate industry has destabilized the natural surroundings of the city of Concón, on the Chilean coast, forcing the inhabitants and landscapes of the region to find new ways to adapt and survive. “Nidal” depicts the cohabitating of species and the accelerated transformation of the landscapes due to human occupation.

The real estate industry has destabilized the natural surroundings of the city of Concón, on the Chilean coast, forcing the inhabitants and landscapes of the region to find new ways to adapt and survive. “Nidal” depicts the cohabitating of species and the accelerated transformation of the landscapes due to human occupation.

The real estate industry has destabilized the natural surroundings of the city of Concón, on the Chilean coast, forcing the inhabitants and landscapes of the region to find new ways to adapt and survive. “Nidal” depicts the cohabitating of species and the accelerated transformation of the landscapes due to human occupation.