My Mother's Castle (Le chateau de ma mere) is a sequel and companion piece to My Father's Glory (La Gloire de Mon Pere), both based on the childhood recollections of Marcel Pagnol. Like its predecessor, the movie explores the adventures of the young Marcel during his summers at the family summer home in Provence.
French adaptation of Marcel Pagnol's memoirs of his childhood in the countryside, early in the century.
Having escaped from prison Ristack contacts his partner, to organize an attack on a van full of gold. The heist goes well but each man is trying to keep all the loot for himself...
Thief
L'Amant de Jeanne
A brash and precocious ten-year-old comes to Paris for a whirlwind weekend with her rakish uncle. He and the viewer get more than they bargained for, however, in this anarchic comedy that rides roughshod over the City of Light. Based on a popular novel by Raymond Queneau that had been considered unadaptable, the audacious Zazie dans le Métro, made with flair on the cusp of the French New Wave, is a bit of stream-of-consciousness slapstick, wall-to-wall with visual gags, editing tricks, and effects.
The holdup of the bank is a success. All happened according to plan. Now, Cyril Gad and his four accomplices must secure an alibi. What better place than a prison cell? As a result the five gangsters have themselves arrested on minor charges and start waiting until they are released. Unfortunately three of them die mysteriously, another one is openly murdered. The only man still alive, Tony, is scared. Easy to understand why...
Representing the French authority in Morocco, Captain Ardant is the target of the bloodthirsty rebel leader Malek. In order to appropriate himself in arms, he does not hesitate to take the captain's collaborator hostage and to do despicable blackmail.
(uncredited)
Identite Judiciare stars Raymond Souplex as wily French police inspector Basquier. The villain is Berthet (Jean Debucourt), a high-ranking government official. Basquier suspects that Berthet is a vicious murderer, but is unable to prove anything thanks to bureaucratic interference. Thus, the good inspector plays a waiting game a la Columbo, hoping for that one fatal slip on the part of the killer. Certain portions of Identite Judiciare proved a bit too intense for American audiences, and were accordingly snipped by the censors.
