Sound
Santos bases his self-described "video letter from Hong Kong" on the ambiguity of the word "frame." He refers to the picture or camera frame, as well as to the variable frame rate of digitally manipulated video, and, finally, to the act of framing as a process by which one names, describes, and in some sense colonizes, the object of perception. Images of transit — commuters, buses, boats, subways — stop and start, run backward, and flutter across the screen, yielding brief glimpses of a face or a gesture, as if they are being scanned for meaning. Indeed, by directly addressing the viewer through flashes of text ("Have you ever been framed?"), Santos suggests the colonial history that haunts everyday life in modern Hong Kong.
Sound
In this haunting work, Santos creates an elegiac mood that suggests both intimacy and loss. Based on a poem by Sandra Penna, which was inspired by a children's song about a couple who has broken up, this tape overturns the sunny idealism and rhymes typically found in children's songs. Contradictory feelings, imperfect remembrances and the inaccuracy of time are suggested by the poignant collage of home movies, voiceover, and music.
