Mauricio Esquivel

参加作品

I Have Electric Dreams
Costume Design
Eva can't stand the fact that her mother wants to renovate the house and get rid of the cat, which, disoriented since the divorce, pees everywhere. Eva wants to go and live with her father, who, disoriented like the cat, is experiencing a second adolescence. And Eva follows him while he tries to reconnect with his desire to become an artist and find love again. But like someone who crosses an ocean of adults without knowing how to swim, Eva will also discover the rage that gnaws at him, and that without knowing it, she has inherited from him.
I Have Electric Dreams
Production Design
Eva can't stand the fact that her mother wants to renovate the house and get rid of the cat, which, disoriented since the divorce, pees everywhere. Eva wants to go and live with her father, who, disoriented like the cat, is experiencing a second adolescence. And Eva follows him while he tries to reconnect with his desire to become an artist and find love again. But like someone who crosses an ocean of adults without knowing how to swim, Eva will also discover the rage that gnaws at him, and that without knowing it, she has inherited from him.
Night Light
Editor
Through landscapes fueled by silence, resentment and brief moments of joy, Ale, a seventeen-year-old woman, will try to protect her two younger siblings from the seething truth, their mother has left them and is not coming back.
Night Light
Production Design
Through landscapes fueled by silence, resentment and brief moments of joy, Ale, a seventeen-year-old woman, will try to protect her two younger siblings from the seething truth, their mother has left them and is not coming back.
Parcialmente Nublado Con Peligro De Tormenta
Costume Designer
Parcialmente Nublado Con Peligro De Tormenta
Production Design
Father
Editor
Tomás misses his dad. And death, paternity, love… these concepts are mysteries that Tomás, a catholic priest, would like his father to explain him. That's why he constantly visits his tomb with hope of hearing a truth.
Land of Ashes
Costumer
Selva, thirteen years old, discovers that when we die we just shed our skin. We can turn into wolves, goats, shadows, or anything as long as your imagination allows it.
Violeta at Last
Assistant Editor
Recently divorced, 72-year-old Violeta lives alone in her childhood house, tending to her lush tropical garden and making plans to turn her property into a boarding house. When she discovers the bank is about to take away her house, she breaks all the rules to hold onto her home and her freedom.
Selva
Production Design
The land expels and the ocean drowns, departures repeat themselves in every generation. Selva dances within voices and memories; in a game that prepares her for the inevitable separation.
Selva
Art Direction
The land expels and the ocean drowns, departures repeat themselves in every generation. Selva dances within voices and memories; in a game that prepares her for the inevitable separation.
Selva
Wardrobe Coordinator
The land expels and the ocean drowns, departures repeat themselves in every generation. Selva dances within voices and memories; in a game that prepares her for the inevitable separation.
Tempo: La Orquesta Sinfónica Nacional de Costa Rica
Editor
In 1940, Costa Rica ever having a symphony orchestra seemed like a dream: few prepared musicians, limited resources and no music academy made it impossible to imagine. However, one was created. 75 years later one of the nation's greatest cultural institutions has overcome controvertial rennovations, economic crises and lack of leadership, yet it's always been focused on excellence. In this documentary, the glories and tribulations of The National Symphony Orchestra are examined through the voices of its protagonists.