Lars Hjelm

参加作品

Sju ton bomber per person
Director of Photography
In 1970, writer/reporter Ingrid Dahlberg and photographer Lars Hjelm from the Swedish National Television visited North Vietnam as the very first foreign team in the disbanded areas at the 17th latitude, the central parts of North Vietnam.
Sju ton bomber per person
Writer
In 1970, writer/reporter Ingrid Dahlberg and photographer Lars Hjelm from the Swedish National Television visited North Vietnam as the very first foreign team in the disbanded areas at the 17th latitude, the central parts of North Vietnam.
Svart vecka i Nimba
The Liberian American Swedish Mining Company (LAMCO) was a mining company that mined iron-ore in northern Liberia at the Nimba massif. About 15,000 Swedes worked for Lamco and the project was cited as a successful example of international cooperation. But in this film the Swedish TV viewers were presented a very different picture. The film broke with the conventional African portrayal and the Swedes in Liberia were portrayed as colonial-era heirs. The film was supplemented with a debate.
Svart vecka i Nimba
Director of Photography
The Liberian American Swedish Mining Company (LAMCO) was a mining company that mined iron-ore in northern Liberia at the Nimba massif. About 15,000 Swedes worked for Lamco and the project was cited as a successful example of international cooperation. But in this film the Swedish TV viewers were presented a very different picture. The film broke with the conventional African portrayal and the Swedes in Liberia were portrayed as colonial-era heirs. The film was supplemented with a debate.
Svart vecka i Nimba
Producer
The Liberian American Swedish Mining Company (LAMCO) was a mining company that mined iron-ore in northern Liberia at the Nimba massif. About 15,000 Swedes worked for Lamco and the project was cited as a successful example of international cooperation. But in this film the Swedish TV viewers were presented a very different picture. The film broke with the conventional African portrayal and the Swedes in Liberia were portrayed as colonial-era heirs. The film was supplemented with a debate.