Raquel Álvarez

In the aftermath of a personal tragedy, Harper retreats alone to the beautiful English countryside, hoping to find a place to heal. But someone — or something — from the surrounding woods appears to be stalking her, and what begins as simmering dread becomes a fully-formed nightmare, inhabited by her darkest memories and fears.

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

Mario, an exemplary man, lives in a village on the Galician coast. In the old people’s home, where he works as a nurse, everyone appreciates him. When the best known narco in the area, Antonio Padín, recently released from prison, enters the residence, Mario tries to make Antonio feel at home. Now, Padín's two sons, Kike and Toño, are in charge of the family business. The failure of an operation will put Kike in jail and cause them to owe a large debt to a Colombian supplier. Toño will turn to the nurse to try to convince his father to assume the debt. But Mario has his own plans.

父を亡くしたベロニカは、働き詰めの母親の代わりに、毎日幼い弟妹の世話をしていた。そんなある日、マドリードの街に日食が訪れ、学校の生徒たちが屋上へと観察に向かう。一方ベロニカは、同級生と地下室にこもり、降霊術の文字盤を使って霊を呼び出そうとしていた。母親に甘えられず寂しさを感じていたベロニカは、亡き父の霊と話したかったのだ。しかし、上空で月と太陽が重なった瞬間、突然文字盤が割れベロニカは気絶してしまう。その日から、ベロニカの周囲で奇妙な出来事が起こり始める。そして、どこからか彼女の名前を呼ぶ声がこだまするが…。