Rex Watts

Some people say love is sex, sex is love. While others say sex is a four letter word. Sylvia is a love columnist who is writing a book on love stories. On a warm summer night she has invited six friends to tell true stories of their intimate love and sexual experiences. During the course of the evening the boundaries between love, sex and friendship narrow. People are exposed, fears are shared, friendships tested and relationships are destroyed and new ones formed. SEX IS A FOUR LETTER WORD is a contemporary film about love in the 1990s.

Set in the summer of 1910 in Australia the film follows the story of 14 year old Alan Marshall (Alexander Outhread) as he stumbles out of childhood towards the exciting yet forbidding world of adulthood. For Alan, despite the effects of polio, there is only one passion in life - to become a great horseman just like his hero, the reclusive horse trainer East Driscoll (Russell Crowe). Alan is one of East's few friends and also one of the few who knows about the affair between East and the aristocratic English woman Grace McAlister (Charlotte Rampling). Things inevitably take a turn towards the tragic when East becomes determined to force Grace to leave her husband and run away with him. Hammers Over The Anvil is an evocative coming of age film from Australian director Ann Turner.

Over the five days after a military coup, army troops arrive to enforce martial law and encounter a growing resistance movement.

The inmates and guards of a modern, clean and efficient maximum security wing are slowly and increasingly brutalized until they erupt in violence. Dark and macabre, and based in truth, the story is told in a traditional dramatic style combined with telephone interviews and narration.

The action moves along quickly, jumping over holes in the script, in this made-for-television drama about Eve, an ex-terrorist from Germany who is forced to escape to Australia with her teenage daughter Chrissie when she is sought by Riley, a lover from 17 years in the past. In turn, the IRA has sent two members after Riley because he shot an IRA soldier and must pay the consequences. The two IRA operatives looking for Riley come across a really nasty biker who wants vengeance on Eve for setting his car on fire -- and the three men finally track her and Chrissie to the wine-growing country of Barossa Valley. The final denouement is about to explode, as Riley also arrives on the scene. With under-par acting and a patchy plot, this film was never released theatrically.