Casting Director
Lucy Kirkwood’s Maryland takes us to the dark heart of male violence against women but manages to do so with humour and wit. An outstanding cast explores an urgent issue.
Casting
In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.
Casting
December is the busiest time of year for London’s hospitals. For one particular team it’s business as usual, even with the seasonal upsurge. Brian, the urology consultant, is audaciously trying to convince his superior, Mr Leffe, to swap irksome patients. Newcomer Emily has already discharged 5 people and it’s not even 10am. Her boyfriend James, a dishy doctor, is as usual engaged in charming his superiors – not to mention the eye-catching Rebecca. Feisty senior house officer Mark is wrestling with his bossy mentor Vashti to allow him to be more hands-on. And throughout it all, John, the cardiology registrar, simply can’t find a minute in the day to enjoy his roast turkey sandwich…
Casting
Interspersed with a commentary by a female narrator,who at times assumes their roles,the father,mother and daughter and son of a black,South London family commence their day and we follow them through it in all its mundanity until it climaxes in a random act of violence,killing one of the family and taking up the after-math.
Casting Director
Good follows a music-loving German professor in the late 1930s as he contemplates the philosophical underpinnings of shocking Nazi party policies
