Daniel Sosa Segura

参加作品

13 Exorcisms
Director of Photography
After participating in a séance, young Laura begins to behave strangely. Alarmed, her parents ask Father Olmedo, one of the few exorcists authorized by the Vatican to intervene in cases of demonic possession, for help.
32 Malasana Street
Camera Operator
Malasaña neighborhood, Madrid, Spain, 1976. While political turmoil ravages the streets all over the country, the Olmedo family arrives in the big city and settles into their new apartment. They soon discover that they are not the only ones roaming its corridors.
32 Malasana Street
Director of Photography
Malasaña neighborhood, Madrid, Spain, 1976. While political turmoil ravages the streets all over the country, the Olmedo family arrives in the big city and settles into their new apartment. They soon discover that they are not the only ones roaming its corridors.
Furia libertaria
Camera Operator
San Sebastián de los Reyes Bullring, Madrid, Spain, March 27, 1977. In response to the strange political alliances that were taking place between antagonistic forces in search of a self-serving consensus, the anarcho-syndicalist union CNT organizes a rally to denounce the reprehensible machinations of its adversaries. (Documentary shot in 1977; edited and released in 2011).
Notes on the Other
Director of Photography
On July 13, 1924, Ernest Hemingway was on a balcony in Pamplona, Spain and saw a wounded main lying on the other side of the street. He became consumed with the feeling that he was that man, seeing himself in the near-dead Spaniard who had been attacked by bulls. "I am him," Hemingway later wrote. It was the very first time he wanted to be someone else, so he created the character of the adventurous writer. Notes on the Other follows the example of Hemingway's remarkable sensation in the form of an annual Hemingway lookalike contest in Key West, Florida. Dozens of older men do their utmost to be Hemingway, but what are they looking for?
TU(a)MOR
Director of Photography
¿Y a mí quién me cuida?
Cinematography