The Nun
Beautifully shot in black and white, it blends conventional narrative technique with impressionistic camerawork, symbols and voiceovers to create an intimate study of sexual expression and repression. It begins with footage from a stylish old potboiler about an isolated convent, whose tale of passions leashed and unleashed provides the leitmotif for a young lesbian who watches it and the lonely nun she pursues and seduces. As the two women's lives come closer to joining, voiceovers from the biography of a 16th century lesbian nun and the reminiscences of a woman's closeted romances at a Catholic school flesh out the theme. When the two women finally meet and make love, the woman's careful unwrapping of the nun's complicated prison of clothing is both foreplay and liberating metaphor.
Self
This short, introduced and closed by Louis Sobol, features Richard Gordon as ‘Sherlock Holmes of the air.’ Not long after one broadcast explaining in a story how a murder was committed an actual murder is committed using the same technique. The police then call Gordon in to help solve the crime. The rest of this short with an ‘all-star cast’ (as the title card announces) includes Jack Fulton, Alice Joy and Peggy Healy. The latter 3 singers, however, do not participate in the plot of the 21 minute short, but provide musical interludes to it.
